Time Waves – Simona Prives at John Doe

Simona Prives, Black Matter, Collage on paper with Sumi ink, monotype, xerox transfer,and graphite.

Time Waves, the new upcoming exhibition at John Doe features collage and animation by Simona Prives. The Brooklyn based artist examines in her new body of work our complex relationship to the environment. The structures within each of her compositions prompts the viewer to piece together an alternative reality, created out of imaginative juxtapositions between  growth and decay, the organic and man-made.

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Las Gravitas at ODETTA

Photos by Sharilyn Neidhardt, unless otherwise indicated
A show of swirling color and geometry finds ways to discuss complicated issues of violence and social collapse.

What drew me to ODETTA on a very chilly Saturday were the colorful, pagoda-like structures in the main space. Human-scale structures that echo lanterns or birdcages are covered in awkward spiky garlands of colored plastic tubes. The festive air created by the riot of bright color seems fun at first, and it’s only on second inspection that a viewer realizes the color is coming from spent shotgun shells.

Margaret Roleke, ‘pop pop’ (installation view) spent shot gun shells, wire, zipties, steel boxes. 2 boxes each approx. 9’h x 5’w x 5’d

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Color Matters at Galerie Richard

Color is a function of reflected light and it is intrinsic to everything we see. Color is also freighted with emotion for humans – certain colors can excite or depress us even without our awareness – teases, shouts, whispers, sings. Color can be fugitive or it may sound an alarm. As a painter and former paint-maker, color has been a lifelong obsession for me. It’s also the focus of a new, stunning group show at Galerie Richard on the Lower East Side.

Work by Carl Fudge facing work by Jamie Martinez
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Sarah Bednarek – ChiChi DooDad

In her sculptures Sarah Bednarek refers to minimalism with humor and love. She  turns minimalism’s aesthetics on its head – utilizing  minimalist language of precision to highlight the chaotic and unexpected . Her sculptures are on a human scale – witty and  visceral through playful material and form.  Bednarek shares with Art Spiel some insight on her life and her recent exhibition, ChiChi DooDad at Tiger Strikes Asteroid New York.

Sarah Bednarek, Hi There, 2018, mdf, velvet, paint, 33 x 68 x 10 in. , photo Courtesy of Yael Eban

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Austin Thomas – Lots of little things at LABspace

All images: Austin Thomas collages, photographed by the author

 

Austin Thomas’s drawings, Lots of little things, currently on view at LABspace, a small gallery in a tiny town, are diminutive in size but vast in scope.  Arranged in three irregular rows on one wall, these forty-odd drawings offer the viewer enough to look at for several hours.  I have been to the show three times and was sorry to leave each time. They seem to display almost everything drawing can be.
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Strange Girls at Garvey Simon

Artist Melissa Stern says that the chance to work with dancer Louisa Pancoast on their Strange Girls Dance project at Garvey / Simon was a wonderful bit of serendipity. They met at exactly the right time. Pancoast is the Assistant Director of Garvey Simon Gallery, but her real  passion is dance. “She is a gifted dancer and choreographer,” says Stern.

Melissa Stern, Clay, wood, resin, paint. 34 x 12 x 7 inches. 2018 Continue reading “Strange Girls at Garvey Simon”

Paint, Film, Thread: Three Current Shows

By Nina Meledandri

All Photos courtesy of Nina Meledandri

 

Louise Bourgeois, Sutures, 1993, Mixed Media

When an exhibition feeds you, enlightens you, or centers you, it remains with you. Each of the three shows below resonate with me for very different reasons and collectively they create a rich and thought provoking reminder of why we look at art.

Sutures at Mark Straus Gallery presents works which rely in some way on fabric, thread, weaving and/or sewing. The title is shared with one of the show’s focal points: a Louise Bourgeois sculpture, that is itself worth the visit. Continue reading “Paint, Film, Thread: Three Current Shows”

Melissa Stern – Walking the Line

Melissa Stern‘s artworks depict abstracted narratives with complex emotional layers,  projecting altogether an urgent psychological presence. The figures  in her drawings and sculptures inhabit an absurd universe which is  darkly funny  in a deeply felt way. Her imagery is precise, poetic,  and overall underscores  a close affinity with language – bringing to mind an artist who is both an acute observer and a witty commentator.  That said, it is Stern’s sensibility of raw and expressive forms that makes her not only an observant narrator but also  an empathetic participant in her own human comedy. The artist  shares with Art Spiel her modes of thinking, process of making, and some plans, including her solo show opening on Oct 11 at Garvey Simon Gallery.

Melissa Stern, Red Boots 30 x 8 x 10 inches, Clay, graphite, object, linoleum, 2016

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