painting – Page 17

November 24, 2023November 13, 2023, by Art Spiel

Patricia Satterlee at Gold Montclair

In Dialogue

SPACELAND. Each Flashe paint and graphite on panel. 12 x 12 in. / 30.5 x 30.5 cm

Patricia Satterlee wrote this concise statement to contextualize the work she exhibits in her third solo show at Gold Montclair:

This work resists the feeling that everything is falling apart. Holding on to a real or imagined moment without the noise. A particular way of being a boat on a stream passes in time. A figuration of forms floating and morphing, rediscovered as they’re painted.

An interview with curator and gallery founder Jennifer Wroblewski gives us more insight into her curatorial vision and the featured artworks.

November 18, 2023November 13, 2023, by Art Spiel

Dalit Gurevich: A Memory Interwoven at Amos Eno Project Space

A painting of a pond with lily pads

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Dalit Gurevich’s A Memory Interwoven, curated by Jenn Cacciola at the Project Space of the Amos Eno Gallery, is a vivid exploration of transformation and adaptation through depiction of mixed-media landscapes and cityscapes. The exhibit, now open to visitors, captures the shifts in Gurevich’s life from the confines of a Brooklyn apartment during the pandemic to the liberating nature of Vermont and back to the bustling city life. Her paintings tell a story of seeking space and peace in a time of global uncertainty.

November 6, 2023November 6, 2023, by Amy Talluto

Whisperings from the Wormhole with @talluts

Fear & Philip Guston

A painting of a chair

Description automatically generated — Philip Guston *Head* (detail), 1968 Oil on board, Courtesy of Museum of Modern Art © 2023 The Estate of Philip Guston

Born in 1913, Canadian American painter Philip Guston began his career in the 50’s in New York during the Abstract Expressionist movement. The Ab-Ex-ers were sweeping the country as the next great thing and developing a bit of a swagger. Painters everywhere were ditching representational painting for the new experimental style of pure abstraction, and Guston was no exception. Well-esteemed and well-reviewed, he was a part of the in-crowd. Everyone loved the guy.

October 26, 2023October 26, 2023, by Etty Yaniv

John Avelluto: Impasta Handbags at Stand4 Gallery

Photo Story

A plate of food on a white surface

Description automatically generated — *Cannoli Ultrasound* | Acrylic paint on panel | 9” x12” | 2023

The details in John Avelluto’s delightful paintings—thin strands of hair, tiny droplets of perspiration, chunky gold chains, or hyperreal food items—are uncanny in their realism. Avulluto is a trickster. Through all the paintings featured in his third solo show at Stand4 Gallery he convinces us that we are looking at the “real” thing, but in fact, each piece in Impasta Handbags is made solely of acrylic paint. Curator Paul D’Agostino says in his essay that “no matter what viewers think they’re looking at in Impasta Handbags—marble, paper, wood, or gold; skin, hair, sweat, or jewelry; cookies, cakes, fritters, cannoli, or sprinkles; ravioli, penne, ziti, parsley, pizza, pomodorini, mozzarella, mortadella, salsiccia, soppressata–what they’re actually looking at is paint. In turn, since the objects at hand, however sculptural, are crafted from paint, then all these things viewers are looking at are, simply put, paintings.”

October 25, 2023October 26, 2023, by Anat Or Magal

The Kite Runner from Kfar Aza

מצילומי הלילה של אביב קוץ — Night Photographs, Aviv Kutz

This article was initially published in Portfolio Magazine in Hebrew on October 17^th, 2023. It was translated into English by Sharon Yam Sananes and Ariane Goldberg Davidson and edited by Art Spiel. This publication in Art Spiel is in collaboration with Portfolio Magazine.

The Kutz family had always found hope and solidarity in their ability to create. It was their way of managing and flourishing as a family and as individuals. Aviv, Livnat, Rotem, Yonatan, and Iftach Kutz were murdered in their home. Aviv’s sister, Talya Kutz Shamir—artist and art therapist—talks about the family on her Instagram account, using their art as a jumping-off point for conversation.

