landscape – Page 2

March 16, 2022November 2, 2022, by Art Spiel

The sky is higher here at Transmitter

Featured Project: with curator Leila Seyedzadeh

Hedwig Brouckaert, *Flesh of Light (I)*, 2017, Mixed media on archival inkjet print on paper, 33.8 x 43.34 inches, photo courtesy of Hedwig Brouckaert.

The artworks featured in the group show The Sky is higher here at Transmitter in Brooklyn reference the subtle boundaries between what is free of the physical and what is not—how can we mirror what we find in the sky and what does it reveal in us? Through a variety of mediums such as painting, textile, photography, textile weaving, and mixed media, Hedwig Brouckaert, Simone Couto, Edi Dai, Saba Farhoudnia, Victoria Martinez, and Ingrid Tremblay explore the vastness of the sky and find refuge in this great space with no borders. The curator of the show, Leila Seyedzadeh sheds some light on the curatorial vision and process.

February 21, 2022January 7, 2022, by Jennifer McGregor

Landscape Deconstructed at the Hammond: Mimi Czajka Graminski

Part 2: Mimi Czajka Graminski – Interview with Jennifer McGregor

Mimi Czajka Graminski, *Petal Series Rose 1,* 2020-2021, archival pigment print of photograph of rose petals, 10 x 10 inches

Landscape Deconstructed: Mimi Czajka Graminski and Linda Stillman is a virtual exhibition on view at the Hammond Museum and Japanese Stroll Garden website (hammondmuseum.org/virtual-galleries) until June 2022. It is curated by Bibiana Huang Matheis. The opening on September 11, 2021, included a virtual conversation with Mimi Czajka Graminski and Linda Stillman moderated by Jennifer McGregor which has been distilled and reformatted for individual interviews with each artist.

The Hudson Valley artists met in 2011 and were immediately struck by the similarities in their work and have continued a dialogue since then. Landscape Deconstructed is the first time their artwork is presented in tandem and underscores the way that both artists discover elements of their surroundings and reassemble them in ingenious ways. Through distinct processes, they each preserve fleeting moments of beauty in nature while documenting a particular time and place.

February 14, 2022January 7, 2022, by Jennifer McGregor

Landscape Deconstructed at the Hammond: Linda Stillman

Part 1: Linda Stillman – Interview with Jennifer McGregor

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Description automatically generated — Linda Stillman, *Daily Skies: 2020, February 15, 2020 focus*, 2021, archival pigment print on paper, 19 x 13 inches

Landscape Deconstructed: Mimi Czajka Graminski and Linda Stillman is a virtual exhibition on view at the Hammond Museum and Japanese Stroll Garden website until June 2022. It is curated by Bibiana Huang Matheis. The opening on September 11, 2021, included a virtual conversation with Mimi Czajka Graminski and Linda Stillman moderated by Jennifer McGregor which has been distilled and reformatted for individual interviews with each artist.

November 15, 2021October 20, 2021, by Etty Yaniv

Theresa Hackett: Flipping the plane

The PA based painter Theresa Hackett has been reflecting on landscape and environmental issues throughout her extensive body of work, Her paintings combine elements of drawing as well as different materials such as earth material and plastic. Altogether the process of coalescing all these elements is readily visible on the surface —the marks, bold shapes, vivid colors, texture— create landscapes resonating with vitality but also with an urgent sense of loss.

August 16, 2021August 16, 2021, by Etty Yaniv

Todd Bartel: an Omni-coupler

A person standing in front of a blackboard

Description automatically generated with medium confidence — *Todd Bartel in front of Pollination of Devonia, (Synterial series), 2002, gallery talk, L(and) exhibition, Room 83, Watertown, MA, photo courtesy of Ellen Wineberg*

Todd Bartel came to serious collage because of an assignment he received on the first day of his first class as a freshman at RISD. He recalls the desks were strewn with magazines, and as soon as the course started, Professor Hardu Keck gave the students a prompt, “Create five collages that work with the following sentence: Surrealism is the chance happening of finding an umbrella and a sewing machine on a dissecting table.” Keck did not mention he was quoting Andre Breton, who was quoting Comte de Lautréamont (Isidore Lucien Ducasse). He expected his students to work with the strangeness of visual combination and found imagery. That was Todd Bartel’s introduction to Surrealism and chance coupling. He fell in love with collage immediately, coming up with forty-five collages by the first week. One of the key elements that draws him to collage is that it can involve a vast array of analog and digital technologies. “I consider myself an Omni-coupler,” he says.

