Lizbeth Mitty & Dana James: The Thread

at M. DAVID & CO. GALLERY extended thru APRIL 21st, 2019 and an artist talk on April 14th at 4PM with Lilly Wei

Lizbeth Mitty in her studio. Photo courtesy of the artist.
Dana James in her studio. Photo courtesy of Drew Reynolds

I met with rising talent artist Dana James and her mother, veteran NYC artist Lizbeth Mitty, prior to their joint exhibition, “The Thread,” which opened March 15th at M. David & Co. Gallery in Bushwick. It was late February, and the artists were trying to answer the lingering question: Which new works should we display?

The debate was an extension of a conversation that had been running for months. Throughout the creative process, alone in their respective studios, the artists had frequently exchanged feedback on works in progress, eschewing criticism for constructive, “technical” suggestions that served to “open the floodgates” and renew the other’s creative energy.

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Galen Cheney: Gritty Beauty

Galen Cheney, Light Falls, textile color, acrylic, and oil pastel on raw canvas, 40 x 36″, 2018, photo courtesy of the artist

In her bold abstracted paintings Galen Cheney often layers multiple media such as textile color, spray paint, oil pastel, acrylic, and collage to create complex images. Her paintings brings to mind a crossing between graffiti and abstract expressionism with a distinct sense of immediacy and gestural mark making. Galen Cheney shares with Art Spiel some of her background, ideas, and process.

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Plush Paint: please do not pet, caress, fondle

Step off of the gray pavement, step out of the chilly dullness of an impending New York City Winter, traverse the threshold of Next to Nothing Gallery, and indulge in the celebration of painting currently on view at 181 Orchard Street.

Installed works by Jason Stopa and Susan Carr, photo courtesy of the gallery

“Plush Paint: please do not pet, caress, fondle” features the work of Jason Stopa, Osamu Kobayashi, and Susan Carr in a bounty of paintings and sculptural hybrids that boast tenacious gestures, mysterious shapes, and amped up colors. As the eyes adjust to the stark whiteness of the minimalist space, at first glance the work appears as a collection of unearthly gemstones unified by candied commercial hues and vibrating combinations of paint. Robert Erani, Gallery Director and Curator employed the cohesion of color to serve as an “accessible commonality that any viewer can appreciate.” For Erani the visual pleasure of these works seduces the viewer to take a deeper look and discover less obvious nuances that distinguish the individual work of each artist.

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Anne Sherwood Pundyk With Art Spiel – Part 1

Art Spiel’s Interview with artist and writer Anne Sherwood Pundyk has evolved into a cohesive and richly layered personal essay that will be published in sections over three days – one part a day.  Anne Sherwood Pundyk’s essay in three parts seals Art Spiel’s Interview series for 2018, while opening a portal into 2019 with fresh insights and new writing formats. 

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Color Matters at Galerie Richard

All images courtesy of Galerie Richard unless otherwise indicated

Color is a function of reflected light and it is intrinsic to everything we see. Color is also freighted with emotion for humans – certain colors can excite or depress us even without our awareness – teases, shouts, whispers, sings. Color can be fugitive or it may sound an alarm. As a painter and former paint-maker, color has been a lifelong obsession for me. It’s also the focus of a new, stunning group show at Galerie Richard on the Lower East Side.

Work by Carl Fudge facing work by Jamie Martinez

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