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All Tomorrow’s Parties: M. David & Co. at Art Cake

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A room with art on the wall

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Installation view

Lou Reed’s song All Tomorrow’s Parties, featured on the Velvet Underground & Nico’s debut studio album, was allegedly inspired by the musician’s observation of Andy Warhol’s ‘Factory,’ an epicenter where camp, craze, and creativity flowed in abundance. With a tangible sense of energetic exploration, M. David & Co.’s mega-scale group show at Art Cake echoes this creative exchange by articulating the dynamic intergenerational connections between emerging and established artists across media.

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Embodied Futures and the Ecology of Care at BioBAT Art Space

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A room with a large wall with a painting on it

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Installation view of Katie Hubbell’s, Slow Down Soft Body, Stay with Me, and, Subsuming Solids, photo courtesy of Flaneurshan Studio

In the heart of Sunset Park, within the historic Brooklyn Army Terminal, BioBAT Art Space stands as a pioneering gallery that blurs the lines between art and science. The current exhibition, Embodied Futures & the Ecology of Care, Curated by Elena Soterakis & Eve Barro, showcases eleven artists whose work merges research methods and materials from scientific practices such as genetics, mycology, microscopy, and bacterial cultivation with artistic creation. By using living yeast as their palette and mushrooms as their sculpting medium, these artists challenge conventional artistic norms.

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Common Frequencies / Frecuencias Comunes at BioBat Art Space

In Dialogue with Elisa Gutiérrez Eriksen


Elisa Gutiérrez in conversation with Miguel Gleason, Director of the Mexican Cultural Institute in NY, at the opening of Common Frequencies. Background video shows Marcela Armas’ video piece “Tsinamekuta”. Image: @onwhitewall

Common Frequencies brings together a group of Mexican artists whose work explore the intersection of art and science through sound, urban ecology, language, and collective imageries through performance, installation, photography, sound, and drawing. The exhibition will be accompanied by a series of free bilingual educational programs that encourage the participation of families. The exhibition runs through October 16th. 2021.

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Artists on Coping: Rosa Valado

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping

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Rosa Valado, Corona Scroll in progress – home studio during COVID-19 PAUSE; 2020; mixed media and graphite on paper; 16”X120”; photo courtesy of Rosa Valado

Rosa Valado creates immersive installations, multilayered sensory experiences, utilizing diverse approaches, from the smell of burning wax and music to architectural elements and engineering problem solving. Throughout her body of work which includes architectural elements, drawings, paintings, and sculpture, she explores notions of space and time, and elements of light. Valado has created public art projects and been in solo and group exhibitions in Austria, Germany, and Holland, and exhibits regularly in New York City. She has received many grants and fellowships, including a Pollock-Krasner, Sharpe-Walentas, Yaddo, Jerome Foundation, and has been featured in the New York Times, Art Forum, Art in America. Juries and panels include Hamilton College and Jerome Foundation.

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Artists on Coping: Jeffrey Morabito

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

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L.A., 2019

Born in Bronxville, half Hong Kong-ese and half Italian, Jeffrey Morabito spent his early years traveling between New York and Hong Kong. Much of Morabito’s work is playing with the legibility of objects in painting. Recognizable figures are put in unrecognizable picture planes, or sometimes the reverse. He has exhibited nationally and internationally. In 2019, he had a retrospective of his work entitled Glossolalia curated by Karen Wilkin at 1 GAP gallery. Morabito’s work has been reviewed by the New York Times, Hyperallergic, White Hot Magazine, Art Spiel, Youngspace, Deliciousline and China Daily. A recipient of the Art Cake Studio Program, he currently works in Sunset Park, Brooklyn.

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An Odd Symbiosis: Action in Non-Action

Artist Tirtzah Bassel, at the opening night of The Lines Start Here

Charged with urgency, precision and an acute sense of place, Tirtzah Bassel’s luminous oil paintings at Slag capture figures lingering in uncannily familiar public spaces.  Whether the subject matter of these canvases are crowds, couples, or single figures, the related verbs are of present continuous tense; standing, sitting, resting. These paintings, waiting in line at Trader Joe’s, sitting on an Ikea sofa to check a text message, or stretching horizontally on a bare mattress in the bedroom section, all entail the action in non-action. Although the commercial spaces these figures populate are filled with utilitarian objects such as red (and empty) shopping carts and a row of colorful sofas or beds, these interiors convey a strong sense of void. Objects multiply, proliferate and are caught along with their creators at the same space in an odd symbiosis.  Continue reading “An Odd Symbiosis: Action in Non-Action”