High + Low: D. Dominick Lombardi Retrospective at Marie Walsh Sharpe Gallery

In Dialogue


Visiting Artists & Critics Series Lecture Reception for Artist + Curator, UCCS GOCA’s Marie Walsh Sharpe Gallery of Contemporary Art, Ent Center for the Arts. Photos: Allison Daniell Moix, Stellar Propeller Studio

High + Low: D. Dominick Lombardi Retrospective at the Marie Walsh Sharpe Gallery in Colorado Springs, features 20 distinct chapters of Lombardi’s career, with artworks spanning nearly five decades. Curated by T. Michael Martin, Director of the Clara M. Eagle Gallery at Murray State University in Kentucky, the exhibition highlights the common thread throughout Lombardi’s work—an interest in blending qualities of highbrow and lowbrow art, through experimentation with various media. Lombardi’s life-long journey began with his exposure to modern art when he first saw a reproduction of Picasso’s Guernica (1939) at a very young age and continued with his introduction to the seductive world of Zap Comix in 1968. Curator T. Michael Martin says, “Lombardi’s masterful mix of high and low culture is as current as the day it was created, showing how little the aesthetics of human behavior have changed. In some ways, Lombardi’s distortions are a more truthful look at society than our daily facade of polite policy and political correctness, especially in the way we prompt contention, as Lombardi offers a much-needed change and disruption through his unique sense of humor.”

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Nice to See you Again at Underdonk

Featured Project: with curators Leonora Loeb and Keisha Prioleau-Martin


Opening night of Nice to See you Again, In the foreground: Madeline Donahue, Butterflies, 2021, glazed ceramic, 8” x 7” x 6”

The group show Nice to See you Again at Underdonk features work by ten artists whose paintings, sculptures, and photographs address the loaded meaning of the outdoors during the pandemic—a shared sense of longing for the openness of the outdoors while simultaneously also craving for the warmth of the indoors. The show is organized by Leonora Loeb and Keisha P:rioleau-Martin and runs from October 30 th through November 20 th , 2021.

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Cynthia Pareja Dubin: MVA Open Studios


Cynthia Pareja Dubin, Liquitex Acrylics Medium Residency, June 2021

Manufacturers Village Artist Studios, located in an 1880’s historic industrial complex at 356 Glenwood Avenue in East Orange, NJ, will feature the work of over 60 different artists at its annual open studios weekend, Friday 10/15 (VIP Preview) and Saturday thru Sunday from 11-5, 10/16 and 10/17.

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Marcia Miele Branca: MVA Open Studios


Marcia Miele Branca in her studio at Manufacturer’s Village along with her “Roland Hot Box”

Manufacturers Village Artist Studios, located in an 1880’s historic industrial complex at 356 Glenwood Avenue in East Orange, NJ, will feature the work of over 60 different artists at its annual open studios weekend, Friday 10/15 (VIP Preview) and Saturday thru Sunday from 11-5, 10/16 and 10/17.

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Gail Winbury: MVA Open Studios

A person standing in front of a painting

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left: untitled, 2021,pigment stick and oil on canvas, right top: Many Rooms,2021 oil and pigment stick on Arches paper, right below: I’m Falling, 2021, oil, cold wax and pigment stick on arches, Photo credit Robinson Holloway

Manufacturers Village Artist Studios, located in an 1880’s historic industrial complex at 356 Glenwood Avenue in East Orange, NJ, will feature the work of over 60 different artists at its annual open studios weekend, Friday 10/15 (VIP Preview) and Saturday thru Sunday from 11-5, 10/16 and 10/17.

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Burbville – New Works By Kumasi Barnett

Jac Lahav and Kumasi Barnett in Conversation

A person standing in front of a wall with pictures on it

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In his first solo exhibition at 42 Social Club (Lyme CT), Kumasi Barnett explores American culture, police violence, and stereotypes through the lens of comic books. Barnett’s immaculate paintings over vintage comic book covers masterfully transform well-known superhero tropes into brutal social commentary. Kumasi Barnett and 42 Social Club founder, Jac Lahav, share their reflections on Barnet’s new work.

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Lauren Whearty: Slippage between Abstraction and Image


Lauren Whearty in her Philadelphia Studio, August 2021, photo courtesy of the artist

Lauren Whearty paints mostly still life from observation and preliminary sketches. Occasionally she takes photos of things which serve in her painting process as cues to spark a sense of memory rather than a source for likeness. She builds her compositions with a collage-like construction, adding and removing objects from both the paintings and the still life set ups. She loves the process of fitting things into the grid of the canvas, playing between representing objects and maintaining a close sense of the flat painted surface. “Color for me is expressive, connects to memory and play in the studio. In using repeated objects, the excitement in experimentation comes from how an object is painted, from their color to their expression and what I can get paint to do,” she says.

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