Guy Nelson: Tales from the Understory at The North Dakota Museum of Art

Hot Air
Guy Nelson, The Road Not Taken, North Dakota Museum of Art

The North Dakota Museum of Art’s latest exhibition, Guy Nelson: Tales from the Understory, is a multidisciplinary solo show focused on the woodlands and prairies of the upper Midwest. Featuring sculpture, painting and video, the exhibition will be on display through July 20, 2025. This exhibition marks the tenth in the Museum’s Art Makers Series, an annual award for artists with connections to the region, which is underwritten by Dr. William F. Wosick of Fargo.

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Art Spiel Picks: Boston Exhibitions June 2025

Highlights
Lucy Kim: Pigment Spells at Praise Shadows Gallery, Brookline, MA. Photo by Dan Watkins, courtesy of Praise Shadows Gallery

Several wonderful exhibitions are on view in Boston this month and many more are scheduled for the summer, along with artist talks, performances, and events. Boston’s Public Art Triennial kicked off with a ribbon cutting and a party to celebrate the arrival of several new public art installations around the city for art goers to enjoy throughout the summer. The schools are getting ready for summer break but many of their galleries remain open with dynamic shows. Whether you visit the city, the Cape, or the Islands over the next few months, there is always something to see. Here are a few highlights to consider.

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Being There, with Weihui Lu

In conversation
Weihui Lu at Wave Hill, March 2025, photograph by Jan Dickey

Terra Keck and Jan Dickey caught up with artist Weihui Lu a couple of weeks after she completed a residency at Wave Hill in the Bronx. At the time, Weihui was reflecting on that experience while also preparing for her current solo show, when there is no longer a danger of frost, at Tempest Gallery in Ridgewood, Queens. An installation artist with roots in Chinese landscape painting, Weihui continues to explore impermanence, a delicate and sparing use of material, and humankind’s relationship to the natural environment. Her installation at Tempest draws its source material from an aging greenhouse she spent time contemplating during her residency at Wave Hill—understood as a physical embodiment of human systems of care, including their inevitable collapse and repair.

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Lance Rautzhan and Cabin Contemporary      

In conversation
Lance Rautzhan standing in front of Cabin Contemporary. Photo courtesy of Cabin Contemporary

Established in June 2022, Cabin Contemporary culls local, urban, and international artists for solo and group exhibitions, hosting contemporary art concepts and dialogue in a rural context, from April through October. Multidisciplinary artist and educator Lance Rautzhan curates exhibits of installation, new media, painting, and outsider art in an outbuilding on his family farm near the Appalachian Trail, Hawk Mountain Sanctuary, and Pennsylvania State Game Lands.

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Art Spiel Picks: Manhattan Exhibitions in May 2025

HIGHLIGHTS
Holding Water: Mary Mattingly

This month’s Manhattan highlights focus on artists tapping into the natural world, where these practices converge with the man-made in a clash of stunning reinvention and compelling engagement. These exhibitions channel the experimental through exploratory processes that harness our attention and hold us in their spell.

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Ghada Amer: New Directions and Disobedient Thoughts at Marianne Boesky Gallery

Installation view

Upon entering this exhibition, I was taken to the wall pieces immediately, especially the use of vibrantly colored embroidery string mimicking paint strokes on the canvas. Art historical references and connections are very prevalent in the works of this exhibit. It was refreshing to see this conversation of the painting canon being brought up in a contemporary light by the use of this novel medium. Amer’s love and interest in the history of painting is apparent, and her works show art historical influences intertwined with intuition and a strong painterly hand that is present despite there being no paint in the show.

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Into the woods – Immi C. Storrs at The Century Association

Immi Storrs, Trees with Man and Birds

Immi C. Storrs is obsessed with depth: she manipulates it, refusing to render it as-is. Instead, her adventures in depth-perception range from steeply sloping forests—her favorite subject— to thickly layered glass light-box dioramas, and to truncated and oddly meshed animal forms in bronze. While the animals merge together into multi-legged seemingly mythological beasts, or emerge pseudo-two dimensionally from a bronze cube, it’s less about the creatures themselves—horses, sheep, and oxen, but more of a slow-down lugubrious space in which forms melt together and time becomes unpredictable.

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Naomi Lev and the Art of Process Curating

In Dialogue
Installation view with Naomi Lev at The Space Between Knowing exhibition at The TL Studio. Photographed by Argenis Apolinario. Left (top to bottom): Shony Rivnay, The Loss of Innocence Squared, 2022, Acrylic on canvas, 43.3 x 43.3 inch; Shony Rivnay, Keep Movin’, 2023, Acrylic on canvas, 43.3 x 43.3 inch. Right: Shony Rivnay, Initiation of Movement No.1, 2022, Acrylic on canvas, 61 x 77 inch.

Naomi Lev is a curator, cultural program director, and arts writer based in New York City. She works closely with living artists and calls her approach “Process Curating”—a method that follows a project from its earliest stages through final installation. It’s about long-term exchange and staying present as ideas shift.

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Duae Lingua at the Romanian Cultural Institute

In Dialogue
Curator Daniela Holban with artists Adina Andrus, Alex Wolkowicz, Katya Grokhovsky, Lilian Shtereva, Elena Kalkova, and Luisa Tuntuc – Deputy Director of the Romanian Cultural Institute, at the Duae Lingua exhibition, Brâncuși Gallery, 2025. Image Courtesy of the Romanian Cultural Institute. © Johnny Vacar

The group show Duae Lingua at The Brâncuși Gallery in the Romanian Cultural Institute began as a personal reflection on curator Daniela Holaban’s migration journey from Romania to the United States and gradually evolved into a broader curatorial inquiry into dual identity and cultural translation through the lens of Eastern European women artists. “Initially, I was interested in the dissonance between linguistic and cultural fluency—how even after mastering a language, true belonging can remain elusive,” says Holban. In this interview with Art Spiel, Daniela Holban elaborates on how that concept became the foundation for the exhibition, using language as both metaphor and framework to explore themes of identity, memory, and assimilation.

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Mark Dagley at Abaton Project Space

In Conversation
Mark Dagley and Lauri Bortz of the Abaton Project Room

Mark Dagley is an artist who has exhibited his paintings and sculptures, which explore the intersection of abstraction and materiality, in New York and Europe since the 1980s. Lauri Bortz is a playwright and author whose farcical tragedies have been performed in theaters in New York, and over the past decade, she has created a series of children’s books. Abaton Project Room, or APR, is a temporary exhibition space conceived by Lauri, located at 11 Broadway, in the historic Bowling Green Office Building in Lower Manhattan. Over a one-year period (August 2024-2025), APR is alternating monthly presentations of Mark Dagley’s work—paintings, sculpture, and works on paper—with thematic group exhibitions as well as selections from Mark and Lauri’s personal collection.

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