installation – Page 14

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May 9, 2020November 2, 2022, by Catherine Kirkpatrick

Artists on Coping: Rosa Valado

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping

https://lh4.googleusercontent.com/lq6MGW45jTShFomWfJO9B0twFiTmGgJc7KplDJHfvEiKfcIM5UiqWwFU0gjfgI1j7DlO6w3yBso2hTEhdWVw1Gt28XgeEmwb_hrI4axQu4eK1Nv5psObVgvbAVKgseBMYSKuemP0 — *Rosa Valado, Corona Scroll in progress – home studio during COVID-19 PAUSE; 2020; mixed media and graphite on paper; 16”X120”; photo courtesy of Rosa Valado*

Rosa Valado creates immersive installations, multilayered sensory experiences, utilizing diverse approaches, from the smell of burning wax and music to architectural elements and engineering problem solving. Throughout her body of work which includes architectural elements, drawings, paintings, and sculpture, she explores notions of space and time, and elements of light. Valado has created public art projects and been in solo and group exhibitions in Austria, Germany, and Holland, and exhibits regularly in New York City. She has received many grants and fellowships, including a Pollock-Krasner, Sharpe-Walentas, Yaddo, Jerome Foundation, and has been featured in the New York Times, Art Forum, Art in America. Juries and panels include Hamilton College and Jerome Foundation.

May 1, 2020May 1, 2020, by Etty Yaniv

Artists on Coping : Gregory Coates

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

C:\Users\Kiki\AppData\Local\Microsoft\Windows\INetCache\Content.Outlook\34M85MJB\IMG_2207.JPG — *Physical distance can translate into uncontested time—studio shot “Center left, Center right” acrylic, feathers 48×360” 2018*

Despite gaining recognition as an abstract expressionist for his bold sculptures, installations, and assemblages, Gregory Coates primarily defines himself as a painter. Coates exploratory studio practice and compositional experiments with found objects have established him as a prolific artist with a compelling and extensive catalog. He studied at Corcoran School of Art in Washington, D.C. and has been exhibited at museums and galleries around the world including, the Smithsonian Institute of American Art, the Studio Museum in Harlem, The Philadelphia Academy of Fine Arts, Galerie Denkraum in Vienna, Austria, and Kamigamo Shrine in Kyoto, Japan among others. Recent publications include an opening paragraph of “Abstract Truths” by Angela N. Carroll for Sugercane Magazine, Art Pulse, and White Hot Magazine. He is exhibiting with N’Namdi Contemporary, Miami.

April 25, 2020November 2, 2022, by Catherine Kirkpatrick

Artists on Coping: Kelin Perry

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

Kelin Perry is an artist and architect in Atlanta, Georgia. She uses mostly found objects in her art, seeking to give voice and meaning to the unseen and discarded. Kelin’s work has been shown at Hathaway Contemporary and Lowe Gallery in Atlanta. She is represented by M. David & Co. in Brooklyn, where she has been part of several shows.

April 11, 2020November 2, 2022, by Catherine Kirkpatrick

Artists on Coping: Mary Waltham

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

With degrees in biology and fine art, Mary Waltham’s work reflects the fragility of our environment as seen through the eyes of a scientist and artist. She was Managing Director and Publisher of The Lancet, and President and Publisher of Nature, before returning to her early passion for art. She works in a variety of media, including drawing, painting, video and installation works, incorporating natural materials collected locally, with the intention of merging the landscape with environmental issues to spark new conversations.

March 27, 2020March 23, 2020, by Etty Yaniv

Artists on Coping: William Norton

During the coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

William Norton in his studio. Photograph by Rafael Fuchs

William Norton’s medium of choice is a mixture of drawing and carving, using a dremel and a router to carve lines by hand into large plexiglass sheets, letting light be what illuminates the artwork through casting shadows and reflections. Working from charcoal drawings and photographs all the work is autobiographical in nature, mostly an attempt to understand what it means to be a man, an issue that’s plagued him for decades stemming from the moment his 4 year old son was kidnapped and disappeared.

