sculpture – Page 6

May 14, 2025May 12, 2025, by William Corwin

Into the woods – Immi C. Storrs at The Century Association

Immi C. Storrs is obsessed with depth: she manipulates it, refusing to render it as-is. Instead, her adventures in depth-perception range from steeply sloping forests—her favorite subject— to thickly layered glass light-box dioramas, and to truncated and oddly meshed animal forms in bronze. While the animals merge together into multi-legged seemingly mythological beasts, or emerge pseudo-two dimensionally from a bronze cube, it’s less about the creatures themselves—horses, sheep, and oxen, but more of a slow-down lugubrious space in which forms melt together and time becomes unpredictable.

May 9, 2025May 8, 2025, by John Mendelsohn

Mark Dagley at Abaton Project Space

In Conversation

Mark Dagley and Lauri Bortz of the Abaton Project Room

Mark Dagley is an artist who has exhibited his paintings and sculptures, which explore the intersection of abstraction and materiality, in New York and Europe since the 1980s. Lauri Bortz is a playwright and author whose farcical tragedies have been performed in theaters in New York, and over the past decade, she has created a series of children’s books. Abaton Project Room, or APR, is a temporary exhibition space conceived by Lauri, located at 11 Broadway, in the historic Bowling Green Office Building in Lower Manhattan. Over a one-year period (August 2024-2025), APR is alternating monthly presentations of Mark Dagley’s work—paintings, sculpture, and works on paper—with thematic group exhibitions as well as selections from Mark and Lauri’s personal collection.

May 8, 2025May 7, 2025, by Etty Yaniv

West Chelsea Artists Open Studios 2025

© 2025, West Chelsea Artists Open Studios

The West Chelsea Artists Open Studios presents its 16th annual artists open studios tour on Saturday & Sunday, May 10th and 11th, from 12 p.m. to 6 p.m. The event offers a look inside the art studios at the iconic building at 526 West 26th Street. Art Spiel conducted brief interviews with three artists who will participate in the event.

May 7, 2025May 7, 2025, by Riad Miah

Cosmic Sentiment and Sculptural Gesture: Jai Hart and Kelly Worman at Freight + Volume

Jai Hart, Finding Harmony from the Neckline to My Right Heel, 2025, Acrylic on canvas and poly-fill, 72h x 41w in

When I first heard about the pairing of Jai Hart and Kelly Worman in a two-person show at Freight + Volume, I was puzzled. Their formal vocabularies appeared too distinct, too dissonant. But upon entering the exhibition, my skepticism dissolved. Their differences are not discordant—they are dialectical. Both artists, working through abstraction and form, propose modes of seeing and making that are sensitive, inquisitive, and quietly defiant. While their materials and gestures diverge, Hart and Worman converge in a feminist-postmodern sensibility that challenges the hegemonic logics of painting, and, more subtly, the gendered histories that underpin it.

May 7, 2025May 3, 2025, by Yasmeen Abdallah

The Golden Thread, Part 2

Featured Exhibition

As a textile artist, I am drawn to works that uphold the tradition of fibers vis a vis labor, technique, material, craftsmanship and innovation. In this presentation put forth by Bravin Lee Programs, The Golden Thread 2 displays fiber-themed works taking various forms. Filling the old seaport building from floor to ceiling, room after room reveals different interpretations on what constitutes a “textile” work.

May 1, 2025April 29, 2025, by Etty Yaniv

Fellow Imaginaries: Carole d’Inverno and Susan Rostow at Atlantic Gallery

FELLOW IMAGINARIES installation (three pieces), Carole d’Inverno and Susan Rostow, (left) Telling Bones, 21 x 19 x 15, paper, metal, bone, plastic, wood, pigments. Rostow, (middle) North-South, 42 x 71, vinyl emulsions, ink pens, inks on canvas, rod, d’Inverno, (right) Under Cover, 24 x 12 x 12, wood, sisal rope, wire. d’Inverno

