Tirtzah Bassel in Domestic Brutes at Pelham Art Center

In Dialogue with Tirtzah Bassel

Tirtzah Bassel grew up in Israel, the oldest of eight in a Jewish Orthodox family. Her father is a traditional scribe and her mother, a ballet dancer by training, was the homemaker when they were growing up. Although both of her parents were very creative and the value of making things by hand was instilled early on, she didn’t know any professional artists and had no concept that making art was something she could do as an adult. This changed when she took a night class at the Jerusalem Studio School in her early twenties. She recalls how she was immediately drawn to the intensity of the atelier-style learning environment, drawing and painting from observation, and the methods of the Old Master paintings. She later decided to pursue an MFA at Boston University and subsequently moved to Brooklyn. “Perhaps it was the continuous traversing of worlds – religious and secular, Israel and the US, Hebrew and English – that led me to ground my work in close observation of seemingly mundane situations,” she says.

Continue reading “Tirtzah Bassel in Domestic Brutes at Pelham Art Center”

Artists on Coping: John Mitchell

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

:1. JohnMitchell_coping_final.jpeg

John Mitchell at work on “Twinkle”, oil on linen, 37×80”. Photo by Twinkle Ghangas, Tuesday, January 14, 2020.

John Mitchell, born 1971 in Southern Illinois, is an American artist. As a draftsman, printmaker, and painter, Mitchell works from direct observation of people, places, and things. He was educated at The School of the Art Institute of Chicago and Yale University. Mitchell lives in Williamsburg, Brooklyn.

Continue reading “Artists on Coping: John Mitchell”

Todd Bienvenu – Stories within Stories

A picture containing canyon, valley, colorful, building

Description automatically generated
Todd Bienvenu, Bain de Pâquis, 88x76in, acrylic on canvas, 2019 .
Courtesy Todd Bienvenu Studio

No matter what Todd Bienvenu chooses to depict in a painting – a male nude lying on a bear skin rug in a Venus pose, a fearless female city bike rider, or a crowded water-park vista- his surfaces consistently pull you in by their bold vitality and idiosyncratic humor. Todd Bienvenu shares with Art Spiel some insights on his process, ideas and studio work.

Continue reading “Todd Bienvenu – Stories within Stories”

The Bold Women of Elvira Bach

Elvira Bach, Untitled, 1982, Acrylic on paper, 88 x 62 cm | 34 2/3 x 24 1/2 in,

In the context of the global feminist art of today there are a few trailblazers who continue to work and dazzle with their exuberance. Immediacy and mastery of visual resolution signal such fast-paced and intuitive artists. German-born Elvira Bach is one of them. Bach has created a striking painterly style that catches the eye and stimulates further contemplation. For a viewer, Bach’s expressiveness establishes an immediate and deep bond with the traditions of the German Expressionism, embodying in her paintings the Expressionists’ core principle – namely, depicting the artist’s inherent conflicts within the society and within herself. For Elvira Bach urgency of expression, empathy, and visual projection of deep inner strength are important attributes.

Continue reading “The Bold Women of Elvira Bach”

Ashley Norwood Cooper – Grappling with Color of the Ordinary

Ashley Norwood Cooper, Deviled Eggs and Pink Cake, oil on panel, 16” x 20,” 2017, photo courtesy of the artist

Ashley Norwood Cooper is having a solo painting show at First Street Gallery in NYC. The show title, “The Likes of Us,” is taken from a line in “Waiting for Godot,” about the moon looking down on our ordinary lives. The first thing that caught my attention in Cooper’s work was the just right mix of raw quality and subtle sensibility to detail, depicting narratives that both intimate and universal. In this interview the artist talks about her process of painting from the imagination, her approach to color, and how she got to art.

Continue reading “Ashley Norwood Cooper – Grappling with Color of the Ordinary”

Elisa Jensen: Gazing Inward

Elisa Jensen‘s imagery draws upon pre-historic narratives – ancient  rock art scattered in pristine Irish landscapes, a Danish bog person  sacrificed during the Iron age, or stone age burial mounds spotted in a Danish island.  Her paintings and sculptures bring to mind mysterious rites and myths salvaged from a forgotten ancient past or perhaps from the depth of our collective unconscious memory.  In her interview for Art Spiel Jensen shares some thoughts on her process, imagery, and context.

Elisa Jensen , Gold Boat detail, 2018, self drying clay, acrylic paint, gold leaf 2 x 7 inches, photo by Apiwich

Continue reading “Elisa Jensen: Gazing Inward”

Liminal Worlds at Trestle Gallery

Anne Polashenski , Aliens in a New Land: Josef & Francziska Podleszański (Great Grandparents), 2015, C-prints, cut paper collage & gouache on paper, 23 x 19 in, photo courtesy of the artist

Curated by Katerina Lanfranco, “Liminal Worlds,” the upcoming show at Trestle features four artists who reflect on the fluid dividing line between the multiple realities we experience as part of the human condition.  Anne Polashenski and Greg Thielker examine notions of “self and other” through ethnography, immigrant experiences, and national borders. Ashley Hope and Elizabeth Insogna explore the elusive notions of spirit and afterlife. Altogether, through their artworks, these artists invite us to venture into territories that make us contemplate not only  politics, but also the potential for deeper self-awareness. Continue reading “Liminal Worlds at Trestle Gallery”

Leveling at Novado Gallery

Diana Schmertz, America’s Social Contract, watercolor on laser cut paper – both sides painted, 7 panels, 28×16 inches each, 2017

“Leveling”, the painting show at Novado Gallery features figurative paintings by Michelle Doll, Charlotta Janssen, Heather Morgan, Stefania Panepinto, Diana Schmertz and Jennifer Watson. Anne Novado,  the director, curator, and co-owner of the gallery, describes the premise of the show as an artistic response to issues that permeate the social, economic, educational, and political landscape –  such as inequality, social status and women’s rights. Continue reading “Leveling at Novado Gallery”

Duplicate Meanings: Finding What Is Lost at Storefront Ten Eyck

Eros by Mie Yim, 2013; all photos by Etty Yaniv

Typically, crowded openings are not an ideal setting for experiencing the artwork on display. Nevertheless, the current show at Storefront Ten Eyck, featuring Elise Siegel’s ceramic busts paired with Mie Yim’s abstracted figure paintings, thrives in a crowded space. As in a theatrical experience or a ritual ceremony, the visitors’ presence enhances the psychological tension that these artworks emit.

Continue reading “Duplicate Meanings: Finding What Is Lost at Storefront Ten Eyck”