March 2, 2020May 30, 2020, by Riad Miah

Museum as Muse at the Flatiron Project Space

*Museum as Muse, Installation, Image courtesy of Leigh Behnke*

A favorite experience of mine is to visit the Metropolitan Museum without a show or work of art in mind to see. I enjoy wondering the galleries until I come across something I had not noticed before and then spend the time looking and analyzing the work. This experience is likened to one I have recently had at “Museum as Muse”, a show curated by Leigh Behnke, consisting of works by the artist herself, Joe Fig and Peter Hristoff. The show is not at a sprawling Chelsea gallery or at a small, but relevant Lower East Side venue. It is tucked away within the confines of an academic institution, School of Visual Art, located on 21^st Street in the SVA Flatiron Gallery Project Space. As the title suggests, all three artists have used the museum in some capacity as a starting point for their work.

February 10, 2020November 15, 2020, by Etty Yaniv

Kit Warren – Moments of Recognition

*Altered States (untitled),* 2019, Acrylic, flashe on birch panel, 36 x 36 inches, photo courtesy the artist

Kit Warren‘s works on paper present complex and elaborate visual cryptography – patterns of lines, dots, and bold colorful shapes. They evoke layered associations ranging from microcosmic to cosmic. Kit Warren shares with Art Spiel some of her ideas and work process.

December 14, 2019November 2, 2022, by Anna Mikaela Ekstrand

“Now You’re Looking” – Akshita Gandhi at Pulse

Anna Mikaela Ekstrand in dialogue with Mumbai-based artist Akshita Gandhi

Macintosh HD:Users:annamikaela:Desktop:Akshita Gandhi:Images:Press Images:Akshita Gandhi, Angel, 2019, Lightbox, 48_ x 32.5_Photograph courtesy D'Arte Mart(eKo-System Inc).jpg — Akshita Gandhi, Angel, 2019, Lightbox, 48_ x 32.5_Photograph courtesy D’Arte Mart(eKo-System Inc)

Miami Art Week is bigger than any other global fair as it attracts a wide range of audiences. Centered around Art Basel Miami, Miami Art Week is the catch-all term for the seven day art world bonanza in December packed densely with art fairs, public art, interventions, activations, pop-ups, parties – basically all forms of art shows – often sponsored by companies who capitalize on the opportunity to reach art world professionals, art lovers, celebrities, and trend-setters. You might already know this, great. What you might not have considered is what it feels like to be an artist within this bustling eco/nomy/logy.

December 7, 2019November 15, 2020, by Etty Yaniv

Supporting Immigrant Artists

A boat on a body of water Description automatically generated — The Immigrant Artist Biennial (TIAB), video still, 2019, Ariel Diaz

An Interview with Katya Grokhovsky, Founding Director of The Immigrant Artist Biennial By Anna Mikaela Ekstrand

Launching across New York City in March 2020, The Immigrant Artist Biennial (TIAB): HERE, TOGETHER! will present multi-disciplinary exhibitions, panel discussions, and events highlighting the multiplicities of immigrant experiences and providing a platform for U.S.-based immigrant artists from around the world, across race and social class, to showcase their work.

September 23, 2019November 15, 2020, by Etty Yaniv

Rhonda Wall: Survival in Delirium States

Rhonda Wall, “We are Bleeding, the Blue Wave is Coming”, 2018 Paint & collage on board, 48 x 72 in.

Rhonda Wall‘s collaged paintings depict surreal landscapes where the wacky and the tragic co-exist. Her topsy-turvy worlds, in which enigmatic and often over the top cartoony characters go on with their daily business, are idiosyncratic and current. Rhonda Wall shares with Art Spiel her downtown NYC art world experience during the 80s, her work process and ideas.