October 22, 2023October 22, 2023, by Art Spiel

Anna Shukeylo at James Howe Gallery at Kean

Featured artist

A person holding a child in front of a painting

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The solo exhibition Reflections in James Howe Gallery at Kean University features Anna Shukeylo’s latest body of work from 2022- 2023. Shukeylo has always combined in her artwork private, autobiographical moments inter-spliced with imagined elements. Since becoming a mother, she has documented and deeply explored in her paintings and drawings the chaotic routine of early parenthood, including her attempts to balance her art career and the day-to-day rigors of two toddlers.

October 2, 2023September 25, 2023, by Amy Talluto

Whisperings from the Wormhole with @talluts

Unblocking Creative Block

A drawing of a person lying in pyramids

Description automatically generated — Louise Bourgeois *Fear* 1999 Drypoint from *11 Drypoints*

Recently, I was making coffee, and I know it’s bad, but I love sweetening it with granulated sugar. I was trying to pour some out from a box, but only a few grains were coming out because the whole thing was full of clumps. And those clumpy lumps became for me an analogy for artist’s block, a condition I was suffering from at the time. As artists, we are like the sugar box with our sweet, sweet creativity trapped inside of us. Those heavenly granules are abundant and want to pour out to make coffee more delicious, but they can’t because their own selves are blocking it. And, as I was squeezing the box, trying to crush the bigger blobs, or choosing violence and stabbing a spoon handle in there, I started to wonder what other artists do in this predicament. So, I went up periscope, past the crystallized chunks, and spied about to find ideas for overcoming it.

September 4, 2023August 29, 2023, by Amy Talluto

Whisperings from the Wormhole with @talluts

A Meditation on Artists’ Residencies, a Dune Shack and the Twilight Zone

Ray Wells dune shack with well pump in the bottom left foreground, Provincetown/Truro 2016, photo courtesy of the writer

Sometimes I find myself scrolling Instagram on a dark day in February or March, just wondering what it would be like to make art in a lighthouse…or in Robert Rauschenberg’s old fishing shack…or in a Florida swamp…or in a small RV in a Utah ghost town…or on an island in Italy. Artists’ residencies are a nice thing to dream about when you feel stuck or in a rut and when life is wearing you down with mundane pressures. Sure, there are the big ones like MacDowell and Yaddo, but those are uber-competitive and hard to get into. There are so many other off-the-beaten-path secret outposts that will happily allow a creative person to try on their lifestyle for a bit. As an artist, it’s so helpful to get out of dodge now and then and hit the road for new sights and sounds.

August 14, 2023August 7, 2023, by Art Spiel

Jonathan Torres: Painting Anxiety and Beauty

In Dialogue

Sube y Baja 2021 Mixed media 47” x 39.25”

Jonathan Torres is a Puerto Rican artist born and raised in San Juan, Puerto Rico. He is based in Brooklyn, NY since 2010 and was recently a resident at the Sharpe Walentas Studio Program in DUMBO. In his paintings and sculptures a sense of otherworldliness and living in the diaspora recur. For over 15 years, Torres’ practice has grown from exploring different emotional and mental stages that have affected the way people interact with each other throughout various stages of life—crisis and anxiety with a bent of dark humor that have been crucial to the development of Torres’ imagery.

July 10, 2023June 14, 2023, by Etty Yaniv

Norte Maar’s CounterPointe10 – Tamara Gonzales and Julia Gleich

DANCE

A group of people dancing on a stage

Description automatically generated — “Colibri” (2023). Dancers: Sara Jumper, Timothy Ward, Dianna Warren, Margot Hartley, Mikalla Ashmore. Photo: Julie Lemberger

The impetus for this series of conversations between a visual artist and a choreographer comes directly from my recent collaborative work with a choreographer as part of Norte Maar’s CounterPointe10. In this unique project a choreographer is paired with a visual artist to create together over two months a dance performance that integrates the two disciplines into a cohesive vision. Here is the conversation between co-founder, director, and choreographer: Julia K. Gleich and artist: Tamara Gonzales.