For Mie Yim painting is like falling backward without a net. Her approach to painting is highly intuitive and her process seems to grow organically out of her life experience. In the interview with Art Spiel she shares some background on her art, process, and current show at Ground Floor Gallery.
Mie Yim, Pearly whites, 2018 ,,Oil on canvas, 16”x20”, photo credit Christian Nguyen
Christine Romanell’s fascination with science and math is evident in her artwork. Her installations typically involve kinetic elements, light, and at times she is also collaborating with scientists, engineers, or other artists. Romanell shares with Art Spiel the impetus for her work, process, and exhibitions, including her current exhibition at “Everything Is Connected” at 1978 Maplewood Arts Center in NJ, a culmination of a year of work investigating rotational symmetry.
Christine Soccio Romanell, Cubed, 2018, 25 x 25 x 60 inches, Laser cut colored acrylic, courtesy of the artist
Mary DeVincentis paintings conjure worlds that are simultaneously inner and cosmic, personal and universal, unexpected yet strangely familiar. Some of the core concepts of Buddhism, such as impermanence, emptiness, interdependence and the origins of suffering, aversion and ignorance, often surface in her work in allegorical forms. Her imagery, conveyed with a remarkable fluidity of color and form, takes the viewer deep into their own inner worlds. The artist shared with Art Spiel some of the experiences that led her to art, some of the ideas behind her work, and her overall process.
Mary DeVincentis, Heaven Can’t Wait, 23” x 35”, acrylic on yupo on panel, 2017, photo courtesy of the artist
Carol Salmanson, Lightshift 1 with the artist, LEDs, reflective sheeting, plexi, beads, 50.5″ H x 69″W x 5.5″D, 2018
Carol Salmanson began as a painter and then gradually started embracing the use of LED lights in her work. In “Two Sides to a Coin,” Salmanson’s recent solo show at SL Gallery, she shows her paintings and light work side by side. This results in a dynamic conversation between the two forms. Salmanson shared with Art Spiel the genesis of her work, thought process, and projects. Continue reading “Carol Salmanson: Two Sides to a Coin”
Martina Menegon, Splits Are Parted, Film Still, 2016, photo courtesy of the artist
Laurie O’Brien is a visual artist, teacher, and culture maker. She has just launched in Bushwick her Peephole cinema project , a free public cinema showing short, experimental silent films 24/7, through a dime-sized peephole. In this interview with Art Spiel O’Brien talks about her experience as an artist and educator, her love of animation, and the story behind her project. Continue reading “Laurie O’Brien – Peephole Cinema in Brooklyn, a Path towards Generosity”
Leslie Kerby,Shots and Ills, 2015, mixed media collage, oil, paper, litho transfer ink, 18-x-20 inches. Photo credit Bill Orcutt
Leslie Kerby creates mixed media collages, installations, and diverse collaborative work with nuanced commentary on current social and cultural climate. In her interview with Art Spiel she sheds some light on her diverse professional background, art-making process, ideas, and plans. Continue reading “Leslie Kerby: At a Moment of Change”
It’s been a busy summer for Meryl Meisler. She has five images in The FENCE 2018, a photography exhibit in Brooklyn Bridge Park that runs through September 10th. The show will travel to Santa Fe, Boston, Atlanta, Houston, Sarasota, Denver, and Calgary.
Carole d’Inverno, “Where Are You From”, 3.5-x-12 ft, vinyl paint on paper, 2018, courtesy of the artist
Carole d’Inverno’s paintings can read as a coded language – idiosyncratic and universal at the same time. Her preparatory work involves meticulous research, specifically on historical aspects of a place and its inhabitants; yet her paintings seem to come together in a highly intuitive and fluid process. Throughout our conversations over recent years we have exchanged ideas about art and life. In this interview with Art Spiel, she shares some notions on the impetus of her work, process, and plans. Continue reading “Carole d’Inverno: Down to its Barest”
In her poetic and playful installations Viviane Rombaldi Seppey coalesces everyday objects and materials, altogether bringing to mind contemporary issues of identity, culture and environment. Maps, phonebooks, and books become directly embedded in her work as drawings, collages or sculptural objects. She has recently shared in an interview with Art Spiel some of her ideas and experiences. Continue reading “Viviane Rombaldi Seppey – Mapping her Road”
Kelsey Shwetz, Rec Room, Oil and Acrylic on Canvas, 62”x32”, 2018, photo credit Lloyd Mulvey
Kelsey Shwetz’s paintings bring to mind fantastic landscapes and ornamented interior spaces at the same time. Her imagery depicts artificial environments saturated with unexpected color combinations, altogether conjuring intense psychological urgency- unsettling yet playful. In this interview with Art Spiel Shwetz shared some of her thoughts, specifically about color, narrative and style. Continue reading “Kelsey Shwetz – Other than Linear Reality”