Elena Soterakis is an artist and curator who has explored the intersection between art and science throughout her whole artistic practice. She shares with Art Spiel some background on BioBAT Art Space, her upcoming curatorial project with Jeannine Bardo, as well as some insight on her own artwork.Continue reading “Elena Soterakis – Intersecting Sci-Art”
Step off of the gray pavement, step out of the chilly dullness of an impending New York City Winter, traverse the threshold of Next to Nothing Gallery, and indulge in the celebration of painting currently on view at 181 Orchard Street.
“Plush Paint: please do not pet, caress, fondle” features the work of Jason Stopa, Osamu Kobayashi, and Susan Carr in a bounty of paintings and sculptural hybrids that boast tenacious gestures, mysterious shapes, and amped up colors. As the eyes adjust to the stark whiteness of the minimalist space, at first glance the work appears as a collection of unearthly gemstones unified by candied commercial hues and vibrating combinations of paint. Robert Erani, Gallery Director and Curator employed the cohesion of color to serve as an “accessible commonality that any viewer can appreciate.” For Erani the visual pleasure of these works seduces the viewer to take a deeper look and discover less obvious nuances that distinguish the individual work of each artist.Continue reading “Plush Paint: please do not pet, caress, fondle”
Art Spiel’s Interview with artist and writer Anne Sherwood Pundyk has evolved into a cohesive and richly layered personal essay that will be published in sections over three days – one part a day. Anne Sherwood Pundyk’s essay in three parts seals Art Spiel’s Interview series for 2018, while opening a portal into 2019 with fresh insights and new writing formats.Continue reading “Anne Sherwood Pundyk With Art Spiel – Part 1”
Time Waves, the new upcoming exhibition at John Doe features collage and animation by Simona Prives. The Brooklyn based artist examines in her new body of work our complex relationship to the environment. The structures within each of her compositions prompts the viewer to piece together an alternative reality, created out of imaginative juxtapositions between growth and decay, the organic and man-made.Continue reading “Time Waves – Simona Prives at John Doe”
Photos by Sharilyn Neidhardt, unless otherwise indicated
A show of swirling color and geometry finds ways to discuss complicated issues of violence and social collapse.
What drew me to ODETTA on a very chilly Saturday were the colorful, pagoda-like structures in the main space. Human-scale structures that echo lanterns or birdcages are covered in awkward spiky garlands of colored plastic tubes. The festive air created by the riot of bright color seems fun at first, and it’s only on second inspection that a viewer realizes the color is coming from spent shotgun shells.
Throughout her drawings and paintings Tamar Zinn has developed her own visual vocabulary, rooted in abstraction. Zinn shares with Art Spiel her growth as an artist, work process, and current art and curatorial projects.
All images courtesy of Galerie Richard unless otherwise indicated
Color is a function of reflected light and it is intrinsic to everything we see. Color is also freighted with emotion for humans – certain colors can excite or depress us even without our awareness – teases, shouts, whispers, sings. Color can be fugitive or it may sound an alarm. As a painter and former paint-maker, color has been a lifelong obsession for me. It’s also the focus of a new, stunning group show at Galerie Richard on the Lower East Side.
In her sculptures Sarah Bednarek refers to minimalism with humor and love. She turns minimalism’s aesthetics on its head – utilizing minimalist language of precision to highlight the chaotic and unexpected . Her sculptures are on a human scale – witty and visceral through playful material and form. Bednarek shares with Art Spiel some insight on her life and her recent exhibition, ChiChi DooDad at Tiger Strikes Asteroid New York.
All photos by Catherine Kirkpatrick
Just inside Jaynie Gillman Crimmins studio is a small table with a mirror, a piece of coral, and jar of shells. By the time you leave, you understand what they say about her inspiration and concerns. But they’re quickly forgotten as you go further, encounter the artist’s work and fall under its spell. Continue reading “A Visit With Jaynie Crimmins”
Although Julia Von Eichel‘s sculptures appear to be fragile, at times almost on the verge of collapse, they are held together as if against all odds due to their obstinate resilience. Whether mounted on the wall, hanging on a wire, or drawn on mylar, her shapes embody a restless exploration of the dimensional form – how its defined by line and light. In this interview for Art Spiel the artist talks in depth about her thought and work process.