Contemporary Art and Culture
Paintings are the products of imagination whose language is feeling and form. My paintings describe an interior theatre where the relationship of energy to limitation unfolds in a drama that is primarily optical. The work references the natural world filtered through the lens of the marvelous and invites the viewers’ participation and interpretation…. a task ideally suited to painting.
– Frances McCormack, 2020
Continue reading “Frances McCormack: Wonder and Limitations”
Though I saw Smashworks Dance’s CITY STORIES over a month ago, it still lingers in the back of my mind. As a New Yorker, how could it not? The images from the show are the images of my daily life. Flashes of scenes and movements weave their way through my commute and my coffee run, popping up like absurdist smash-cuts in early-2000s sitcoms. That’s where Artistic Director Ashley McQueen’s magic lies: the source material is everyday, the execution is something else entirely.
Continue reading “Smashworks Dance – CITY STORIES at Center for Performance Research”
By opening night the installation of Vito Desalvo’s rare public showing of his drawings was completed and the exhibition opened without a hitch. It will be showing, through December 31 at Greenkill Gallery in Kingston, NY. With the help of Mariah Karson, we were able to present his work in a manner that he found acceptable. My main task other than that was convincing him to attend the opening. After a great deal of bargaining, Vito not only showed up but was also surprisingly charitable in his conversations with guests. No one hurt, no foul. In the weeks following the opening, I was asked to interview Vito about his state of mind and thoughts about his work. Last Monday night after considerable liquid consumption, he responded to my inquiries. Our housemate Leo took the dogs—Tina, Louise, and Jack— out for an extended walk so we wouldn’t be distracted. Here are some excerpts of our chat, flaws and all.
Continue reading “An Interview with Chicago Artist Vito Desalvo”
A former-beauty-photographer-turned-artist, HEES’s creative journey has been one of consistent, self-taught innovation. The creator pivoted to painting 36 months ago, when he realized it was time for him to take on a new form of expression.
Continue reading “What it Means to Be Human: HEES Displays Paintings and NFTs at Bechtler Museum and Aktion Art”
Habby Osk’s work rests upon basic physics—gravity, balance, movement, time and force. These concepts are the concrete medium for her artistic practice which toys with the limits of balance and stability using gravity and force. Through sculpture, photography, and installations, Osk reveals a tension between movement and stillness by placing objects in seemingly unstable positions, capturing a moment of perpetual precarity. These compositions of fragility emphasize the potential for destruction but within an equally mirrored state of balance and stability using a variety of materials such as concrete, wood, aluminum, wax, sugar and jello. Her work references impermanence and the contingency of an action—probing how far objects can go without tipping over, to capture the moment of stillness before a looming collapse or transformation over time.
Continue reading “Habby Osk: No Tricks Involved”
Ultralight Beam, curated by Rebecca Mills at the Pelham Art Center, brings together paintings, sculptures, and installations by artists who focus on visionary methods and spirituality of all kinds. Featured artists: Sunny Allis, Angelica Bergamini, Claire Buckley, Susan Carr, Joan Di Lieto & Thunderfox, Ala Ebtekar, Gabriel Mills, Sarah Renzi-Sanders, Christina Saj, and Chris Watts. The show runs from September 15 to October 30, 2022.
Continue reading “Ultralight Beam at Pelham Art Center”
In her solo exhibition at the El Barrio’s Artspace PS109 in Harlem, NYC based artist Fran Beallor shows every one of the 366 self portraits she created in 2020. While drawing a new self portrait each day, a number of sub-series organically emerged, on themes such as the iPhone, Boxes, Gravity, and Shadows. Each brings forth a distinct angle of the pandemic experience. Fran Beallor says, “I make self-portraits to see and interpret my world.”
Continue reading “Fran Beallor – Self at El Barrio’s Artspace”
I would hate to think I have become an old and conservative critic who believes our best days are behind us. I would rather believe that my structuralist perspective is capable of evaluating contemporary emerging practices and recognize the social, cultural and political value of these tendencies. What brought this on is having recently seen the 1962–64 exhibition at the Jewish Museum. This show examines how artists living and working in New York during this three-year period responded to rapidly changing social and cultural conditions, by questioning what was considered to be art’s normative forms and subjects. This post-AbEx generation was concerned with creating aesthetic configurations that would result in novel perceptual modes and political subjectivities.
Continue reading “Some last words on the Whitney Biennial as a cultural labyrinth”
Hrriet Salmon is an artist, gallerist, as well as a podcast host and producer. Her engagement in art is deep and wide—in her own art she makes sculpture, drawing, photo, installation, and weaving; in Heroes, the gallery she co-founded with her partner, Jesse Penridge, they create vibrant visual dialogues between contemporary artists and historical art; in her Craftsmanship podcast she discusses technical skill in the contemporary artworld told through oral history of fabricators.
Continue reading “Harriet Salmon: Tracing Genologies at Heroes”