Greater New York and the identity and pulse of the city at MoMA PS1

Greater New York, on view at MoMA PS1

Walking through MoMA PS1 for the first time in several years, I realized how much it has changed and how much I still remembered from my first visit, before officially becoming a New Yorker. The meandering, bustling energy of the building remained, each turn and new corridor offering discoveries. It was special to witness how eclectic and unique each artist’s vision and process was and how many identities and stories are gathered under one roof. Organized for the first time by MoMA PS1’s full curatorial team, the exhibition emphasizes the forces that shape daily life in the city today. This includes strategies of resistance and adaptation in the face of increased surveillance, shifting identities, economic uncertainties, how we view ourselves and others, and the ever-changing technologies around us. This exhibition notes both optimism and anxiety throughout all of the artists’ attention to the layered, eclectic lived textures of New York City and the people intertwined within it. 

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Interview with Daina Higgins: On Graffiti, Risk, and the Art of Impermanence

Daina Higgins

Pioneer graffiti artist and painter Daina Higgins explores the shifting visual identity of urban spaces across the American Northeast. Our conversation, centered on Daina, also reads as a message to the emerging women graffiti artists she encounters on the streets. A how-to guide including the rules- yes, graffiti has rules- a way to value yourself as an artist, and a sisterhood joining the past and present.

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Timothy Makepeace: From Thirty Feet to One Million Miles 

Timothy Makepeace in the Studio

Timothy Makepeace has spent nine years making art about one of the most complex machines humanity has ever built. Since his first visit to NASA’s Goddard Space Flight Center in 2016, the artist has developed an expansive body of work in response to the James Webb Space Telescope — its gold-plated beryllium mirrors, its acoustic test chambers, the light it gathers from increasingly distant points in time. The culmination of that inquiry is Ghost in the Machine, on view at the American University Museum at the Katzen Arts Center in Washington, DC, through August 9, 2026. We spoke with Makepeace about working with NASA engineers, the formal decisions behind his square-format drawings, and what kept drawing him back to a telescope now orbiting the Sun a million miles from Earth.

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Almond Zigmund: A Dance Between Structure and Disruption

In Dialogue
Almond Zigmund, figure ground yellow, 2023, acrylic on paper, 36 x 53”, photo credit: Jenny Gorman

Almond Zigmund’s work occupies the charged space between structure and disruption. Moving fluidly across sculpture, painting, and installation, her practice explores the intersection of geometry, architecture, and lived experience—often in subtle yet powerful ways. I have the pleasure of discussing her work at the end of her recent exhibition at East Hampton’s Guild Hall. In this interview exchange, Zigmund speaks about the formative influences that shaped her, from growing up in a creative household to navigating the distinct geographies of Brooklyn, Las Vegas, and the East End of Long Island. The conversation delves into the improvisational roots of her approach, her ongoing engagement with spatial systems, and how tension—between control and spontaneity, place and perception, the built and the organic—continues to animate her work. With references to theorists, artists, Zigmund offers a thoughtful and richly textured account of how art can be both experiential and critical, formal and deeply human.

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DUMBO Open Studios 2025 with Kate Teale

A person standing next to a cart with tools

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Photo: Kate in studio M01, 20 Jay St. with the wall drawing “Falls The Shadow”  in progress. Photo courtesy of David Henderson

On April 26th and 27th, from 1 to 6 pm, artists in DUMBO will open their doors to the public as part of DUMBO Open Studios, offering a rare look inside the art studios along the Brooklyn waterfront. Since the 1970s, DUMBO has been shaped by its vibrant art community. This interview series highlights a handful of participating artists in 2025. Each response offers a glimpse of what’s waiting behind the studio door. Kate Teale has been in DUMBO since January 2019. Her studio is at 20 Jay Street #M01.

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DUMBO Open Studios 2025 with Rodney Ewing

Studies for “The Architecture of Memory and Loss” 2024-2025, Drawings: Ink and Colored Pencil on Paper.

On April 26th and 27th, from 1 to 6 pm, artists in DUMBO will open their doors to the public as part of DUMBO Open Studios, offering a rare look inside the art studios along the Brooklyn waterfront. Since the 1970s, DUMBO has been shaped by its vibrant art community. This interview series highlights a handful of participating artists in 2025. Each response offers a glimpse of what’s waiting behind the studio door. Rodney Ewing has been in DUMBO since 2022. His studio is at 20 Jay Street, #M09.

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DUMBO Open Studios 2025 with Cheryl Wing-Zi Wong

Photo courtesy of Cheryl Wing-Zi Wong

On April 26th and 27th, from 1 to 6 pm, artists in DUMBO will open their doors to the public as part of DUMBO Open Studios, offering a rare look inside the art studios along the Brooklyn waterfront. Since the 1970s, DUMBO has been shaped by its vibrant art community. This interview series highlights a handful of participating artists in 2025. Each response offers a glimpse of what’s waiting behind the studio door. Cheryl Wing-Zi Wong has been in DUMBO since 2015. Her studio is at 20 Jay Street #M10B (mezzanine level).

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Ming Wang’s solo show Through Lingering Window at Fou Gallery

Ming Wang: Through Lingering Windows installation view. Photograph by Ken Lee ©Ming Wang, courtesy of Fou Gallery

Ming Wang’s solo exhibition, Through Lingering Window, curated by Ashley Ouderkirk at Fou Gallery, creates a meditative and healing enclave amidst the bustling streets of Union Square in New York. Located on the seventh floor of a Fifth Avenue building, the gallery becomes an intimate retreat where Wang’s oil paintings evoke a sense of stillness within the restless cityscape.

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The Burden Archives

Featured Project
Western Addition sign, photo Sheila Stover/Erni Burden circa 1960

A 1949 US Federal law set the stage for crisis-level upheaval. Cities across the country used the money it provided to launch “urban renewal” projects that often only added misery to the communities they professed to be helping. In San Francisco, a largely Black neighborhood in Western Addition was targeted on the premise that the vibrant ‘Harlem of the West’ was blighted. This misconception has gone unchallenged until now, thanks to the photographic documentation Ernest Burden III exposed in his late father’s immense photograph archive.

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Some Great Books

Book Review
Some Great Books by Paul D'Agostino

I didn’t have a mandate to compile anything along the lines of a ‘Best Books of the Year’ list, so I didn’t. There are plenty of those out there already anyway. Some even feature hundreds of titles. Hundreds! The restraint is impressive.

Nevertheless, I’d be remiss if I didn’t spread the word a bit about some books I really did relish reading this year, so what follows is a short list of standout titles and a few words about each. Limiting my picks to 12 – plus a couple brief extras I couldn’t resist folding into the mix – seemed logical enough, and they appear here in no particular order. My selections run a gamut and include fiction, nonfiction, essays, critical theory, humor, architecture, art, material history, and a charmingly assembled byproduct of social media. Additionally, several of the titles are books in translation, and ‘excellent syllabus material’ for various types of courses, especially interdisciplinary ones, would be a viable subcategory for nearly everything included here.

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