The Immigrant Artist Biennial Names 48 Artists and Art Spiel as Media Partner for their 2nd Edition

The second edition of The Immigrant Artist Biennial, titled “Contact Zone”, will showcase the work of 48 artists at seven locations across New York and New Jersey from September to December 2023. The curatorial trio adopted the biennial’s theme from a term coined in 1991 by linguist and critical theorist Mary Louise Pratt, which she used to describe “social spaces where cultures meet, clash, and grapple with each other, often in contexts of highly asymmetrical relations.” Katherine Adams, co-curator and an affiliate of EMPAC, explains in a statement how this concept guided their curatorial research: “It allowed us to work with a productively fractured relationship to place. It also encapsulates our attempt to find an organizational concept for artistic infrastructures that are diasporic in form and not only content—that can deal with effects of situations such as exile, alienation, or simply the elusive concept of home.”

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Daniel Giordano’s Post-Apocalyptic Chimeras at MASS MoCA 

Artist Profile

Nonconformity comes as second nature to Daniel Giordano. Wearing an imaginative interpretation of a beekeeper’s outfit, complete with gloves, toe socks, and trekking sandals, he exudes unfailing politeness, erudition, and gravitas. Yet, behind a sly, sardonic smile, Giordano’s true prankster nature reveals itself. The Newburgh-based artist is a volcanic force in the contemporary art world; a genuine, generous, borderline-ascetic vegan, who carries his own homemade food and filtered water wherever he goes. Giordano’s first solo museum show, Love from Vicki Island, at the Massachusetts Museum of Contemporary Art (MASS MoCA) perfectly captures his heterodox approach to art creation.

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Norte Maar’s CounterPointe10 – Tamara Gonzales and Julia Gleich

DANCE

The impetus for this series of conversations between a visual artist and a choreographer comes directly from my recent collaborative work with a choreographer as part of Norte Maar’s CounterPointe10. In this unique project a choreographer is paired with a visual artist to create together over two months a dance performance that integrates the two disciplines into a cohesive vision. Here is the conversation between co-founder, director, and choreographer: Julia K. Gleich and artist: Tamara Gonzales.

Mark Tribe: Learning to Love the Future

HOT AIR

A founder of Rhizome, Mark Tribe is known for his early contributions to the field of new media art and his socially-engaged performances and installations. His current practice engages the power of aesthetic experience to illuminate the challenges we and future generations will face in the climate crisis. Since 2012, he has made landscape pictures that unpack American ideas about nature and land, from Manifest Destiny to contemporary environmentalism. In this interview, Mark talks about his views on the climate, his landscapes, and his integration of machine learning tools (AI) into his latest project Learning to Love the Future.

Every Place is Also Another, Mar Ramón Soriano and Paul Mok at Yi

Every Place is Also Another, Mar Ramón Soriano and Paul Mok at Yi

Photo Story

In their first joint exhibition, Every Place is Also Another, Mar Ramón Soriano and Paul Mok engage in a compelling exploration of the relationship between manmade and natural materials within the Yi gallery space. The exhibition celebrates the ordinary, featuring concrete, conduits, plants, clay, and canvas that respond to and resist the force of gravity.

Gathering with Asianish

In Conversation

Co-curators Cecile Chong and Sophia Ma are delighted to present “Gathering,” an exhibition that showcases the connections between forty-five Asianish artists and their artwork. Asianish, an informal collective of AAPI artists and art professionals, was established in March 2018 to foster a safe and inclusive environment for a diverse community of Asian identities. Through conversations, artistic expression, and shared meals, the group explores themes such as code-switching in art contexts and the longing for a sense of belonging in their adopted homeland. The exhibition will be held at Tiger Strikes Asteroid–New York (TSA-NY) in Bushwick from June 24 to July 30, 2023, and at FiveMyles in Crown Heights from July 8 to August 13, 2023.

Whisperings from the Wormhole with @talluts

Warding Off Bitterness

Last year, I watched a TikTok video where Kiersten Lyons, an actor, was hilariously recounting all her many misfortunes in love and career. Her whole video read like a voyage of self-discovery through rejection, a tale familiar to anyone pursuing a creative life. It was part of a trend on the app that encouraged creators to pair their comeback stories with a gospel song: In the Sanctuary by the Kurt Carr Singers. In the Sanctuary is one of those songs that seems to end, but then a few moments later, starts up again. And this plays out over and over, to almost comic effect, until you don’t know if it will ever end. And it really struck me as an analogy that could be widely applied to all the arts.

Deanna Sirlin: Wavetable

Artist Profile

Deanna Sirlin’s Wavetable, on view in the lobby of 211 East 43rd Street, New York, includes seven recent paintings, all 7 feet by 5 feet, arranged in a line that turns a corner. Produced between 2020 and 2023, at the height of the pandemic, the paintings in Wavetable offer an eye-popping meditation on connections. As the world went into lockdown and our interactions and connections with others were circumscribed, Sirlin explored interaction and connection through these paintings.

Envisioning Adaptation – Symposium on Art and Adaptation to the Climate Crisis at the Catskill Art Space

On April 23rd, Earth Day, 2023, at the Catskill Art Space in Livingston Manor, NY, I moderated a panel on artists’ responses to the climate crisis titled “Envisioning Adaptation.” The panel was one of the many events the director of the CAS, Sally Wright, has hosted at the arts and performance space newly refurbished in 2022. The concept for the symposium was to create a forum of artists whose practices addressed the idea of adaptation to, as opposed to mitigation of, the climate crisis. The panel participants included David Brooks, Simone Couto, Alexandra Hammond, Brian Kelley, and J. Morgan Puett.

Sa’dia Rehman walks you through memories of displacement on the colonized lands of Governors Island

Sa’dia Rehman: Desire Lines is a solo exhibition as part of artist’s residency with KODA on Governors Island, New York. Rehman’s exhibition focuses on the building of the Tarbela dam in Pakistan in 1968-1976 – a hydroelectric dam responsible for the displacement and forced migration of 184 villages and the climate devastation following the completion of this project.