ALEMBIC: Body and Spirit. Live Art as Healing Art

In Dialogue with Jana Astanov

Jana Astanov is an interdisciplinary artist, a poet and an independent curator born in Poland, and living in the US. She is a founder of CREATRIX Magazine, portal for creative expression focused on art, activism and spiritual practice. Her work includes photography, poetry, performance art, sound art, and installation. In her work, she utilizes spiritual traditions, somatic movement, sound art, ritualistic theatre and Astrofeminism, a term she has developed through her character Yannanda The One Who Speaks With The Stars. Together with her partner Niko van Egten she co-created an electronic music group ASTRALOOP featuring her poetry in dark electronic arrangements. She has performed at Tate Modern, Smack Mellon Gallery, Grace Exhibition Space, Venice Biennale, Documenta 2017, and many other galleries, festivals and independent venues worldwide. She is also the author of five collections of poetry: Antidivine, Grimoire, Sublunar, The Pillow Book of Burg, and Birds of Equinox. In this interview for Art Spiel Jana Astanov discusses her ideas on performance art and specifically on her most recent upcoming curatorial project ALEMBIC: Body and Spirit. Live Art as Healing Art.

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Noa Charuvi - Suspended on Site


Bundle, 2018, oil on canvas, 16×20 inches

Noa Charuvi’s paintings convey a distinct sense of place where narratives of the present interrupt those of the past with urgency, sometimes even violence . Yet, her places encapsulate past and present not only as a rupture but also as an ongoing flow of coinciding contradictory forces – ruin and construction, anarchy and order. No matter if the painting depicts an interior of a room or an exterior of a construction site, it frequently portrays a place that is devoid of human figures but charged with the aftermath of human actions. Even if human figures are present, they are typically placed in context of their larger environment, players in a powerful and mysterious systemic forces of history, city, society. Noa Charuvi shares with Art Spiel some insights on her ideas, work, and process.

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Padma Rajendran – On Cultural Tenderness


Padma Rajendran, Along the way, 2019, Dye on silk with stitching, dimensions varied, photo courtesy of the artist

Malaysian born and New York based artist Padma Rajendran works in diverse media yet currently views paper and fabric as her primary materials. She highlights the portable nature of paper and fabric, along with their significance as “keepers of culture, comfort, and call upon the function of the decorative”. Padma Rajendran shares here some insight on her work, what brought her there and where she is heading from here.

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Meg Atkinson – Painting as a Leap of Faith

One Tree, Two Mouthy Ghosts, 2019, Oil on canvas, 30 x 40 inches, photo courtesy Max Yawney

Meg Atkinson‘s paintings resemble puzzles open to multiple solutions. Her imagery is embedded with associative literary and visual layers, as clues to an open-ended riddle. Meg Atkinson shares with Art Spiel what brought her to art, as well as the way she has developed her approach to mark-making, space, gird, and color.

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Gabriel J. Shuldiner – Hybridsculptural Bruteminimalism


sLAY1_2019, postapocalypticblack®* [ modified acrylic polymer emulsion | carbon black pigment | calcium carbonate | water | modified industrial urethane enamel | modified polyurethane thermoset cellular plastic | vinyl acrylic co-polymer emulsion | acrylic stain-block sealant | mastic adhesive | polyurethane adhesive | solvent-based ink | nuisance dust | studio detritus | spit | air | light ]*proprietary | chrome enamel spray aerosol | cotton duck canvas | repurposed polystyrene | blackened stainless steel flat head hinge screws | reinforced galvanized steel wire, overall dimensions: 20.75 x 19 x 5.25 in.

Gabriel J. Shuldiner dislikes categorization of his work to the point that he invents new “isms” to describe its allusive hybridity – its DNA can be traced to abstraction with elements of minimalism, expressionism, and Arte Povera. While Shuldiner’s use of material is extensive , his use of color is restricted to mostly black, with tinges of other colors at times. Gabriel J. Shuldiner shares with Art Spiel some of his thought and work processes.

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Instagram’s Shadow

In Dialogue with Curator Jac Lahav

Tiffany Saint Bunny: Bumper Sticker

Now that many cultural institutions are still closed and we get much of our visual information from social media, artist and curator Jac Lahav has launched the provocative group show Instagram’s Shaodw exploring through the stories of 17 artists how their artwork is being censored on social media and how they are fighting back. The show started in June 1st and will be online through August 31st, then it will go live on the website as an archived history. It includes work by Betty Tompkins, Christen Clifford, Chiara No, Clarity Haynes, Joanne Leah, Raw Meat Collective (Kyle Quinn), Karlheinz Weinberger, Kumasi Barnett, Lissa Rivera, Leah Schrager, Michael X Rose, Micol Hebron, Peter Clough, Shona McAndrew, Steve Lock (Bill Arning), Sara Jimenez, and Tiffany Saint Bunny. Jac Lahav discusses here why he sees this group show as particularly timely and shares the background for some of the work.

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Paulette Myers-Rich – Eyes with a Sense of Touch 

Soft Black Petal, silver gelatin print, 20×24”, 1985

Paulette Myers-Rich ‘s photography-based art books and prints reference abstracted landscapes where industry and nature intersect. Paulette Myers-Rich has consistently focused her gaze on the very moment of transformation in both interior and exterior spaces, when a place, nature, history, altogether shift. The artist shares with Art Spiel how she has developed her practice, her notions on book making, and how she sees her role as an artist today.

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Center for Creative Works – Human Development

In Dialogue with Lori Bartol and Samantha Mitchell

Untitled (Herbies), by Doug Tan. Image credit: CCW/Virginia Fleming

Center for Creative Works (CCW) is a PA based unique professional art studio where artists with intellectual disabilities can access not only equipment and supplies but also dedicated mentorship, including help in promoting their work. Furthermore, it offers a
permeable space which prompts collaboration and idea sharing between CCW artists, artists outside of the studio, and community members at large. Lori Bartol, director, and Samantah Mitchell, exhibition coordinator, share with Art Spiel their vision for the organization and an insight into some of CCW artists’ work. Lori Bartol has recently revisited our discussion on how her team and artists have coped with the pandemic.

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Kyle Staver – New Work at Zürcher

In Dialogue with Kyle Staver


Kyle Stave, Venus and the Octopus, 2020, Oil on canvas, 70 x 58 in / 177,8 cm x 147,3 cm, Image courtesy of the Artist and Zürcher Gallery, NY/Paris

Kyle Staver’s second solo show at Zürcher Gallery in New York features new paintings, relief sculptures, drawings, and aquatint etchings through July 24th. In this interview Kyle Staver shares some ideas on her work process, touches upon the narrative and mythological elements in her work, and gives us an insight on her notion of art history.

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Bianca Severijns - Paper Transformations

A person taking a selfie in the snow

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Bianca Severijns is a Dutch born artist who lives in Israel. Her sculptural installation range from wearable sculpture to wall relief made of paper. Through an elaborate process she utilizes this medium with remarkable skills to create simultaneously playful and thought provoking sculptures which evoke reflections on displacement, the meaning of a safe home, and coping mechanisms. For instance, her Blanket sculpture which is currently showing at the recently opened TLV Biennial 2020 particularly resonates with the angst during the pandemic. Since we have finalized the interview process before the COVID-19 pandemic struck, we have recently re-visited our last question in order to bring her responses up to date.

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