Katy Fischer and Marie Lorenz go back to the mid-90s and the printmaking department at RISD, where the sheer amount there was to learn on a technical level sealed both of their paths as artists. Cantilevers, their two-person exhibition at Roundabouts Now in Kingston, includes no printmaking at all — yet a printmaker’s habit of setting up a repeatable process and then letting it devolve runs through both bodies of work. Lorenz, who has operated a tide taxi in New York Harbor since 2005 in boats she designs and builds, shows kinetic, pendulum-based sculptures weighted with porcelain casts of objects found on the beach. Fischer’s script-like porcelain shapes and new mosaics draw on techniques with roots reaching back 1,500 years. In the conversation that follows, the two artists discuss their shared history, the systems behind their work, and the tension of balancing porcelain on a single point.
Continue reading “Cantilevers at Roundabouts Now”Xinyu Liu’s Fool’s Hour at Art Cake: Finding a home to Carry Onward
Upon entering the exhibition, you are greeted by pieces of various sizes and mediums, full of intricacies and exploration. With the pieces being smaller in size, besides the Ferris wheel, you have to get close to see the small details or the depth of space that opens into a world of its own within each piece. Within the works, Liu offers locations such as cities, darkened spaces, carnivals, and other places of transition. Places that one may find themselves when they are beginning to traverse or transition into someplace new. I appreciated that each work was either on the wall or a shelf, giving each a sense of its own place. The space around the pieces gives them an opportunity to breathe and allows viewers to look closely at one and flow seamlessly into the next.
Continue reading “Xinyu Liu’s Fool’s Hour at Art Cake: Finding a home to Carry Onward”Philadelphia Artist Studio Visits: Deirdre Murphy 2026
I met Dierdre Murphy for our studio visit at Rolling Hill Park on one of the first true days of spring. She strode up the forested lane with a bright smile, and I followed her to a yellow cottage nestled among the trees and many meandering hiking trails. Bathed in the sound of tweeting of birds, Murphy explained her long history of working with the Lower Merion Conservancy both as a volunteer and as their Climate Artist-in-Residence. There, she has created several site-specific works, including a spectacular mural translating bird migration data into bright organic shapes.
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