Elizabeth Hazan at Turn Gallery

In Dialogue with Elizabeth Hazan

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Elizabeth Hazan, High Noon, 2020, oil on linen, 60” x 50” , photo: James Marcus-Wade

The small and large scale paintings Elizabeth Hazan made this summer will be in a two person show with the British painter Nicola Stephanie, who makes three dimensional wall works, at Turn Gallery. The New York City gallery has just moved from the Lower East Side to a townhouse space at 68th street between Madison and Park, an area with a lot of galleries nearby. The exhibition opens on October 30th.

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Lacey McKinney in Domestic Brutes at Pelham Art Center

In Dialogue with Lacey McKinney


Lacey McKinney at McColl Center for Art + Innovation, 2019,.Courtesy Chris Edwards Photography

Lacey McKinney who resides in Upstate New York, is drawn to the alchemy of processes like painting and alternative photography. For the last several years, McKinney has worked within the framework of painting, using figuration to reference embodiment. Usually splitting her time between working in the studio and teaching, this year she feels lucky enough to embark on a one-year teaching sabbatical, which has given her extra time for experimentation with other media such as using cyanotype process to make photograms that incorporate into collage and mixed media works. The artist shares some insights on her body of work in Domestic Brutes, the all women group show at the Pelham Art Center which engages the visitor with diverse approaches of what feminism means in American society today.

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Meg Atkinson – Painting as a Leap of Faith

One Tree, Two Mouthy Ghosts, 2019, Oil on canvas, 30 x 40 inches, photo courtesy Max Yawney

Meg Atkinson‘s paintings resemble puzzles open to multiple solutions. Her imagery is embedded with associative literary and visual layers, as clues to an open-ended riddle. Meg Atkinson shares with Art Spiel what brought her to art, as well as the way she has developed her approach to mark-making, space, gird, and color.

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Gabriel J. Shuldiner – Hybridsculptural Bruteminimalism


sLAY1_2019, postapocalypticblack®* [ modified acrylic polymer emulsion | carbon black pigment | calcium carbonate | water | modified industrial urethane enamel | modified polyurethane thermoset cellular plastic | vinyl acrylic co-polymer emulsion | acrylic stain-block sealant | mastic adhesive | polyurethane adhesive | solvent-based ink | nuisance dust | studio detritus | spit | air | light ]*proprietary | chrome enamel spray aerosol | cotton duck canvas | repurposed polystyrene | blackened stainless steel flat head hinge screws | reinforced galvanized steel wire, overall dimensions: 20.75 x 19 x 5.25 in.

Gabriel J. Shuldiner dislikes categorization of his work to the point that he invents new “isms” to describe its allusive hybridity – its DNA can be traced to abstraction with elements of minimalism, expressionism, and Arte Povera. While Shuldiner’s use of material is extensive , his use of color is restricted to mostly black, with tinges of other colors at times. Gabriel J. Shuldiner shares with Art Spiel some of his thought and work processes.

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Instagram’s Shadow

In Dialogue with Curator Jac Lahav

Tiffany Saint Bunny: Bumper Sticker

Now that many cultural institutions are still closed and we get much of our visual information from social media, artist and curator Jac Lahav has launched the provocative group show Instagram’s Shaodw exploring through the stories of 17 artists how their artwork is being censored on social media and how they are fighting back. The show started in June 1st and will be online through August 31st, then it will go live on the website as an archived history. It includes work by Betty Tompkins, Christen Clifford, Chiara No, Clarity Haynes, Joanne Leah, Raw Meat Collective (Kyle Quinn), Karlheinz Weinberger, Kumasi Barnett, Lissa Rivera, Leah Schrager, Michael X Rose, Micol Hebron, Peter Clough, Shona McAndrew, Steve Lock (Bill Arning), Sara Jimenez, and Tiffany Saint Bunny. Jac Lahav discusses here why he sees this group show as particularly timely and shares the background for some of the work.

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Paulette Myers-Rich – Eyes with a Sense of Touch 

Soft Black Petal, silver gelatin print, 20×24”, 1985

Paulette Myers-Rich ‘s photography-based art books and prints reference abstracted landscapes where industry and nature intersect. Paulette Myers-Rich has consistently focused her gaze on the very moment of transformation in both interior and exterior spaces, when a place, nature, history, altogether shift. The artist shares with Art Spiel how she has developed her practice, her notions on book making, and how she sees her role as an artist today.

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Center for Creative Works – Human Development

In Dialogue with Lori Bartol and Samantha Mitchell

Untitled (Herbies), by Doug Tan. Image credit: CCW/Virginia Fleming

Center for Creative Works (CCW) is a PA based unique professional art studio where artists with intellectual disabilities can access not only equipment and supplies but also dedicated mentorship, including help in promoting their work. Furthermore, it offers a
permeable space which prompts collaboration and idea sharing between CCW artists, artists outside of the studio, and community members at large. Lori Bartol, director, and Samantah Mitchell, exhibition coordinator, share with Art Spiel their vision for the organization and an insight into some of CCW artists’ work. Lori Bartol has recently revisited our discussion on how her team and artists have coped with the pandemic.

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Kyle Staver – New Work at Zürcher

In Dialogue with Kyle Staver


Kyle Stave, Venus and the Octopus, 2020, Oil on canvas, 70 x 58 in / 177,8 cm x 147,3 cm, Image courtesy of the Artist and Zürcher Gallery, NY/Paris

Kyle Staver’s second solo show at Zürcher Gallery in New York features new paintings, relief sculptures, drawings, and aquatint etchings through July 24th. In this interview Kyle Staver shares some ideas on her work process, touches upon the narrative and mythological elements in her work, and gives us an insight on her notion of art history.

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Confronting History through Herstory

ecofeminism(s) at Thomas Erben Gallery

Installation view of ecofeminism(s) curated by Monika Fabijanska, left to right: Eliza Evans, Sonya Kelliher-Combs, Hanae Utamura, Betsy Damon, Aviva Rahmani, and Jessica Segall. Thomas Erben Gallery, New York, June/July 2020 (photos: Andreas Vesterlund).

The exhibition ecofeminism(s), on view at Thomas Erben Gallery from June 19th to July 24th, will reopen Tuesday, September 8th through Saturday, September 26th, 2020. Curator Monika Fabijanska brings together works of sixteen artists in graceful, yet dense and thoughtful way as a museum show would. Albeit in the gallery consistently staging pivotal and sophisticated exhibitions,including among many others shows of Senga Nengudi, Dona Nelson, Painting Forward and Looped and Layered – Contemporary Art from Tehran.

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Bianca Severijns - Paper Transformations

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Bianca Severijns is a Dutch born artist who lives in Israel. Her sculptural installation range from wearable sculpture to wall relief made of paper. Through an elaborate process she utilizes this medium with remarkable skills to create simultaneously playful and thought provoking sculptures which evoke reflections on displacement, the meaning of a safe home, and coping mechanisms. For instance, her Blanket sculpture which is currently showing at the recently opened TLV Biennial 2020 particularly resonates with the angst during the pandemic. Since we have finalized the interview process before the COVID-19 pandemic struck, we have recently re-visited our last question in order to bring her responses up to date.

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