Jamie Martinez, who has just launched THE BORDER at the 56 Bogart building in Bushwick, is a prolific artist, curator, blogger, and now – gallerist. In his interview with Art Spiel, Martinez shares a bit about himself, the genesis of his multiple activities and his exciting plans for the near future. Continue reading “Jamie Martinez, a Triangle on Its Own”
Kanad Chakrabarti in front of his installation Derivative Work (Clifford Torus) (2014-2018), installation shot, mixed media, Photo courtesy of Etty Yaniv
Kanad Chakrabarti’s sense of cultural rootlessness translates into his video and installation work in complex and thought provoking ways, combining analytical approaches with visceral sensibility. After a stimulating conversation about his installation work at SpringBreak art fair, curated by Jason Andrew from Norte Maar, we had the following interview.Continue reading “Kanad Chakrabarti: Sites of Exchange”
Jaynie Crimmins, Accumulations #4 , 12” x 12” x 12”D, shredded household mail, thread over armature mounted on wood, 2016, photo courtesy of Cibele Vieira
“Aspects in Landscape”, curated by Stacy Greene at Galerie Protégé, juxtaposes the work of six artists whose interpretations of landscape range in sensibilities – from sensory to surreal and media. It runs the gamut from two dimensional artworks like drawing, painting, and photography, to sculptural installations. Continue reading “Aspects in Landscape at Galerie Protégé”
Michael Chandler, Flying Ground, oil on canvas 80 x 70 in. (203.2 x 177.8 cm.) Painted in 2000, photo courtesy of the artist
The two person show at John Doe juxtaposes Michael Chandler’s paintings and Charlie Rubin’s photographs. Both artists deliver meditative and vivid abstractions – Chandler makes visceral paintings founded in nature but informed by the rhythm of the city and Rubin explores the artifice of place, and the post-Instagram void. Continue reading “Slow Motion at john Doe”
Installation view “Hiroshi Sugimoto: Gates of Paradise” at Japan Society
Art Ravels: Arts and Culture Unwound is an eloquent and well curated blog focused on contemporary visual art by Linnea West
In 1582, four recent converts to Christianity were sent from their home in Japan to Europe and the papal court by the Jesuit mission in Japan, as evidence of its success. Called the Tenshō embassy, the four boys met the Pope and saw the great sites of Renaissance Europe before returning home eight years later. Contemporary Tokyo-born, New York-based artist Hiroshi Sugimoto came across the story of the Tenshō embassy while he himself was photographing in Italy. Continue reading “Outside of Time: Hiroshi Sugimoto at Japan Society”
From left to right: Jason Peters, Nils Folke Anderson, Katerina Lanfranco, Helen Dennis, and Ann Stewart; all photos courtesy of Rhombus Space, unless credited otherwise
Katerina Lanfranco, the artist-gallerist-curator who runs Rhombus Space, has wanted to curate shows and run a space for a long time, but the right conditions never presented themselves as clearly as they did this year. When her grad school friend left their shared Red Hook studio space, Lanfranco needed to decide what to do next. Knowing that she would be in an ebb period of her studio practice after a successful show at Nancy Hoffman Gallery a few months earlier, she chose to use some of her art sales to start Rhombus Space.
At first it seemed odd to discuss basketball free throws with the artist John O’Connor in relation to his art work. Yet, athletic performance is an important part of O’Connor’s process. He energetically explains how a successful free throw involves magic and science, chance and control, practice and improvisation; themes that John O’Connor has been exploring in his paintings, drawings and sculptures since his formative years as an artist. Continue reading “John O’Connor Artist Profile: A Voice of His Own”