June 5, 2021June 3, 2021, by Etty Yaniv

Painting the Narrative at the National Arts Club

In Dialogue with Dee Shapiro

A picture containing indoor, floor, wall, ceiling

Description automatically generated — Installation view

In the group exhibition Painting the Narrative at the National Arts Club in New York City the artist Dee Shapiro brings together six contemporary artists who explore content and form of narrative painting ranging from interiors to landscapes, personal to imagined, realistic to fantastic. Featured artists: Jennifer Coates, Laura Karetzky, Judith Linhares, Ernesto Renda, Kyle Staver, and George Towne. The show runs through June 28^th.

June 3, 2021June 3, 2021, by Etty Yaniv

Alyssa Fanning: A Thousand Moons and Suns at Platform Project Space

In Dialogue with Alyssa Fanning

A person sitting on a couch holding a board

Description automatically generated with low confidence — *Alyssa Fanning in her studio in northern NJ, 2020. Photo courtesy of Emma Fanning.*

A Thousand Moons and Suns at Platform Project Space in Dumbo, Brooklyn, features Alyssa Fanning’s elaborate and richly layered graphite and colored pencil drawings on paper, focusing on the duality of strength and fragility of the natural world. The work includes drawings from two related series, created through a process of combining projection, stencil and improvisation. The pieces range in size from 2.75 by 4.75 inches to 16 by 20 inches and within these intimate boundaries, Alyssa Fanning creates intricate worlds which invite you to plunge in. The exhibition opens June 5^th with an opening reception June 4th, and runs through July 3^rd, 2021.

November 2, 2020October 19, 2020, by Etty Yaniv

Katrina Bello – Non Human Expressivity

*In the studio in Newark, NJ, 2018. Photo courtesy of the artist.*

New Jersey and Manilla based artist Katrina Bello draws on memories of her childhood experiences in the Philippines. Ranging from small to large scales. her drawings depict geological layers as vast fields of textures and colors – alluring us to sense the awe in vastness while also inviting us to get close and sense the fragility and tenderness in each detail.

August 24, 2020August 24, 2020, by Etty Yaniv

Will Hutnick – Artist as Facilitator

At the Elizabeth Murray Artist Residency by Collar Works, Granville, NY, July 2019, Photo by Monica Hamilton

Will Hutnick is an artist, curator, co-director of Ortega Y Gasset Projects in Brooklyn from 2015 to 2020 and Director of Artistic Programming at the Wassaic Project upstate NY. In his paintings Will Hutnick is using rollers, and includes other mono-printing-like methods to create repetitive passages which form playful and unexpected relationships between shapes and colors. He shares with Art Spiel some of his work process, reflections on the ways his paintings have developed, and some of his other art related practices.

May 7, 2020November 2, 2022, by Catherine Kirkpatrick

Artists on Coping: Keren Anavy

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

Keren Anavy_Portrait2.jpg — Keren Anavy by Written in Water (detail), site-specific installation at SPRING/BREAK Art Show 2018, NY, jacket design by Ori Anavy. Courtesy of the artist, photo: Nomi H Rave.

Keren Anavy is a multimedia artist working in drawing, painting, installation and performance. Her process and research-based practice scrutinize the relationship between nature, culture and site. Seeing landscape as a metaphor for political and personal narratives, her interest is how nature can function as a cultural agent in different societies. Anavy has written art reviews in Basis magazine (Hebrew), the New York artistic Director at Radio28, located in Mexico City, and currently a mentor at New York Foundation for the Arts (NYFA), IAP. She is working on a site-specific installation planned for display at the Museo de la Ciudad de Querétaro, Mexico, and was selected Artist in Residence at Guild Hall of East Hampton, New York, and at Marble House Project, Vermont. During the Coronavirus pandemic Anavy was invited by ZAZ10TS to share personal messages on the ZAZ Corner Times Square billboards at 41^St & 7Av, every night starting May 8 and for the next two weeks from 7PM-8PM.