Nanette Carter: A Question of Balance at Montclair Art Museum

Installation view. Photographer Peter Jacobs

Nanette Carter: A Question of Balance at the Montclair Art Museum is an extensive survey of 46 works from throughout the artist’s career curated by Mary Birmingham. Carter is known for her boundless abstractions and innovative works on mylar. This long-awaited show reflects Carter’s long history with the museum, the community, and the town itself. As one enters the show, the first piece is a video titled The Weight from the pandemic days, where Carter films herself balancing various pieces of her two-dimensional painting as more pieces get “stacked” onto the main mass. Setting the mood for the show, it not only introduces Nanette Carter in flesh but also important themes she has been working on throughout her career.

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Feeling the Onslaught of the Moment at Field of Play

Lauren Clark, Four Points Round, oil, acrylic, cotton mesh, copper, glass beads, iron, malachite, 40 x 20 inches

The exhibition at Field of Play gallery titled Onslaught of the Moment was wonderful, intriguing and timely all in one. The gallery’s exhibitions are always deeply considered and engaging, even within a smaller space, the works all shine and carry with them quite the presence. The shows are always curated with care, and this exhibition was no exception. Curated by Kate Sherman, the works of Lauren Clark, Masie Love, and Brian Karlsson each traverse space and show a progression of both time and experience through each artist’s process.

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Cambridge-based Contemporary Landscape Painter Julia S. Powell in Conversation with MFA Boston Curator of Painting Katie Hanson

In Dialogue

Julia S. Powell, Kitchen Morning, 2024. Oil on canvas

MFA Boston Curator of Painting Katie Hanson visited the studio of the landscape painter Julia S. Powell. The resulting interview gives us an insight into Powell’s artistic process and her concept of a “fiction painter,” one that creates work at the intersection of abstraction and realism. Besides references to contemporary Impressionism, the interview addresses creating thickly-layered artworks that inspire introspection and acceptance of previous experiences—especially the unwanted ones. These layers serve as metaphors for embracing past struggles without regret. Powell’s work also provides an emotional refuge as a response to a chaotic and increasingly anxious life.

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Everyday War at the Asian Museum

In dialogue

Emily Wilson in conversation with Abby Chen curator of contemporary art at San Francisco’s Asian Art Museum

Installation view of Yuan Goang-Ming, Everyday War, 2025, at the Asian Art Museum of San Francisco. Photo by Kevin Candland

Yuan Goang-Ming, known as the ‘father of Taiwanese video art,’ chose Abby Chen, the curator of contemporary art at San Francisco’s Asian Art Museum to curate his presentation at the 2024 Venice Biennale, Everyday War. In the Palazzo Priccioni, a space that once served as a prison, his videos and installations poetically examined the unease of contemporary life, in works such as Dwelling, which presents an explosion in a living room, and Everyday Maneuver, showing the empty streets of Taipei during an air raid drill.

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ARCOlisboa 2025 and Lisbon’s Renaissance

ARCOlisboa 2025

Lisbon in May presents itself as both majestic and enigmatic, its urban landscape punctuated by clusters of jacaranda trees in full bloom, casting cascades of purple blossoms across streets and sky like botanical fireworks. The city’s legendary seven hills form a natural amphitheater overlooking the Tagus River, creating an endless choreography of ascent and descent through Escher-like topographies. Glossy marble cobblestones snake through a labyrinth of narrow streets, flanked by stately yet sometimes weathered palaces and residential buildings adorned with brightly colored azulejo tiles that catch and reflect the city’s crystalline light, making the entire urban fabric shimmer.

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UNBIND: FIGURING THE LAYERS OF BEING with the New York Studio School

Leaves, oil on canvas, 54 x 36 inches

Upon entering the exhibition I was struck at the presence every artist’s work had. While every piece was quite different from one another, they all shared similar conversations and offered viewers the opportunity to question human experience, histories, intimacy versus public viewing, and dealing with what it means to feel human. With nine artists, and diverse mediums, the complexities of being are shown clearly and each artist has their own take on “layers of being”.

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Art Spiel Picks: Philly Exhibitions in June 2025

HIGHLIGHTS
Installation view of Tea Party at Locks Gallery, courtesy of Locks Gallery

As we get into the summer months, June exhibition picks for Philadelphia are vibrant, sensuous, and bold. Works currently on display at the Pennsylvania Academy of the Fine Arts, Locks Gallery, and Moore College of Art touch on subjects surrounding how we see ourselves and each other, and the transitory nature of existence. All things physical and sensual ultimately act as a foil to death, and these surreal and vivid works offer the viewer insight into how each artist considers what makes us human. Whether created of glitter, paint, ceramic, velvet, or butterflies, the works in these exhibitions remind us that we are stardust, and golden.

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Those Who Fulfill the Infinite Labor of Love

Photo Story
Anya Kotler – “Never Alone IV” (2024) . Graphite on paper and paper mache, 13 × 9 in

The group exhibition titled Those Who Tend at the Warnes Contemporary in Brooklyn is an occasion in which 22 artists come together to celebrate their shared philosophy towards work and life. The title refers to the fact that all the artists here care for others in one form or another, whether they are parents of young children, grownups caring for their elderly parents, or supporting staff for people with disabilities.

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Matthew Wong – Vincent van Gogh: Painting as a Last Resort at Albertina

Matthew Wong: The Space Between Trees, 2019
Matthew Wong: The Space Between Trees, 2019, 60 × 50 cm, Oil on canvas (Collection of Judith and Danny Tobey © 2025 Matthew Wong Foundation / Bildrecht Vienna, 2025)ץ Photo: Matthew Wong Foundation

Matthew Wong and Vincent van Gogh shared more than a self-taught path into painting. Both began relatively late, worked in compressed time spans, and turned to painting as a lifeline. The superb exhibition Painting as a Last Resort, now on view at the Albertina Museum in Vienna, brings their work into intimate and revealing dialogue. The exhibition presents approximately 44 paintings and 12 works on paper by Wong alongside a smaller selection by van Gogh. Organized in collaboration with the Van Gogh Museum in Amsterdam, Kunsthaus Zürich, and the Matthew Wong Foundation, the exhibition gives Wong space to be seen on his own terms. His paintings feel jittery, open, and emotionally charged.

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Evidence of the Unexpected at The Crown Gallery in Bridgeport

In dialogue
Panoramic installation view, Crown Gallery, Bridgeport CT

Evidence of the Unexpected at The Crown Gallery in Bridgeport, Connecticut combines the work of four artists who approach figuration and narrative in different ways. This group show considers the role of spontaneity in the studio—how works emerge through instinct, experimentation, and chance. The paintings and sculptures in this exhibition take shape when artists engage deeply with their materials and uncover something unexpected along the way. Curator Jane Dávila tells us about the show.

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