Deanna Sirlin: Borders of Light and Water at Palazzo Bembo

Featured Artist

Deanna Sirlin, Borders of Light and Water, 2022, C-print transparency on glass, 199.5 x 493 inches, Palazzo Bembo, Venice, Italy

In Borders of Light and Water at Palazzo Bembo in Venice, American artist Deanna Sirlin utilizes the architecture and translucency of the large-scale windows overlooking the Grand Canal, to create a luminous and ever-changing patches of bold color. The beauty of this installation allures you in and prompts you to gaze out at the flickering water of the iconic canal below, raising awareness to what is at stake with rising water and changing climate. This installation is part of the Venice 2022 Art Biennial organized by the non-profit organization European Cultural Center, running from April 23, 2022 through November 27th, 2022.

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Animal Well Being at the Swimming Hole Foundation Residency

In conversation with the artists

The barn studio with artists (left to right) Rick Klauber, Sky Pape, Nancy Davidson, Lyn Godley, Rebecca Welz, and David Provan, 7/23/2022. Photo courtesy of John White.

The Swimming Hole Foundation offers residencies to groups of artists, designers and educators who are exploring environmental and social justice through collaborative work. In Animal Well Being artists Nancy Davidson, Lyn Godley, Rick Klauber, Sky Pape, David Provan, and Rebecca Welz referenced the theme of birds in their collaborative project. The project was open to the public Saturday, July 23rd, 2022.

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Jesse Pallotta – QT Art Camp

Grantee of Brooklyn Arts Fund

Project Profile: QT Art Camp Brings Free Art Workshops to Queer and Trans Youth

Photographer: Carmen DeCristo

Brooklyn Arts Council announced in March 2022 an allocation of over $1.3 million to 238 Brooklyn-based artists and cultural organizations. This year marks the highest number of grantees and awardees as well as the largest amount of funding BAC has ever distributed. Art Spiel in collaboration with Brooklyn Arts Council features some artists who received a Brooklyn Arts Fund, Local Arts Support, and/or Creative Equations Fund grant in 2022.

QT Art Camp just announced its summer series of art workshops for queer and trans youth taking place in New York. These workshops are free and welcome to youth ages 13-19. During the workshops, youth will work with NYC-based trans artists. Workshops including vogueing, film photography, painting and drawing. Youth are encouraged to learn new skills, discuss art with their peers and mentors, and will leave with a finished art piece. QT Art Camp is starting local but hopes to reach youth nationally, especially in smaller cities that don’t currently have many resources for queer and trans youth.

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Jodi Hays – The Find at Night Gallery in LA

In Conversation with Jodi Hays and Night Gallery

Installation image courtesy of Night Gallery and Marten Elder

A new show at Night Gallery in L.A. explores feminine conventions in painting. Large cardboard assemblages counter the traditional stretched canvas by repurposing a commonplace consumerist material. The Find is Jodi Hays’s first solo show in L.A. and a poetic contemplation on space, landscape, and material. Working in layered and dyed cardboard, Hays creates subtle landscapes reminiscent of long drives down winding roads. These works are odes to the quotidian, evoking both nostalgia and references to femininity, while straddling the line between painting and assemblage. Contributor Jac Lahav sat down with artist Jodi Hays and Night Gallery to talk about the show.

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Showings in Four Dimensions

Showings in Four Dimensions (installation view L-R), Darius Yektai, Waiting For Death Or Slavery: After Delacroix, 2022, Elise Ansel, Celestial Lounge Chair, 2021, Darius Yektai, Untitled Falling Flowers, 2021 & Kyle Hittmeier Natural Le Coultre, 2022. Photo: AB NY Gallery

As soon as the formula codified that a contemporary artist could reach a new level of institutional engagement once they proclaimed their inspiration from generations of art historical masterpieces, the flood gates opened to practitioners solely deploying references to the canon to project their careers farther and faster. With encyclopedic museums refreshing their image by aligning themselves with the success of the contemporary art world’s darlings, by connecting their creative process to roots foregrounded in the rich mire of historical artworks, new publications and programming surfaced. Notably The Artist Project at The Metropolitan Museum of Art was launched in 2015, and most recently even the gilded age indulgence of The Frick Collection created their exhibition series Living Histories: Queer Views and Old Masters at their temporary home on Madison Avenue.

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Natalie Westbrook: Faces at Zynka

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Natalie Westbrook’s exhibition at ZYNKA Gallery in Pittsburgh features new paintings on canvas and drawings on paper. Westbrook depicts faces as thick lines immersed in saturated hot pinks, greens or monochrome gradations—altogether fluctuating between the monstrous and the angelic, the scary and the pathetic. Sometimes they are solitary and sometimes they indicate twins or perhaps a fragmented self. In her catalogue essay on Natalie Westbrook’s work, Larissa Pham observes that Faces “come for you, leering, grinning, mouths a garish lipsticked rictus of joy, embedded flat against the canvas, their features seeming to emerge from the psychological fabric of the painting itself.”

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Paul Behnke – a Champion of Painting


Portrait of Paul Behnke in the studio with Gloria’s Guardian, 2020, acrylic on canvas, 62 x 60 inches, photo courtesy of Robin Stout.

Paul Behnke is a champion of painting – and he does it with evident gusto. His paintings come from idiosyncrasies, life experience, and a process that begins as intuitive, mixed with periods of sharp critical gaze. His paintings have evolved from early contained and minimalistic bold-color geometries, to more recent chaotic forms and layered complexity, at times almost explosive.

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The sky is higher here at Transmitter

Featured Project: with curator Leila Seyedzadeh


Hedwig Brouckaert, Flesh of Light (I), 2017, Mixed media on archival inkjet print on paper, 33.8 x 43.34 inches, photo courtesy of Hedwig Brouckaert.

The artworks featured in the group show The Sky is higher here at Transmitter in Brooklyn reference the subtle boundaries between what is free of the physical and what is not—how can we mirror what we find in the sky and what does it reveal in us? Through a variety of mediums such as painting, textile, photography, textile weaving, and mixed media, Hedwig Brouckaert, Simone Couto, Edi Dai, Saba Farhoudnia, Victoria Martinez, and Ingrid Tremblay explore the vastness of the sky and find refuge in this great space with no borders. The curator of the show, Leila Seyedzadeh sheds some light on the curatorial vision and process.

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