Pop Goes The Weasel

POP GOES THE WEASEL- An exhibition that asks the question “why not”?

POP GOES THE WEASEL, installation view, photo courtesy of the curator

The group show “Pop Goes The Weasel” at The Williamsburg Art and Historical Society brings together a group of nineteen artists from Japan and the US, fifteen women and four men who are  working in seemingly disparate ways. Curator and artist William Norton  presents his premise as “Why not”? Why not bring together artists who simply share their pathos, political intent, psychological depth ,a love of materials, and above all, their joy in creating art? Continue reading “Pop Goes The Weasel”

Liminal Worlds at Trestle Gallery

Anne Polashenski , Aliens in a New Land: Josef & Francziska Podleszański (Great Grandparents), 2015, C-prints, cut paper collage & gouache on paper, 23 x 19 in, photo courtesy of the artist

Curated by Katerina Lanfranco, “Liminal Worlds,” the upcoming show at Trestle features four artists who reflect on the fluid dividing line between the multiple realities we experience as part of the human condition.  Anne Polashenski and Greg Thielker examine notions of “self and other” through ethnography, immigrant experiences, and national borders. Ashley Hope and Elizabeth Insogna explore the elusive notions of spirit and afterlife. Altogether, through their artworks, these artists invite us to venture into territories that make us contemplate not only  politics, but also the potential for deeper self-awareness. Continue reading “Liminal Worlds at Trestle Gallery”

Michal Gavish – Crystalline City at LIU

Michal Gavish, NYC3, photo courtesy of the artist

Crystalline City is an exhibition of large-scale installations by Michal Gavish, on view now at the Humanities Gallery at LIU, Brooklyn. Presented in this unique glass walled gallery akin to a large scale oval diorama, the viewer can see the works from the outside. Designed on a combination of translucent fabrics and papers, the hand made prints transmit and reflect the surrounding lights and allow for multiple full views of the installation, through and around these fabrics. Continue reading “Michal Gavish – Crystalline City at LIU”

The spirit of NYC Trash!

Bernard Klevickas ,mirrored branch, to be installed at the City Reliquary, photo courtesy of the artist

In conjunction with the City Reliquary museum ‘s current exhibition “NYC Trash!: Past, Present, & Future Sculpture Garden,” the Reliquary’s backyard garden will inhabit site specific artworks by ten local artists who are utilizing trash as art material.  The opening reception will be on Saturday, April 7th, at 12pm.  Continue reading “The spirit of NYC Trash!”

Jamie Martinez, a Triangle on Its Own

Jamie Martinez at The Border Project Space

Jamie Martinez, who has just launched THE BORDER at the 56 Bogart building in Bushwick, is a prolific artist, curator, blogger, and now – gallerist. In his interview with Art Spiel, Martinez shares a bit about himself, the genesis of his multiple activities and his exciting plans for the near future.  Continue reading “Jamie Martinez, a Triangle on Its Own”

Thoreau and the Unibomber at Ess Ef Eff

Joseph Noderer, Neighborly, Paint on canvas, photo courtesy the artist
Joseph Noderer, Neighborly, Paint on canvas, photo courtesy by the artist

“Thoreau and the Unibomber”, David E. Kearns’ and Joe Noderer‘s two person painting exhibition at Ess Ef Eff, raises some current existential questions –  What point are we trying to access with our progress? What is the apogee of understanding? Is it all for a cosmic awareness and peaceful co-habitation? The show invites viewers to reflect on a dichotomous view of civil disobedience, of living alone in nature, along with the consequent personal and social fallout or success.  Continue reading “Thoreau and the Unibomber at Ess Ef Eff”

Slow Motion at john Doe

Michael Chandler Flying Ground oil on canvas 80 x 70 in. (203.2 x 177.8 cm.) Painted in 2000, photo courtesy of the artist
Michael Chandler, Flying Ground, oil on canvas
80 x 70 in. (203.2 x 177.8 cm.)
Painted in 2000, photo courtesy of the artist

The two person show at John Doe juxtaposes Michael Chandler’s paintings and  Charlie Rubin’s photographs. Both artists deliver meditative and vivid abstractions – Chandler makes visceral paintings founded in nature but informed by the rhythm of the city and Rubin  explores the artifice of place, and the post-Instagram void. Continue reading “Slow Motion at john Doe”

Objects from the End of Western Civilisation at Norte Maar

Kevin Curran, Objects from the End of Western Civilisation
Kevin Curran, Objects from the End of Western Civilisation

All Photos courtesy of the artist and Norte Maar Cypress Hills Gallery

In his exhibition at Norte Maar Cypress Hills gallery, Kevin Curran uses interior design elements as a departure point for an installation – combining  wallpaper, rugs, vases, framed works on paper,  wall-mounted and free standing sculptures. His surfaces merge opulent materials like crystals and gold leaf, with rough-hewn casual aesthetic. This exhibition includes drawings that refer to Afghan war rugs as well as political tensions in the US. The symmetry of rug design paired with natural and man made forces of destruction highlights the fine line between an orderly society and chaos. The imagery brings together a little boy’s enthusiasm for rockets, trucks and guns with the perspective of an adult’s anxiety driven by real world events.  Continue reading “Objects from the End of Western Civilisation at Norte Maar”

Return to Light at The Green Door

Rico Gatson, Natalie Moore, Paul D’Agostino
Rico Gatson, Natalie Moore, Paul D’Agostino

All Photos courtesy Susan Sechler Luss

The Green Door gallery was created at the Divine Mercy Cultural Center to foster a sense of community in the Williamsburg neighborhood. The venue was initiated  by Father Thomas Vassalotti, who, along with Father Paul Anel of Heart’s Home, reached out to the artist and curator Elisa Jensen with the wish to connect to the many artists in the neighborhood.

Continue reading “Return to Light at The Green Door”