Art Spiel Picks NYC: Decentering the Human—Or at Least Trying To

Highlights
Installation view: Alicja Kwade: Telos Tales, Pace Gallery, New York, 2025. Photo courtesy of the gallery

It’s a rare joy to encounter immersive installations that truly activate space and affect the viewer both intellectually and viscerally. This spring, three standout New York exhibitions— Alicja Kwade at Pace, Anastasia Komar at Management, and Pierre Huyghe at Marian Goodman—do just that. Each exhibition envelops visitors in an environment that challenges the senses and pushes the boundaries of perception, while decentering the human’s place within it: Komar contemplates the primordial origins of life and the interconnectedness of all living things; Huyghe imagines a collaborative ecology where humans, animals, machines, and artificial intelligence co-create new realities; and Kwade abstracts away the human almost entirely, leaving behind only our systems for measuring and making as the scaffolding for a parallel, perhaps post-human world.

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West Chelsea Artists Open Studios 2025

© 2025, West Chelsea Artists Open Studios

The West Chelsea Artists Open Studios presents its 16th annual artists open studios tour on Saturday & Sunday, May 10th and 11th, from 12 p.m. to 6 p.m. The event offers a look inside the art studios at the iconic building at 526 West 26th Street. Art Spiel conducted brief interviews with three artists who will participate in the event.

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Puns, Paint, and Post-Truths: Rose Briccetti’s Museum of Almost-Natural History

In Dialogue
Rose Briccetti, courtesy of the artist

Rose Briccetti’s interdisciplinary and intermedia practice combines deep historical, artistic, and scientific research with artmaking to re-present natural and cultural histories to question systems of power. Her work surrealistically weaves together strange truths, biology, museology, cultural myths, internet culture, and personal experience using humor and vivid visuals.

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Care / Condition / Control at 601Artspace

In Dialogue
Works by John Coplans (left) Jarret Key (center) and Melissa Stern (right). Photo courtesy of Etienne Frossard/601Artspace

The group exhibition Care / Condition / Control, which ends its run at 601Artspace on April 27th, takes its conceptual root, quite literally, in the form of hair. Experienced by different generations, cultures, genders, and identities, one’s relationship to the very follicles that grow from us and upon us is deeply personal and unique to each of us. As each artist mines their own stories from these relationships, Chapman expands upon the inspiration and undertaking of such a complicated and tangled subject. Yasmeen Abdallah interviews curator A.E. Chapman about the ideas behind this show.

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Night Shades

Featured Exhibition
Nancy Baker, Pretty Circles, 2020, Oil on Canvas, 48 x 48 inches

Night Shades, a new exhibition presented by daphne:art Gallery and Advisory in collaboration with ODETTA, brings together three artists—Nancy Baker, Claire Seidl, and Geoffrey Parker—whose paintings and photographs explore the uneasy edge between perception and memory, hinting at alternative realities, and brushing against dystopia.

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DUMBO Open Studios 2025 with Ellie Krakow

Ellie Krakow with several pieces from her series Comfort Corners, Sharpe-Walentas Studio Program, photo by Kay Hickman, courtesy of the artist.

On April 26th and 27th, from 1 to 6 pm, artists in DUMBO will open their doors to the public as part of DUMBO Open Studios, offering a rare look inside the art studios along the Brooklyn waterfront. Since the 1970s, DUMBO has been shaped by its vibrant art community. This interview series highlights a handful of participating artists in 2025. Each response offers a glimpse of what’s waiting behind the studio door. Ellie Krakow has been in DUMBO since 2024. Her studio is at the Sharpe-Walentas Studio Program, 20 Jay Street, #720.

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DUMBO Open Studios 2025 with Davide Cantoni

Davide Cantoni in studio, photo courtesy of the artist.

On April 26th and 27th, from 1 to 6 pm, artists in DUMBO will open their doors to the public as part of DUMBO Open Studios, offering a rare look inside the art studios along the Brooklyn waterfront. Since the 1970s, DUMBO has been shaped by its vibrant art community. This interview series highlights a handful of participating artists in 2025. Each response offers a glimpse of what’s waiting behind the studio door. Davide has been in DUMBO since the end of the least century. Davide Cantoni’s studio is at 68 Jay Street, #213.

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DUMBO Open Studios 2025 with Rodney Ewing

Studies for “The Architecture of Memory and Loss” 2024-2025, Drawings: Ink and Colored Pencil on Paper.

On April 26th and 27th, from 1 to 6 pm, artists in DUMBO will open their doors to the public as part of DUMBO Open Studios, offering a rare look inside the art studios along the Brooklyn waterfront. Since the 1970s, DUMBO has been shaped by its vibrant art community. This interview series highlights a handful of participating artists in 2025. Each response offers a glimpse of what’s waiting behind the studio door. Rodney Ewing has been in DUMBO since 2022. His studio is at 20 Jay Street, #M09.

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The Foundations: Lior Modan at Dinner Gallery

Lior Modan, Rain (2025). Velvet, foam, cardboard, sand, and epoxy putty in artist’s frame. 23 x 30 inches. Courtesy of the artist and Dinner Gallery. Photo: JSP Art Photographer.

Lior Modan’s work invites touch—but not quite. On the somber, richly textured surfaces of velvet, patterns emerge, outlining everyday objects and settings: a watch, Dinner Gallery’s glass door leading to the courtyard, a table under an archway, and various indecipherable but seemingly familiar architectural forms. They are punctuated with scraps of domesticity and quotidian life: lace strips, tree branches, and old-timey tablecloth designs. In the artist’s solo exhibition titled The Foundations, each monochromatic piece quietly outlines the theatricality of everyday life. Oscillating across the terrains of sculpture, frottage, performance, and assemblage, Modan’s work gently unpacks the categorical pretense behind techniques of making.

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The Tale of Lost Waters – Susan Hoffman Fishman at Five Points Arts

Installation view

In The Tale of Lost Waters at Five Points Arts in Connecticut, Susan Hoffman Fishman exhibits seven vertical scrolls resembling satellite imagery. Four are layered in deep, earthy browns—recalling land formations and dry blood—pressing against vibrant blues reminiscent of water. The bodies of water seem suspended between presence and disappearance, drifting toward an undefined space—a light or a void.

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