Carole d’Inverno and Susan Rostow live a block apart. Over the past year, they passed sculptures between studios, texted images and material references, built paper maquettes, and revised their work without fixed goals. Fellow Imaginaries, now on view at Atlantic Gallery, result from this sustained exchange. The exhibition includes fully collaborative hybrid sculptures made jointly by d’Inverno and Rostow, alongside individual works by each artist: sculptures by Rostow and both sculptures and paintings by d’Inverno. Though distinct in authorship, all the works were developed in close dialogue. They respond to one another in form and material and in how they occupy space. Walking into the show feels like entering a toy store—joyous, playful, a place of invention. The visitor becomes a child again, wondering how things were made and how they might move.

April 30, 2025April 28, 2025, by Claire Haik

Art Spiel Picks: Philly Exhibitions in May 2025

HIGHLIGHTS

Katie Hudnall: The Longest Distance between Two Points at the Museum for Art in Wood, installation shot, image courtesy of the gallery

I always love that Earth Day is situated right when the city is exploding with new flowers and life. These spring exhibitions show appreciation for our planet by working with found and repurposed materials, honoring their origins while building something new. At the Museum for Art in Wood, Katie Hudnall constructs delightful and “mechanically improbable” animals and curiosity cabinets of found objects in her show, The Longest Distance between Two Points. Drexel University’s Pearlstein Gallery showcases CONTEMPORARY RUIN future visions, a collection of work that meditates on the realities of decay in our cities, offering both a poetic reflection on our everyday lives and practical approaches toward building a more resilient future. South of the city, Lavett Ballard’s solo show at Rowan University, The People Who Could Fly, features striking mixed-media collages that recast stories of African-American folklore and history using layers of imagery.

April 23, 2025April 27, 2025, by Yasmeen Abdallah

Care / Condition / Control at 601Artspace

In Dialogue

Works by John Coplans (left) Jarret Key (center) and Melissa Stern (right). Photo courtesy of Etienne Frossard/601Artspace

The group exhibition Care / Condition / Control, which ends its run at 601Artspace on April 27th, takes its conceptual root, quite literally, in the form of hair. Experienced by different generations, cultures, genders, and identities, one’s relationship to the very follicles that grow from us and upon us is deeply personal and unique to each of us. As each artist mines their own stories from these relationships, Chapman expands upon the inspiration and undertaking of such a complicated and tangled subject. Yasmeen Abdallah interviews curator A.E. Chapman about the ideas behind this show.

April 22, 2025April 21, 2025, by Etty Yaniv

DUMBO Open Studios 2025 with Jenny Polak

*Mattress 2 (We Who Believe In Freedom Cannot Rest) 2024*, detail. Photo courtesy the artist

On April 26th and 27th, from 1 to 6 pm, artists in DUMBO will open their doors to the public as part of DUMBO Open Studios, offering a rare look inside the art studios along the Brooklyn waterfront. Since the 1970s, DUMBO has been shaped by its vibrant art community. This interview series highlights a handful of participating artists in 2025. Each response offers a glimpse of what’s waiting behind the studio door. Jenny Polak has been based in DUMBO since February 2025, previously participated in the BRIC residency in 2022, and returned this year to 20 Jay Street—now working from Studio #310B—through the Cultural Space Subsidy Program.

April 20, 2025April 14, 2025, by Etty Yaniv

DUMBO Open Studios 2025 with Ellie Krakow

Ellie Krakow with several pieces from her series *Comfort Corners*, Sharpe-Walentas Studio Program, photo by Kay Hickman, courtesy of the artist.

On April 26th and 27th, from 1 to 6 pm, artists in DUMBO will open their doors to the public as part of DUMBO Open Studios, offering a rare look inside the art studios along the Brooklyn waterfront. Since the 1970s, DUMBO has been shaped by its vibrant art community. This interview series highlights a handful of participating artists in 2025. Each response offers a glimpse of what’s waiting behind the studio door. Ellie Krakow has been in DUMBO since 2024. Her studio is at the Sharpe-Walentas Studio Program, 20 Jay Street, #720.