At Some Point, Every Household Object Stops Being Innocent

No one ever thinks the plate is going to become a problem.

A plate survives three apartments and one bad Thanksgiving. A suitcase gets hauled across borders or shoved beneath beds; sometimes it is packed in hope, sometimes because someone has no choice. An iron presses school clothes and funeral clothes, then outlives its usefulness and sits in a closet somewhere, still holding the pressure of human hands.

That is the animating idea behind extraORDINARY things, the quietly arresting exhibition at the Flinn Gallery in Greenwich Library.

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Lauren Whearty: Slippage between Abstraction and Image


Lauren Whearty in her Philadelphia Studio, August 2021, photo courtesy of the artist

Lauren Whearty paints mostly still life from observation and preliminary sketches. Occasionally she takes photos of things which serve in her painting process as cues to spark a sense of memory rather than a source for likeness. She builds her compositions with a collage-like construction, adding and removing objects from both the paintings and the still life set ups. She loves the process of fitting things into the grid of the canvas, playing between representing objects and maintaining a close sense of the flat painted surface. “Color for me is expressive, connects to memory and play in the studio. In using repeated objects, the excitement in experimentation comes from how an object is painted, from their color to their expression and what I can get paint to do,” she says.

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