Kyle Stave, Venus and the Octopus, 2020, Oil on canvas, 70 x 58 in / 177,8 cm x 147,3 cm, Image courtesy of the Artist and Zürcher Gallery, NY/Paris
Kyle Staver’s second solo show at Zürcher Gallery in New York features new paintings, relief sculptures, drawings, and aquatint etchings through July 24th. In this interview Kyle Staver shares some ideas on her work process, touches upon the narrative and mythological elements in her work, and gives us an insight on her notion of art history.
During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.
Untitled, 2020 oil and gouache on paper
Margot Spindelman is a painter living in Brooklyn, New York, whose most recent work is an intimate exploration of disorder, rupture, security and loss, expressed in the language of collage, as painted pieces are torn, drawn, reassembled. She has had solo shows in New York at both the Perlow Gallery and Platform Gallery. Her work has been shown in many group shows in New York and elsewhere. Spindelman is a recipient of both a New York Foundation for the Arts Fellowship in Painting (2004) and a George Sugarman Foundation Grant (2007). She received her Bachelors degree in Fine Arts from the University of Michigan, and her Masters of Fine Arts from the San Francisco Art Institute. Her work is featured on line by Gibson Contemporary.
During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.
Morgan Jesse Lappin b. 1979 is a visual artist, entertainer, musician and image-maker Lappin first started creating collage art in 2007 for a clothing company creating original designs. In 2008, Lappin moved to Brooklyn and began working with paper to create contemporary collages. His art, like his mind, is a combination of comedy and chaos with elements of music, vintage horror and sci-fi. Lappin’s work ranges from seven-foot- long cartoon metropolises, to fictional album covers, to take-out Greek diner coffee cups embedded with tiny paper worlds. He uses nostalgic material from his childhood from the 80s, such as VHS Tape boxes, video game cartridges, and any other 80’s household items that could cause you to experience flashbacks. Having a background in collecting and curating, he set out to assemble some of his favorite collage artists from NYC, and so in 2013 the Brooklyn Collage Collective was born. The BCC has now exhibited all over the world and has a strong global presence amongst collage makers and collectors alike.
During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping
“We’re Going To Have To Read The Eyes A Lot Better”, 2020, oil on wood, 18×24 inches. photo: courtesy of the artist
For the past six years Laura Karetzky’s practice has examined the way technology and virtual communication is able to sustain us in various states of perspective, as it confounds our idea of autonomy and community. Toggling between painting, sculpture and video-installation, she has exhibited this work in galleries including The Lodge (NYC), Marcia Wood (Atlanta), Lehman College (Bronx), SUNY (Old Westbury) and most recently in solo shows this winter at Lora Schlesinger Gallery (Los Angeles) and Elizabeth Houston Gallery (NYC). Her current endeavor has been the subject of feature interviews and reviews in ArtCritical, ArtSpiel, ArtNowLA and Anti-Heroin Chic. Laura Karetzky is currently participating in Dumbo Open Studios Virtual 2020, July 1-31, 2020.
During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.
Susan Mastrangelo
Susan Mastrangelo was born and raised in New York City and Washington D.C. She studied at the Kansas City Art Institute and the New York Studio School, and received her MFA from Boston University under the tutelage of Philip Guston. Based in New York since graduate school, she has shown nationally and internationally, and is a recipient of a Rockwell Grant as well as two grants from the Pollock Krasner Foundation. She has been a visiting artist at the American Academy in Rome, a guest at Civitella Raneri, and a resident at Yaddo, The Virginia Center for the Creative Arts, The Ragdale Foundation, The Triangle Workshop (as a student of Anthony Caro), and the Tyrone Guthrie Center. For 27 years she taught and chaired the Art Department at the Buckley School in New York City, and now works as a full time multidisciplinary artist at the Can Factory in Gowanus, Brooklyn.
During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.
