Kylie Heidenheimer: Attenuated Figuration

Kylie Heidenheimer came to painting through an early interest in art restoration. After high school, she attended Grinnell College in Iowa, where she studied chemistry, art history, and 2-D studio art. Following her freshman year, she spent the summer as an art restoration intern at the Museum für Völkerkunde in then West Berlin. While there, she began drawing and painting with gouache on paper on her own. By the end of that summer, she had decided to pursue art seriously. Not long after, her focus shifted to oil painting. 

Her path toward abstraction grew out of a strong foundation in figurative work. After her sophomore year at Grinnell, she returned to St. Louis to attend art school at Washington University. The core program was rigorous and heavily figurative, with intensive anatomy drawing and figure sculpture classes, followed by a return to painting.

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Joyce Yamada: Contemplating the Human Species


Joyce Yamada, Portrait, 2019, photo courtesy of Nila Onda

Painter Joyce Yamada grew up on the west coast. She spent her childhood vacations in the beautiful national parks of the US and Canada where pristine forests and the Pacific coast were imprinted in her visual memory. She recalls that although as a teenager she realized that art is her task in life, struggling to survive by minimum wage work led her to medical school which she completed and then subsequently became a diagnostic radiologist. This science background has fed her mind and artwork ever since. Yamada says she is a painter because she conceptualizes in images rather than in words — “when puzzled, my mind juxtaposes or fuses unexpected images, often leading to new work,” she says. For instance, an early series, Body, Earth, came to her in art school — while looking at the hills across the bay from San Francisco she saw the low rounded hills as the reclining body of a woman. The juxtaposed imagery meant to her that we are intimately and indivisibly part of earth and of nature, that what we do to the earth we do to ourselves. She has subsequently seen this idea expressed in indigenous cultures, and it became central in her work.

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Lacey McKinney in Domestic Brutes at Pelham Art Center

In Dialogue with Lacey McKinney


Lacey McKinney at McColl Center for Art + Innovation, 2019,.Courtesy Chris Edwards Photography

Lacey McKinney who resides in Upstate New York, is drawn to the alchemy of processes like painting and alternative photography. For the last several years, McKinney has worked within the framework of painting, using figuration to reference embodiment. Usually splitting her time between working in the studio and teaching, this year she feels lucky enough to embark on a one-year teaching sabbatical, which has given her extra time for experimentation with other media such as using cyanotype process to make photograms that incorporate into collage and mixed media works. The artist shares some insights on her body of work in Domestic Brutes, the all women group show at the Pelham Art Center which engages the visitor with diverse approaches of what feminism means in American society today.

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Artists on Coping: Hallie Cohen

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.


Hallie Cohen at the American Academy in Rome working on Mi Ricordo III,ink on yupo paper, 60” x 144”. Photo by Francis Levy.

Hallie Cohen is a New York-based visual artist and curator. She is a Professor of Art, and Director of the Hewitt Gallery of Art at Marymount Manhattan College. Her subjects are topographies of real or imagined places, which toggle between abstraction and unreliable narration. Cohen explores natural phenomena, using the instability of the water-based medium to investigate the dynamic between chance and control and between conscious and unconscious thought processes. She has curated over 30 exhibits which explore science, psychology, neurology, politics, and the environment. She has recently had a virtual artist talk about her work.

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Artists on Coping: Sonomi Kobayashi

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.


Beauty of Chaos #1, 2018, Alcohol ink on Synthetic vellum paper cutouts, and collaged, 14 1/4” x 11 1/2”, © Sonomi Kobayashi All rights reserved

Born and raised in Japan, Sonomi Kobayashi, is a New York based artist who is interested in science, physics, stars, nature, and spirituality. Most of her work is symbolic and abstract.  They are based on images that she sees during her meditation.  She also paints symbolic shapes that she finds attractive in nature.

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