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Artists on Coping: Christina Massey

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.


Christina Massey, Crafty Collusion 4, Acrylic and enamel paint on canvas, paper, fabric, repurposed aluminum and wire, 82” H x 68” W x 13” D, image courtesy of the Artist

Christina Massey’s work is somewhere between that of painting and sculpture, craft and fine art, process based and conceptual. She has exhibited extensively in the NY Metropolitan region having completed over a dozen solo shows. Her work has awarded her an FST StudioProject Fund Grant, Brooklyn Arts Fund Grant, SIP Fellowship at the EFA Robert Blackburn Printmaking Workshop, Puffin Foundation Grant and Mayer Foundation Grant. Massey’s work is in the collections of the Janent Turner Museum, Art Bank Collection in DC, Credit Suisse and multiple private collections. She currently lives and works in Brooklyn, NY.

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Artists on Coping: Helen O’Leary

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

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Photo by Eva O’ Leary, Fader Magazine 

Helen O’Leary is an Irish-born artist best known for constructions that blur the boundaries between painting and sculpture, object and image. She trained at the School of the Art Institute of Chicago and the National College of Art and Design, Dublin, Ireland. Her work has been exhibited internationally, including shows at the Irish Museum of Modern Art, Dublin, the American Academy of Arts and Letters, NYC, The MAC, Belfast, NI and SFMOMA, San Francisco, and been recognized by the John S. Guggenheim Foundation, the American Academy in Rome, Rome Prize, the Pollock-Krasner and Joan Mitchell foundations.

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Artists on Coping: Mary Mattingly

During the coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.


Swale, Concrete Plant Park 2018, Photo: Subhram Reddy

Mary Mattingly works with photography and sculpture. She is currently artist in residence at the Brooklyn Public Library. In 2016, she founded Swale, an edible landscape on a barge to circumvent New York City’s public land laws, and in 2018 dismantled a military vehicle and deconstructed its mineral supply chain with BRIC Arts.  Her work has been exhibited at the Museo Nacional de Bellas Artes de la Habana, the Bronx Museum of the Arts, Storm King, the Brooklyn Museum, and the Palais de Tokyo. It has been featured in Artforum, The New York Times, Le Monde, New Yorker, NPR, Art21, and included in books such as MIT Press Documents of Contemporary Art, and Henry Sayre’s A World of Art.

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Artists on Coping: Kathryn Hart

During the coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

A dirty old room

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Kathryn Hart, Installation view of The Other Voice in Sala Coll Alas, 2020, Gandia, Spain , Foreground: Site-specific installation, Self Possessed, 2020, 148x238x160 inches

Kathryn Hart’s artworks are underpinned in Humanism and Feminism. She expands works beyond their physicality using shadow, reflection, light, dimension, gesture, line and space.  Her spatial installations respond to the unique architecture of their environments. Recent solo shows include Sala d’Exposicions Coll Alas de Gandia (SP); European Cultural Centre, a 58th Venice Biennale event; School of Visual Arts (NYC); Politechnika Krakowska; Howland Cultural Center (NY); Galerie SD Szucha 8 (Warsaw); Andre Zarre Gallery, (NYC); and ArtHaus (Denver).  Select group venues include Ateneo de Madrid, Chelsea Art Museum (NYC), Oceanside MOA (CA), Archeological Museum, Gandia, and So. Nevada MFA (Las Vegas). Recent features are The September Issues Magazine,   Amparo Zacares Publications, Estetica Pedagogica, Gallery&Studio Arts Journal,  Diversions LA.  Public TV links USA and in Spain.

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Artists on Coping: Jada Fabrizio

During the coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

A ferret on a table

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“All things big and small”

As a Multimedia Artist, Jada Fabrizio’s practice incorporates aspects of various disciplines, taking the form of set building, sculpture, photography and, when available, installation. Jada is interested making images and that communicate complex feelings and psychological dilemmas. The use of sculptural creatures makes difficult ideas somewhat friendlier or more approachable. She endows the animal-based figures with personalities or traits that could be considered more “human” Because the stories she is telling all have something to do with humanity and the connections we all share.

