Debra Ramsay: Painting Time

Debra Ramsay embraces “beauty” as a core in her work.  Throughout her installations and paintings she reflects on the relationship between color, light, time, and place with a minimalist’s impulse and a colorist’s flair.  Mara Williams, the curator of “Painting Time”, her recent show at Brattleboro Museum, eloquently describes it as both “reductionist and exuberant.” In this interview for Art Spiel the artist elaborates on her background,  ideas, and projects.

Debra Ramsay, Painting Time Exhibition, 2018, acrylic on museum board and polyester resin film, photo courtesy of the artist

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Carole d’Inverno: Down to its Barest

Carole d’Inverno, “Where Are You From”, 3.5-x-12 ft, vinyl paint on paper, 2018, courtesy of the artist

Carole d’Inverno’s paintings can read as a coded language – idiosyncratic and universal at the same time. Her preparatory work involves meticulous research, specifically on historical aspects of a place and its inhabitants; yet her paintings seem to come together in a highly intuitive and fluid process. Throughout our conversations over recent years we have exchanged ideas about art and life.  In this interview with Art Spiel, she shares some notions on the impetus of her work, process, and plans. Continue reading “Carole d’Inverno: Down to its Barest”

Peter Fox – Surface Tension at the Front Room Gallery

Peter Fox, Second self, 2018, courtesy of the artist
Peter Fox, Second self, 2018, courtesy of the artist

“Surface Tension”, Peter Fox’s third solo exhibition with Front Room gallery features a series of new paintings in which he manifests a controlled self-reflexive state – the layered painting application itself defines form and gesture. In this new series Fox has reduced his palette to earth tones, creating a rich counterpoint – burnt siennas, dark browns and yellow ochres play off cool blues in Payne’s grey.  Continue reading “Peter Fox – Surface Tension at the Front Room Gallery”

Cultivate Your Own Garden at the Painting Center

Ashley Garrett, No Exit
Ashley Garrett, photo courtesy of the artist

The exhibition “Cultivate Your Own Garden” curated by Patricia Spergel and Shazzi Thomas at the Painting Center features artworks by twelve contemporary artists whose work references garden and landscape in diverse sensibilities – traditional observational painting, narrative paintings with subtle political commentary, and paintings that lean more towards abstraction.  Cecile Chong, Elisabeth Condon, Daniel Dallmann, Carlo D’Anselmi, Lois Dodd, Ashley Garrett, Xico Greenwald, Eric Holzman, Wolf Kahn, Judith Linhares, Carol March and Ruth Miller all share in their work a love for nature, paint, and rigor in transmitting that passion. Continue reading “Cultivate Your Own Garden at the Painting Center”

Aspects in Landscape at Galerie Protégé

Murphy Chang, GRANT, 4x6in, 2017, carbon on paper
Murphy Chang, GRANT, 4x6in, 2017, carbon on paper

All photos courtesy by the artists

“Aspects in Landscape”, curated by  Stacy Greene at Galerie Protégé, juxtaposes the work of six artists whose interpretations of landscape range in sensibilities – from sensory to surreal and media. It runs the gamut from two dimensional artworks like drawing, painting, and photography, to sculptural installations. Continue reading “Aspects in Landscape at Galerie Protégé”

Slow Motion at john Doe

Michael Chandler Flying Ground oil on canvas 80 x 70 in. (203.2 x 177.8 cm.) Painted in 2000, photo courtesy of the artist
Michael Chandler, Flying Ground, oil on canvas
80 x 70 in. (203.2 x 177.8 cm.)
Painted in 2000, photo courtesy of the artist

The two person show at John Doe juxtaposes Michael Chandler’s paintings and  Charlie Rubin’s photographs. Both artists deliver meditative and vivid abstractions – Chandler makes visceral paintings founded in nature but informed by the rhythm of the city and Rubin  explores the artifice of place, and the post-Instagram void. Continue reading “Slow Motion at john Doe”