Krista Svalbonas: Recent Works at Klompching

In Dialogue with Krista Svalbonas


Krista Svalbonas

Krista Svalbonas has been capturing images since her first darkroom photography course in high school. The camera in some form — as an integral part of the work or as a reference — keeps playing a central role in her artwork, which takes shape in diverse forms such as painting, ceramics, and sculpture. Her first solo exhibition at Klompching Gallery in Dumbo, Brooklyn, features work spanning a six-year period.

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Denise Sfraga: Constructing and Disclosing

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(left) Malignant 40” x 32” flashe, pastel on paper 2019, (middle) Gone (series of 9) 8” x 6” each colored pencil on paper 2018, (right) New Mourn 40” x 32” flashe, pastel on paper 2018

The NYC based artist Denise Sfraga intersects in her work photography, drawing, and painting. The evolving processes, history, and aesthetics of photography altogether inform Denise Sfraga‘s thought process and practice. This results in an abstracted biomorphic imagery resonating with botany and other organic life forms. At first glance her well defined colorful shapes appear as beautiful abstractions but as you spend more time with them, you may realize that their beauty is a camouflage for darker, mysterious and disorienting undercurrents. Denise Sfraga first elaborates for Art Spiel how her way of thinking came about and then takes us through different series of work to reflect on her process in depth.

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Jada Fabrizio: Ardent Fables

Jada Fabrizio, The commuter Photograph, 13×19, photo courtesy of Jada Fabrizio

Mixed media artist Jada Fabrizio is an insatiable story teller. Her appetite for narratives covers wide grounds and results in dioramas and photographs ranging from a domestic scene of a hen with a fried egg at hand, to a melancholy rabbit sprawling on an armchair. Fervently surreal and underscored with dark humor, these sculptural sets and photographs offer open-ended stories that tease us and draws us in. Jada Fabirzio shares with Art Spiel a bit about herself, her approach to art making, and what triggers her narratives.

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Artist Without Borders: Catching Up With Jackie Neale

“Crossing Over: Immigration Stories – Anonymous” by Jackie Neale

Immigration is a hot issue. It has determined national elections and divided communities around the world. Artists have weighed in on it, often with projects lacking input from the immigrants themselves.

Jackie Neale is a fine art photographer, author, instructor, and former Imaging Producer of Online Features at the Metropolitan Museum of Art. In her project “Crossing Over: Immigration Stories,” she pairs large-scale cyanotype portraits of immigrants with audio of them telling their own stories. In May it will be on exhibit in Palazzo Mora at the Venice Biennale.

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A Visit with Nancy Baker

Baker working with laser cut wood

Nancy Baker’s art is colorful and bright, with filigree shapes that fuse, multiply and pulse outward in vibrant, sweeping waves. Individually the panels seem molecular and scientific; layered together they suggest vast networks and digital flow, yet clearly are the work of an artist’s hand. The eye zooms in and picks out familiar details–a candy wrapper, a takeout tray–then moves out again to appreciate the larger whole.

Panel in Baker’s Studio (full and detail images)
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Nina Meledandri: Somewhere in Between

Nina Meledandri, starting w/(a) line: 7.27.18 – 8.3.18, 2018, 2018, watercolor and ink on paper, 5 x 7″ each, photo: Nina Meledandri

Nina Meledandri ‘s images mostly come in multiples. With sensibility that is both poetic and analytical, she creates series of photographs, paintings, and frequently a combination of both. Altogether her body of work forms a vibrant and imaginative internal dialogue. She shares with Art Spiel some of her thought process, what prompts her imagination, and what has brought her to art.

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1947, Simone de Beauvoir in America

Coast to Coast, SONJ ©Esther Bubley, 1947

From de Tocqueville on, travelers have chronicled America, fascinated by its vast space, bustling cities, and diverse people, the gap between the idealized vision of itself and the version outsiders see. In 1947, before Jack Kerouac and Robert Frank took their famous road trips, Simone de Beauvoir took one of her own. Traveling East to West by trains, cars and Greyhound buses, she crossed nineteen states and visited fifty-six cities in four months, recording impressions that were published in 1948 as “America Day By Day”.

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Rutland: Real and Imagined

Ric Kasini Kadour, The Modern Is The Way, photo courtesy of the artist

Photography is inherently effective at telling a story of place. Not only of documenting its history, but also possibly of predicting its future – projecting how a place is or is in the process of becoming. For the group show, “Rutland: Real and Imagined,” which opens in January 31, 2019 at The Alley Gallery in Rutland, Vermont, artist and curator Stephen Schaub brings together eight internationally recognized artists who interpret through their use of photography what constructs a sense of place. Altogether, the resulting photographic imagery in this exhibition creates an engaging story about Rutland – not as a single place but rather many places that come together in the minds and lives of the people who live there.

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Paint, Film, Thread: Three Current Shows

By Nina Meledandri

All Photos courtesy of Nina Meledandri

 

Louise Bourgeois, Sutures, 1993, Mixed Media

When an exhibition feeds you, enlightens you, or centers you, it remains with you. Each of the three shows below resonate with me for very different reasons and collectively they create a rich and thought provoking reminder of why we look at art.

Sutures at Mark Straus Gallery presents works which rely in some way on fabric, thread, weaving and/or sewing. The title is shared with one of the show’s focal points: a Louise Bourgeois sculpture, that is itself worth the visit. Continue reading “Paint, Film, Thread: Three Current Shows”