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Paul Mok – The Study of Mundane

Paul Mok in dialogue with Art Spiel on his show at GAIA in Dumbo


Paul Mok – The Study of Mundane – 2020 – image courtesy of the artist

Designer, architect, and visual artist Paul Mok shares with Art Spiel the origin, idea and process behind his installation based solo exhibition at GAIA in Dumbo.
Due to the Corona-virus, the gallery hours will very likely vary. For updates reach out to (917) 704-9600. 

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A Romantic Comedy hosted by Wallplay

Steven Pestana in dialogue with Art Spiel

Installation View, A Romantic Comedy. L to R: Kevin Frances, Andrew Allison, Amanda Thackray

A Romantic Comedy, co-curated by Steven Pestana and Sophia Sobers , is a large-scale installation-based group exhibition which explores the mystery and ambiguity of romance in the 2020s through the actions and objects of everyday life. The opening takes place during Armory Weekend and the show runs throughout the end of March. Steven Pestana describes for Art Spiel the curators’ background, elaborates on the genesis of the show, then gives some background on its host, Wallplay, and its venue at 25 Kent street in Williamsburg.

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Magdalena Dukiewicz at Stand4 – In Every Dream Home a Heartache

In every dream home a heartache, installation view. Photo courtesy of the Elisa Gutiérrez Eriksen

A former medical office located in the heart of Bayridge Brooklyn, hosts Magdalena Dukiewicz solo exhibition “In Every Dream Home a Heartache“, a visual, physical and poetical exercise in which the artist revisits particular objects and memories from her childhood in Poland to explore an idea of “home” that has been inoculated in her mind from an early age. For Dukiewicz, the thought of a home brings a cumulus of anxieties related to social expectations, which calls into question the preconceived ideas of how things are supposed to be in life: motherhood, marriage, work, living in a place other than your birthplace, fulfilling certain obligations.

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Controlled Entropy, Taher Jaoui at 81 Leonard Gallery

Taher Jaoui: Controlled Entropy installation view, photograph by Hannah Rozelle, photo courtesy of the artist

One might find Taher Jaoui introverted the moment meeting him. It might be less about an aloof temperament commonly found in an artist than a reserved and prudent character often associated with a science person. The way in which Jaoui’s artworks act out follows a similar interpersonal pattern. Those scratchy mathematics signs and formulas are the most prominent elements of the new series of monochrome paintings featured in Taher’s current solo exhibition Controlled Entropy at 81 Leonard Gallery, co-hosted by Uncommon Beauty Gallery. The juxtaposition of the handwritings of mathematical formulas and the gestural brushwork in an abstract expressionist manner not only prompts questions about Jaoui’s background, but also problematizes the hostile split between art and mathematics. Reminding viewers of a lecturer running a mathematical calculation across the blackboard with chalk, this series of paintings highlights the performative elements in mathematics, as well as the craft aspects of labor invested in this intellectual activity.

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Catchat, following an Interview With a Cat

Kristen Clevenson in conversation with Noa Ginzburg, February 2020

Catchat, a screenshot of a skype conversation, 2019.
Photo by Hannah Bruckmueller

“This is an interview recorded at the Museum of Modern Art, Department of Eagles, 12 Burgplatz Düsseldorf,” announces the interviewer. “MIAOW! MIAOW!” replies the interviewee.” In 1970, the Belgian artist Marcel Broodthaers (1924-1976) conducted and recorded an Interview With a Cat. In Catchat, a trans-Atlantic collaboration between Hannah Bruckmüller, Michal Ron, and Noa Ginzburg which was recently published on PROTOCOLS, the three listen carefully to the protagonist cat and transcribe French and Cat tongues into Hebrew and Latin letters. Kristen Clevenson and Noa Ginzburg share with Art Spiel their conversation about cats, collaborating while in different time zones, transcribing illegible languages, and using deep listening to assert agency.

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