In her sculptures Sarah Bednarek refers to minimalism with humor and love. She turns minimalism’s aesthetics on its head – utilizing minimalist language of precision to highlight the chaotic and unexpected . Her sculptures are on a human scale – witty and visceral through playful material and form. Bednarek shares with Art Spiel some insight on her life and her recent exhibition, ChiChi DooDad at Tiger Strikes Asteroid New York.
Sarah Bednarek, Hi There, 2018, mdf, velvet, paint, 33 x 68 x 10 in. , photo Courtesy of Yael Eban
Just inside Jaynie Gillman Crimmins studio is a small table with a mirror, a piece of coral, and jar of shells. By the time you leave, you understand what they say about her inspiration and concerns. But they’re quickly forgotten as you go further, encounter the artist’s work and fall under its spell. Continue reading “A Visit With Jaynie Crimmins”
All images: Austin Thomas collages, photographed by the author
Austin Thomas’s drawings, Lots of little things, currently on view at LABspace, a small gallery in a tiny town, are diminutive in size but vast in scope. Arranged in three irregular rows on one wall, these forty-odd drawings offer the viewer enough to look at for several hours. I have been to the show three times and was sorry to leave each time. They seem to display almost everything drawing can be. Continue reading “Austin Thomas – Lots of little things at LABspace”
Artist Melissa Stern says that the chance to work with dancer Louisa Pancoast on their Strange Girls Dance project at Garvey / Simon was a wonderful bit of serendipity. They met at exactly the right time. Pancoast is the Assistant Director of Garvey Simon Gallery, but her real passion is dance. “She is a gifted dancer and choreographer,” says Stern.
Although Julia Von Eichel‘s sculptures appear to be fragile, at times almost on the verge of collapse, they are held together as if against all odds due to their obstinate resilience. Whether mounted on the wall, hanging on a wire, or drawn on mylar, her shapes embody a restless exploration of the dimensional form – how its defined by line and light. In this interview for Art Spiel the artist talks in depth about her thought and work process.
Julia von Eichel, I’ll eat you up, I love you so, 2016, silk, acrylic, wood, thread, plastic, and epoxy, 40 x 30 inches x 24 inches, courtesy of Julia von Eichel
Jeanne Heifetz‘s art has evolved from weaving and fiber early on to drawing and painting later on. While her previous body of work has typically derived from a process of material exploration, the impetus for her more recent work has been prompted by concept. As Heifetz puts it, “in spite of herself,” after the election it can also be seen as politicized. She was recently awarded a LABA fellowship for 2018-2019 at the 14th Street Y, where she will study ancient Jewish texts on a given theme with other artists of different disciplines. In this interview for Art Spiel Jeanne Heifetz talks about her art, ideas, and projects.
Jeanne Heifetz, Pre-Occupied 18, 2016, silver graphite on flax paper tinted with iron oxide, 21″ x 29″ Photo: Paul Takeuchi
Artist Molly Herman (far right) greets gallery-goers in front of some of her smaller canvases (left to right) “Tremelo”, “Free Verse”, and “Sonal-Yello”
For photographer David Samuel Stern’s photography typically serves as a departure point for crafting tangible objects. In his Woven Portraits series for instance, Stern physically assembles pieces of his photographic portraits into new forms, aiming to fuse the notion of photographic representation with its own material nature, making a new essence. The imagery in this series may bring to mind Cubists’ and Futurists’ paintings, or David Hockney’s Polaroids, but in Stern’s hybrid artworks, the imagery derives from a photographer’s imagination and can be distinctly traced to our digital age – the manual counterpoints the virtual. Here Stern shares with Art Spiel some of his ideas, process, and projects.
Aaron; 2015; Photographic prints on archival translucent vellum, physically cut and woven together; 40 x 31 x ¼ in, 101.5 x 78.75 x 1.25 cm; Courtesy David Samuel Stern
Andrea Burgay, Nothing’s Ever Lost (Turn The Page), 2018, Mixed-media collage, acrylic, UV glaze, 30 x 44″, photo courtesy of the artist
The combination of material and abstracted imagery in Andrea Burgay’s complex and richly layered collage work makes the passage of time tangible – traces of destruction along with a sense of potential renewal. She shares with Art Spiel some of her main art processes, core ideas, and current projects, including her recently launched art magazine “Cut Me Up,” a publication with a fresh twist. Continue reading “Andrea Burgay – Sorting Through Chaos”
Nancy Cohen‘s sensibility for the ephemeral is evident throughout her wide range of forms – from small sculptural pieces to large scale room installations. With fluid agility she utilizes diverse material such as glass, paper, rubber, and ceramics, to form a thematically rigorous body of work – both visceral and inquisitive. The artist shares with Art Spiel some of her ideas on process, use of material, themes, and projects.
Nancy Cohen, Merge, 2018, Handmade paper, 81 x 68 inches, photo courtesy of Edward Fausty