Margaret Roleke: Getting a Dialogue Started


Margaret Roleke, Margaret Roleke: Made Visible, 2020, window installation of cyanotype banners and mylar, Creative Arts Workshop, New Haven, CT., photo courtesy of Rashmi Talpade

When Margaret Roleke finished her MFA, she was a sculptor and installation artist. From early on she created installations dealing with issues of water, sound and light and after becoming a mother to four children, notions of motherhood and domesticity became central in her work. As her children grew, current political events became increasingly part of her visual expression. For instance, around 2002 she started including toy soldiers in her sculptures, referencing the Iraq war, and also around this time for a public art project in Brewster, NY, she made seating for the day-laborers who were regularly gathering on that site. She continued to make work that spoke to issues that were important to her, mainly gun control, domestic abuse, and immigrant rights. She says she had no intention to be an activist artist, but became one in the course of making art and exploring her true voice — “The Trump presidency led me to march on the streets and register voters, but I feel I can be a better activist when I create work which starts a dialogue on these important subjects, as this seems to be what comes naturally to me,” she says.

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Amy Butowicz: Boudoir Theatre at Peninsula Art Space

In Dialogue with Eric Fallen, Founder and Executive Director

A room full of furniture

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Duet, 2020 76.5”h x 84”w x 53”d Canvas, acrylic paint, wood, furniture parts, wheels, and hinges

Amy Butowicz solo show Boudoir Theatre at Peninsula Art Space features a collection of domestically scaled sculptures staged as a group of characters which are readily associated with notions of sensuality, ornamentation, and haute couture. Bulging cushion-like forms, meticulously hand-stitched over wooden structures, display intricate patterns and rich material suggestive of bedding, vanities, corsets and human anatomy. Bold and tender simultaneously, these anthropomorphic forms defy the disdain and fear that are frequently imposed upon feminine artforms, spaces, and bodies. Eric Fallen, founder and executive director of the Red Hook based Peninsula Art Space elaborates on Amy Butowicz’s exhibition and on his art venue.

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Jada Fabrizio: Ardent Fables

Jada Fabrizio, The commuter Photograph, 13×19, photo courtesy of Jada Fabrizio

Mixed media artist Jada Fabrizio is an insatiable story teller. Her appetite for narratives covers wide grounds and results in dioramas and photographs ranging from a domestic scene of a hen with a fried egg at hand, to a melancholy rabbit sprawling on an armchair. Fervently surreal and underscored with dark humor, these sculptural sets and photographs offer open-ended stories that tease us and draws us in. Jada Fabirzio shares with Art Spiel a bit about herself, her approach to art making, and what triggers her narratives.

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Julie Peppito: Making Meaning out of Anything

Toxic Frock (This Changes Everything by Naomi Klein), 2016, canvas, trim, oil paint, gouache, thread, acrylic paint, found objects, fabric paint, fabric, grommets, variable dimensions (84″ x 156″ x 10″), photo courtesy Dan Gottesman

Julie Peppito‘s visceral and imaginative installations refer to our ecological, cultural, and political environments through explosive colors, textured surfaces, and interconnected loopy forms. Julie Peppito recalls how growing up in Oklahoma and later moving to NYC impacted her development as an artist. She shares some of her thought process, her work as an activist, and some of her projects.

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Nancy Bowen: The Story of Objects

Nancy Bowen, Princess T, ceramic, turtle shell, metal stand, mixed media,, 48 x 20 x 20 inches

Nancy Bowen‘s layered sculptures, installations, and collages coalesce stories of different cultures, of past and present. Her objects bring to mind a flavor of unidentified myths, archetypes and rituals, often involving images of the female body. The artist talks about her art making process, projects, and the way she sees her role as an art educator.

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Nota Bene with @postuccio [vi]

M. David & Co. ,Cosmic Veggies, El Sótano, C&M Creative

M. David & Co.

So certainly sonorous that it’s surely a song is the duet of solo shows by Len Bellinger and Denise Sfraga that didn’t just open, but robustly, vividly, gregariously and, in part, also florally burst into being at M. David & Co. a couple of weeks ago. The energy and dynamism of the works in both exhibits is readily infectious, such that the reception itself assumed the same airs. That might’ve even been what catalyzed some of the springtime climes we’ve felt of late. And if so, great. Let’s see more, please.

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Sandra Chamberlin, on Breathing Underwater

Sandra Chamberlin, Procession, charred cedar, 2019, variable size. as shown 20’ x 10 x 26” d

“The stream of sap in the trees varies according to the phases of the moon.”

-Theodor Schwenk, Sensitive Chaos

Sandra Chamberlin’s sculptural installations invites the viewer to enter a three-dimensional drawing of alternate life-forms. Lines made of wood float off the walls, hover in the air, or balance on the ground, altogether creating a sense of abstracted life-forms. These linear sculptures are deeply rooted in the artist’s intriguing relationship to materials and processes which overall tie into her intricate perception of nature. Since the early eighties, Chamberlin has been making out of wood abstracted shapes through meticulous manual and mechanical processes she has perfected over these years.

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Jessica Segall: Queer Ecologies

Jessica Segall, (un)common intimacy, 2018, video still

Throughout her highly imaginative multidisciplinary projects, Jessica Segall has been engaging with a wide range of fragile ecological sites, frequently with animals as her collaborators – for instance, swimming with tigers and sculpting with live bees. Jessica Segall shares with Art Spiel some of her work and thought process, as well as her upcoming projects. You can meet her and hear more about her work during the 2019 Dumbo Open Studios weekend.

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A Visit with Nancy Baker

Baker working with laser cut wood

Nancy Baker’s art is colorful and bright, with filigree shapes that fuse, multiply and pulse outward in vibrant, sweeping waves. Individually the panels seem molecular and scientific; layered together they suggest vast networks and digital flow, yet clearly are the work of an artist’s hand. The eye zooms in and picks out familiar details–a candy wrapper, a takeout tray–then moves out again to appreciate the larger whole.

Panel in Baker’s Studio (full and detail images)
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Elisa D’Arrigo – From the Inside Out

Elisa D’Arrigo, P.G. On My Mind 2, 2018, Glazed Ceramic, 5 x 7 x 4 inches Courtesy of the Artist and Elizabeth Harris Gallery

Elisa D’Arrigo‘s upcoming exhibition, “In the Moment,” at Elizabeth Harris Gallery will feature her new body of ceramic work. Her vessel forms breathe with inner life, their cylindrical shapes are both tumultuous and vivacious – like a body, organism, or life itself. The artist shares with Art Spiel some of her thought and work processes as well as some insight on her upcoming show.

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