Painter Steve Hicks shares with Art Spiel his reflections on the body of work he is currently exhibiting at George Billis gallery, focusing on how he sees these paintings within the wider context of his overall work.
Seren Morey is a maximalist . Her lush mixed media painting- reliefs resemble mutated life forms in the process of proliferation – organic and artificial, funny and freakish, decorative and disorienting. Seren Morey shares with Art Spiel experiences that brought her to art, including some particularly fascinating encounters; in-depth know-how paint-making and painting processes; and reflections on her development as an artist.
Ashley Garrett paints abstracted landscapes which resonate a sense of place – elusive and precise at the same time. Utilizing richer color and bolder gesture, Garrett ‘s recent body of work reveals an artist’s gaze inwards into a deeper psychological space. Ashley Garrett shared with Art Spiel her approach to painting and her upcoming projects.
Nancy Bowen‘s layered sculptures, installations, and collages coalesce stories of different cultures, of past and present. Her objects bring to mind a flavor of unidentified myths, archetypes and rituals, often involving images of the female body. The artist talks about her art making process, projects, and the way she sees her role as an art educator.
Altoon Sultan‘s egg tempera paintings depict close ups of agricultural equipment with incisive color and architectural forms. Her paintings consistently reveal inner tensions: the shapes are abstracted and literal, the colors are vivid and subtle, the space is shallow and dimensional. The artist shares with Art Spiel some of her rich experience as a painter, her work process, and her on-going projects.
Tansy Xiao is a curator, artist, writer, translator, and an overtly out of the box thinker. She shares with Art Spiel some insights on her upcoming curatorial project at Radiator, her art-making, as well as translation and writing processes.
AS: Tell me a bit about yourself and what brought you to art – writing, translation, curation and making.
Tansy Xiao: I wasn’t properly schooled, neither did I consider myself an artist when I was travelling around and painting abstract murals in exchange for food and accommodation. Now you might call it an unprompted residency. During my long trips and brief sojourns, I would write book length letters to my friends, with a mutual understanding that they were not obligated to reply. I joined and formed communities, then left them, until I have relatively settled in New York, a city with such transience that the fear of being trapped in a constricted niche no longer haunts me. That’s when I began my practice as a curator and translator. If I were to describe my status quo now, I’d quote D. H. Lawrence’s last paragraph in Rainbow:
The tension between “inside” and “outside” in Erika Ranee’s paintings draw you into an enclosed space with an explosive and rhythmic internal movement. The vibrant colors, organic shapes, and linear marks that link the forms like veins, altogether resonate with living organisms, body, or microscopic landscapes. The artist shares with Art Spiel what brought her to art, her thought and work processes, as well as her current projects.
Rachael Wren’s delicate paintings pulsate with repetitive brush strokes that both allure you to look closely at the elaborate geometric surfaces and at the same time pull you into mysterious psychological interiors or perhaps cosmic fields. Her grid structure serves as an anchor for the paint /space- anchoring facilitates a greater freedom of movement and flow within. The artist shares with Art Spiel her ideas on color, painting, and studio process.
Immigration is a hot issue. It has determined national elections and divided communities around the world. Artists have weighed in on it, often with projects lacking input from the immigrants themselves.
Jackie Neale is a fine art photographer, author, instructor, and former Imaging Producer of Online Features at the Metropolitan Museum of Art. In her project “Crossing Over: Immigration Stories,” she pairs large-scale cyanotype portraits of immigrants with audio of them telling their own stories. In May it will be on exhibit in Palazzo Mora at the Venice Biennale.
Nancy Baker’s art is colorful and bright, with filigree shapes that fuse, multiply and pulse outward in vibrant, sweeping waves. Individually the panels seem molecular and scientific; layered together they suggest vast networks and digital flow, yet clearly are the work of an artist’s hand. The eye zooms in and picks out familiar details–a candy wrapper, a takeout tray–then moves out again to appreciate the larger whole.