painting – Page 22

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September 8, 2020August 8, 2020, by Etty Yaniv

Lacey McKinney in Domestic Brutes at Pelham Art Center

In Dialogue with Lacey McKinney

Lacey McKinney at McColl Center for Art + Innovation, 2019,.Courtesy Chris Edwards Photography

Lacey McKinney who resides in Upstate New York, is drawn to the alchemy of processes like painting and alternative photography. For the last several years, McKinney has worked within the framework of painting, using figuration to reference embodiment. Usually splitting her time between working in the studio and teaching, this year she feels lucky enough to embark on a one-year teaching sabbatical, which has given her extra time for experimentation with other media such as using cyanotype process to make photograms that incorporate into collage and mixed media works. The artist shares some insights on her body of work in Domestic Brutes, the all women group show at the Pelham Art Center which engages the visitor with diverse approaches of what feminism means in American society today.

September 4, 2020November 15, 2020, by Etty Yaniv

Shift Happens at GreenHill

In Dialogue with Heather Gordon

Heather Gordon, 2019, photo courtesy of Eli Gray

In her drawings, paintings, and installations North Carolina based artist Heather Gordon maps the poetry of life using mathematical elements like numbers and geometry to coax narratives from information related to data of place, time and physical properties. In her collaborative projects she has extended her practice to large scale site-specific installations based on elaborate research, often including sculptural, performance and movement elements which altogether result in multifaceted and thought provoking projects that prompt the visitor’s intellectual and visceral engagement. In this interview Heather Gordon sheds some light on her nine-foot-high site-specific mural on the large exterior window of the GreenHill gallery to be completed late September. Heather Gordon’s public art initiative is the first of a group of works by the artist at GreenHill Center for North Carolina Art, as part of the Shift Happensart installation series which aims to explore art engagement at a time of social distancing.

August 31, 2020August 31, 2020, by Etty Yaniv

Jacqueline Shatz – Overcoming Gravity

Jacqueline Shatz‘s ceramic based wall sculptures depict biomorphic forms, mostly referring to animals and humans as a single entity. An abstracted silhouette of an agile swimmer, a whimsical hybrid of horse and baby snake, a queen’s bent head fully covered by flowing hair spilling downward – each evokes a mystery associated with ancient civilizations, archetypes, and mythologies or what the artist describes as “states of being and permeable nature of time.” Jacqueline Shatz shares with Art Spiel some thoughts on her work and work process.

July 27, 2020August 8, 2020, by Etty Yaniv

Gabriel J. Shuldiner – Hybridsculptural Bruteminimalism

sLAY1_2019, postapocalypticblack®* [ modified acrylic polymer emulsion | carbon black pigment | calcium carbonate | water | modified industrial urethane enamel | modified polyurethane thermoset cellular plastic | vinyl acrylic co-polymer emulsion | acrylic stain-block sealant | mastic adhesive | polyurethane adhesive | solvent-based ink | nuisance dust | studio detritus | spit | air | light ]*proprietary | chrome enamel spray aerosol | cotton duck canvas | repurposed polystyrene | blackened stainless steel flat head hinge screws | reinforced galvanized steel wire, overall dimensions: 20.75 x 19 x 5.25 in.

Gabriel J. Shuldiner dislikes categorization of his work to the point that he invents new “isms” to describe its allusive hybridity – its DNA can be traced to abstraction with elements of minimalism, expressionism, and Arte Povera. While Shuldiner’s use of material is extensive , his use of color is restricted to mostly black, with tinges of other colors at times. Gabriel J. Shuldiner shares with Art Spiel some of his thought and work processes.

July 16, 2020November 15, 2020, by Etty Yaniv

Center for Creative Works – Human Development

In Dialogue with Lori Bartol and Samantha Mitchell

Untitled (Herbies), by Doug Tan. Image credit: CCW/Virginia Fleming

Center for Creative Works (CCW) is a PA based unique professional art studio where artists with intellectual disabilities can access not only equipment and supplies but also dedicated mentorship, including help in promoting their work. Furthermore, it offers a
permeable space which prompts collaboration and idea sharing between CCW artists, artists outside of the studio, and community members at large. Lori Bartol, director, and Samantah Mitchell, exhibition coordinator, share with Art Spiel their vision for the organization and an insight into some of CCW artists’ work. Lori Bartol has recently revisited our discussion on how her team and artists have coped with the pandemic.

