Contemporary Art and Culture
The two-person exhibition Earth Suits and Beast Machines at Cove Street Arts in Portland, Maine, orchestrates a compelling conversation between Boston painter Jennifer Amadeo-Holl and Maine sculptor Mike Libby. This thoughtfully curated show rewards careful attention, presenting work that resists easy consumption and demands genuine engagement from viewers willing to slow down and look deeply.
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The Essence of a Moment, a group exhibition presenting a collection of artists’ contemplations on the makings of a moment. A moment is by its nature fleeting, and it’s by our nature as people that we seek to extend or preserve them; despite their intangibility. This group show engages with the questions – How can one define something as nebulous as a moment? Is it done retrospectively after it has passed? Is it a confluence of occurrences? Or perhaps it exists with the body’s perception of the present moment? These works offer a variety of insights and perspectives into understanding a moment.
Continue reading “Taylor Bielecki: The Essence of a Moment”
Lisbon, once a soft whisper in Europe’s art discourse, has shed its translucent slipper. No longer the Cinderella of the continent’s cultural ball, the city now strides confidently onto the stage—a radiant, artful sovereign commanding attention and acclaim. Its metamorphosis over the past decade borders on the operatic—a triumphant crescendo of resilience, urban reinvention, and creative flair.
Continue reading “Lisbon Art Atlas: Mapping the City’s Artistic Renaissance”
Vojislav Radovanović’s multidisciplinary practice spans painting, drawing, installation, video, and performance. His work touches upon themes of queerness, memory, the immigrant experience, spirituality, and the complex relationship between humans and the natural world. Influenced by his upbringing in Serbia during a time of war and social upheaval, Radovanović approaches art as a therapeutic space for healing and transformation. His process-driven works often combine recycled materials, vibrant color, and symbolic imagery to create poetic, emotionally resonant narratives. Through layered compositions and dreamlike logic, he invites viewers into a shared space of reflection, imagination, and emotional release.
Continue reading “Through the Kaleidoscope: Vojislav Radovanović on Dreams, Memory, and Finding Color in California”
When my mother was very old, I wanted to tell her what it was like to be in the art world. I said, “It is a little like joining the carnival.” While not affording her much comfort, I tried to convey the disorderly balancing act of the ridiculous and the transcendent, the illusory and the real, the sincere and the piratical. I wanted to suggest a midway of precarious lives, thrill rides, and a dubious game of chance.
Continue reading “Phantom Attractions at Astor Weeks”
The exhibition at Field of Play gallery titled Onslaught of the Moment was wonderful, intriguing and timely all in one. The gallery’s exhibitions are always deeply considered and engaging, even within a smaller space, the works all shine and carry with them quite the presence. The shows are always curated with care, and this exhibition was no exception. Curated by Kate Sherman, the works of Lauren Clark, Masie Love, and Brian Karlsson each traverse space and show a progression of both time and experience through each artist’s process.
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Tsipi Ben-Haim started CITYarts because she saw how often young people—especially teens—are left out of important conversations. She believed that if kids had the chance to express themselves through art, they could inspire real change in their communities. The idea was simple: when young people create, they don’t destroy—they build, they imagine, they connect.
Continue reading “CITYarts: Murals of Shared Stories”
Evidence of the Unexpected at The Crown Gallery in Bridgeport, Connecticut combines the work of four artists who approach figuration and narrative in different ways. This group show considers the role of spontaneity in the studio—how works emerge through instinct, experimentation, and chance. The paintings and sculptures in this exhibition take shape when artists engage deeply with their materials and uncover something unexpected along the way. Curator Jane Dávila tells us about the show.
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Several wonderful exhibitions are on view in Boston this month and many more are scheduled for the summer, along with artist talks, performances, and events. Boston’s Public Art Triennial kicked off with a ribbon cutting and a party to celebrate the arrival of several new public art installations around the city for art goers to enjoy throughout the summer. The schools are getting ready for summer break but many of their galleries remain open with dynamic shows. Whether you visit the city, the Cape, or the Islands over the next few months, there is always something to see. Here are a few highlights to consider.
Continue reading “Art Spiel Picks: Boston Exhibitions June 2025”
Upon entering this exhibition, I was taken to the wall pieces immediately, especially the use of vibrantly colored embroidery string mimicking paint strokes on the canvas. Art historical references and connections are very prevalent in the works of this exhibit. It was refreshing to see this conversation of the painting canon being brought up in a contemporary light by the use of this novel medium. Amer’s love and interest in the history of painting is apparent, and her works show art historical influences intertwined with intuition and a strong painterly hand that is present despite there being no paint in the show.
Continue reading “Ghada Amer: New Directions and Disobedient Thoughts at Marianne Boesky Gallery”