Jan Dickey with Amanda Millet-Sorsa

in conversation
A person sitting in a chair in a studio

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Jan Dickey. Photo Credit: Farfar Studios

Jan Dickey moved to New York City during the pandemic by way of Hawaiʻi, where he completed his MFA from the University of Hawaiʻi at Mānoa. In New York, he has shown his paintings at My Pet Ram, D.D.D.D., and Below Grand gallery among other locations. Recently he completed a materials-based residency at the Sam and Adele Golden Foundation (2023) and this interview seeks to delve deeper into his unique use of hand-mixed natural painting mediums like rabbit skin glue, casein, egg tempera, and oil paint. Currently he has an exhibition of new work at Bob’s Gallery, an experimental space in Bushwick: “The Generations” on through August 18th, 2024. Dickey is also the newest member of Artcake, an art center in Sunset Park that provides artists with affordable studio spaces and artistic programming.

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Paige Beeber – on Phantom Thread

In conversation

By Amanda Millet-Sorsa

A person sitting in front of a large painting

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Paige Beeber. Photo credit: Sharon Kendrick

Prior to her exhibition, Phantom Thread at Freight+Volume, Paige Beeber spoke with Amanda Millet-Sorsa at the artist’s studio in Brooklyn. Nestled into a Cube Smart storage space building in Gowanus on the edge of Red Hook, the studio is part of TI Studios. Beeber’s long family roots in Brooklyn date back to the early 1900s, as she continues to live and work in this borough. Her new work evolved from experiences she had at residencies in 2022 (DNA Residency in Provincetown, SARP in Sicily, and recently completed her fellowship at The Helene Wurlitzer Foundation). Her work exists between narration, figuration, and abstraction and largely uses the repurposing of her own past paintings that transform into new patterns, motifs, and imagery in new paintings. Ritual and community play an essential role in the stitching of new narratives.

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