June 30, 2020June 19, 2020, by Etty Yaniv

Artists on Coping: Margot Spindelman

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

Margot Spindelman is a painter living in Brooklyn, New York, whose most recent work is an intimate exploration of disorder, rupture, security and loss, expressed in the language of collage, as painted pieces are torn, drawn, reassembled. She has had solo shows in New York at both the Perlow Gallery and Platform Gallery. Her work has been shown in many group shows in New York and elsewhere. Spindelman is a recipient of both a New York Foundation for the Arts Fellowship in Painting (2004) and a George Sugarman Foundation Grant (2007). She received her Bachelors degree in Fine Arts from the University of Michigan, and her Masters of Fine Arts from the San Francisco Art Institute. Her work is featured on line by Gibson Contemporary.

June 29, 2020November 2, 2022, by Catherine Kirkpatrick

Artists on Coping: Zoran Crnkovic

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

Zoran Crnkovic was born and raised in Croatia where his early focus centered on drawing, painting, carving and sculpting. He has been a resident of New York City for last 24 years, with a multi-disciplinary practice based in Long Island City. He has had 20 solo shows, and teaches life drawing at the Salmagundi Club in Manhattan.

June 28, 2020June 28, 2020, by Etty Yaniv

Artists on Coping: Laura Karetzky

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping

Macintosh HD:Users:laurakaretzky:Documents:Exhibitions/Press:2020 Corona Etty Yaniv:Coping.1.2_WereGoingToHaveToReadTheEyes.jpg — *“We’re Going To Have To Read The Eyes A Lot Better”*, 2020, oil on wood, 18×24 inches. photo: courtesy of the artist

For the past six years Laura Karetzky’s practice has examined the way technology and virtual communication is able to sustain us in various states of perspective, as it confounds our idea of autonomy and community. Toggling between painting, sculpture and video-installation, she has exhibited this work in galleries including The Lodge (NYC), Marcia Wood (Atlanta), Lehman College (Bronx), SUNY (Old Westbury) and most recently in solo shows this winter at Lora Schlesinger Gallery (Los Angeles) and Elizabeth Houston Gallery (NYC). Her current endeavor has been the subject of feature interviews and reviews in ArtCritical, ArtSpiel, ArtNowLA and Anti-Heroin Chic.
Laura Karetzky is currently participating in Dumbo Open Studios Virtual 2020, July 1-31, 2020.

June 26, 2020November 2, 2022, by Catherine Kirkpatrick

Artists on Coping: Barbara Laube

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

Macintosh HD:Users:BarbaraLaube:Desktop:studio shot copy.jpg — *Works in progress on the good studio wall*

To Barbara Laube the act of painting is spiritual, shamanistic, healing, and transformative. Truth is found through process and the materiality of paint. Rooted in the history of abstraction, her subject matter may not be obvious and is always left open to interpretation. It emerges from the endless mark making and adjustments to the painting surface. Imagery is often revealed that reflects her relationship to the outside world and her life, and to her deep love of great painting, particularly the early Renaissance. She exploits the play between the open and dense, and the light and dark. In the end the act of painting and paint itself is first and foremost and has always been her way of making sense of her life, loves and beliefs. Ms. Laube lives and works in Riverdale, New York. She has shown extensively in New York, including M. David & Co., Zurcher Gallery, The Painting Center, Carter Burden Gallery, Bowery Gallery, and Sideshow Gallery. She has also shown at Kent State University in Ohio, and in New Mexico, Illinois, Washington, California, New Jersey, and Texas.

June 25, 2020November 2, 2022, by Catherine Kirkpatrick

Artists on Coping: Susan Mastrangelo

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

1-Myself In My Studio In Catskill #1.jpg

Susan Mastrangelo

Susan Mastrangelo was born and raised in New York City and Washington D.C. She studied at the Kansas City Art Institute and the New York Studio School, and received her MFA from Boston University under the tutelage of Philip Guston. Based in New York since graduate school, she has shown nationally and internationally, and is a recipient of a Rockwell Grant as well as two grants from the Pollock Krasner Foundation. She has been a visiting artist at the American Academy in Rome, a guest at Civitella Raneri, and a resident at Yaddo, The Virginia Center for the Creative Arts, The Ragdale Foundation, The Triangle Workshop (as a student of Anthony Caro), and the Tyrone Guthrie Center. For 27 years she taught and chaired the Art Department at the Buckley School in New York City, and now works as a full time multidisciplinary artist at the Can Factory in Gowanus, Brooklyn.