Contemporary Art and Culture
A droll and aptly named group exhibition opened at Pierogi in Williamsburg in early April. Entitled Out of Character, the exhibition has been curated from local artists all working in and around the figure and focused on a humorous take on the human condition.
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Rachael Wren: Site Lines at The Shirley Project Space, March 2023 – installation view. Photo courtesy of Kate Glicksberg.
The Shirley Project Space in Brooklyn is a sympathetic environment for Rachael Wren’s Site Lines, a solo exhibition of six paintings and an unexpected site-specific installation. With two large windows on street level, the gallery’s abundant natural light heightens the relationship between the paintings and the outside world. This bright and airy effect is amplified by the minimalist architecture and tall ceilings, leaving the artist’s painted trees room to grow, an illusion propelled by the restrained installation which leaves ample space around each work.
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William Norton’s large-scale paintings at The Boiler – ELM Foundation evoke imagery of oppression and protest through gestural graphic marks and bold color on recycled vinyl advertisements as canvas. “We are always being sold something in this age of hyper-ventilating propaganda. And there is just enough of the advertising image left over to titillate the viewers’ eyeballs,” Norton says.
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This past weekend marked the 30th anniversary of the Outsider Art Fair, which debuted in NYC in 1993 at The Puck Building. Now housed at The Metropolitan Pavilion in Chelsea, it has come roaring back after a few quiet pandemic years.
Out of the sixty-four galleries exhibiting thirteen were representing non-profit organizations that work with developmentally challenged populations. For me these were the most exciting booths at the fair. The non-profits bring work that is consistently fresh and exciting. This year’s fair included organizations from Germany, Portland Oregon and Chicago that I had not seen in previous years. Several showed work among the most surprising and compelling at the Fair.
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Fort Gansevoort Gallery in New York’s Meatpacking District has long been one of my favorite galleries. Housed in an old three-story building, they have been presenting some of the freshest and most original shows in the city. The current exhibition, Myrlande Constant: Drapo is one of their best. Constant is a Haitian artist who works in textiles, taking a traditional form called “drapo” and rocketing it into the realm of contemporary art. Drapo is based on a 19th century embroidery technique developed in France, called tambour. Fabric is stretched tautly over a wooden frame and embroidery, using sequins and beads done from the reverse side.
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Scaling Nature at the Bronx River Art Center features large-scale mixed-media installation works by three artists: Michele Brody, Linda Cunningham and Wildriana Paulino. Curated by Gail Nathan, the premise of this show is to represent nature as a force of nurture and destruction through the use of materials from the ephemeral to the concrete. Paulino and Brody both work with cast handmade paper that hangs from the gallery ceiling to command the space. Their massive artworks invite the viewer to be engulfed by a feeling of being one with nature and simultaneously wary of the effects of climate change.
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Marc Straus Gallery is currently presenting the paintings of Ulf Puder, a German artist whose landscape paintings are deeply evocative and strangely alluring. I was not familiar with the artist or his work, and I’ll admit, it took a beat to enter his Universe. But once in I began to see deeper into the complex issues he deals with in his paintings.
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Jac Lahav: The Saffron Thief at Sugarlift is an immersive installation about the artist’s experience as a foster parent. At the center, a large sculpture titled 29, references 29 points of contact that the artist has had with different foster children. The lines of saffron and gold leaf across abstracted canvases, and a site-specific wall drawing allure visitors to enter Lahav’s world.
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In October 2021, at the periphery of the parking lot outside of the Time and Space Limited Center in Hudson, artwork by Linda Mussman appeared—about 20 large dictionaries and encyclopedias opened out on a crude wooden table. For several months, round the clock, these dictionaries were exposed to rain, sunlight, and snow, and rifled through by winds. Peach-colored streetlight bathed the texts some nights, and bright sunlight bleached the pages some days. The grass around the table receded and then returned with – mirabile dictu – a green shoot briefly fighting its way between 2 volumes.
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Metaphor Projects is an artists-run space for contemporary art and culture founded in 2001 by two working artists. Directors/ Curators: Julian Jackson and Rene Lynch have mounted more than 100 solo and group exhibitions presenting the work of hundreds of artists and spent two decades developing what they call “the social sculpture that is Metaphor.”
Continue reading “Field Notes at Metaphor Projects”