Working on Governors Island during a residency with 4heads, 2019. Photo by Ed Grant
Simona Prives is a Brooklyn-based visual artist. She creates collages, both still and moving, that focus on the process of decomposition and reconstruction and that examine our complex relationship between the organic and the man-made. Each work combines multiple forms of printmaking, using drawing, monotype, found material and hand-shot video to assemble the composition. Her artwork has been exhibited in New York City, Chicago, Miami, Italy, Greece, Japan and China, including at the Shanghai International Print Biennale.
Detail: Lifelines, 2019, house paint, silver ink 8’7” x 12’9”. Photo courtesy of John Ros
In her drawings and installations Jeannine Bardo explores a wide array of narratives and information she encounters daily, ranging from stories in the news to patterns in nature. Jeannine Bardo describes for Art Spiel what brought her to art making, her process and projects, her role as co-director of BioBAT Art Space, as well as her role as the founder of Stand4 Gallery and Community Arts Center in Bay Ridge. Since our interview process took place a while before the on going pandemic and the current seismic events in our society, the artist was given the opportunity to share her reflections on these recent events as a prelude to discussing her work.
During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.
Goldenrod, 2019, Found re-purposed plastic bottles, machine screws, hex nuts, wire, rebar armature, concrete base. Artist with sculpture currently on view at Wolfs Lane Park as part of Pelham Art Center’s Public Art Program.
Niki Lederer is a sculptor working with found materials including discarded umbrellas and post-consumer plastic. Born in London, Ontario and raised in Vancouver, she received her BFA from the University of Victoria and her MFA from Hunter College in New York City. Group exhibitions include Portal: Governors Island, 50 Years of Public Art in NYC Parks, Central Park and the Outdoor Sculpture Biennial Adelphi University, Garden City, NY. Solo exhibitions include Washington Square Windows, NYU and Preset Tense, Art Gallery of Ontario, Toronto. Niki recently collaborated with XAOC Contemporary Ballet for Norte Maar’s CounterPointe8. Currently her re-purposed plastic bottle sculpture is featured at the Pelham Art Center and Wolfs Lane Park and her discarded-umbrella based work will be included in the Wassaic Project 2020 Summer Exhibition. Niki lives and works in Brooklyn, New York.
During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.
Studio Portrait, photo by Elizabeth Reagh, 2019
Cathy Diamond is a New York City-based painter. For decades, her imagery has fused elements of nature and figuration into a kind of narrative abstraction. Residency fellowships in Wyoming, Virginia, Maine and elsewhere form the building blocks of works developed in her Queens studio. Diamond spent two decades in Williamsburg, exhibiting there at Farrell-Pollock Fine Art, Sideshow Gallery, Gallery Boreas and Janet Kurnatowksi Gallery. She has shown extensively in New York City. Diamond’s paper works travelled to national print fairs with Oehme Graphics. She recently exhibited at 490 Atlantic Gallery and at SRO Gallery in Brooklyn. Diamond is Adjunct Lecturer of Painting and Drawing at Borough of Manhattan Community College.
During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.
Reverse alchemy in Conga (Màxima), 2019, Photograph. Photo courtesy of the artist.
Jessica Segall is an artist based in Brooklyn, NY. Her work is exhibited internationally including recent/ current shows at The Fries Museum and The National Museum of Jewish American History and upcoming at Thomas Erben Gallery, The Coreana Museum of Art and The Center for Art Research. Jessica received grants from The Pollock Krasner Foundation, The Rema Hort Mann Foundation, New York Foundation for the Arts, New York State Council on the Arts, The Harpo Foundation and Art Matters and attended residencies at The Van Eyck Academie, The MacDowell Colony and Skowhegan. Her work has been included in Cabinet Magazine, The New York Times, Sculpture Magazine, Mousse Magazine and Art in America. Jessica will have a work in a show on ecofeminism in June 19th at Thomas Erben Gallery and she will also participate in the Virtual 2020 Dumbo Open Studio that was postponed (TBA) due to solidarity with the movement of Black Lives Matter.
