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Articles & Reviews

Rebecca Morgan at Asya Geisberg Gallery: Traversing the Apocalypse 

Rebecca Morgan’s exhibition Painting in the Age of Apocalypse is a bit of a roadmap for viewers. Morgan tackles the question of how to present images in the face of a raging political landscape,  how to keep moving forward, and how to maintain oneself and some humor about it all. And most importantly to me, how to open up one’s painting style and allow both the work and the process to support you through this tumultuous and often unbelievable terrain we may find ourselves within. In this exhibition, Morgan engages potent themes from all her eras: sympathy for her rural background, feminist reappraisal of art history, and an unbridled excitement at infusing humor and technical prowess into her critique. Here, Morgan fuses all of these themes well, all the while showing us a fresh, looser style of painting that captures the frenetic energy of the moment. 

Americana Archetypes Frolic Centerstage in Rebecca Morgan’s Solo Show Town and Country at Asya Geisberg Gallery

Rebecca Morgan’s solo exhibition “Town and Country“ at Asya Geisberg offers viewers a subversive and unflinching look into aesthetics of Americana. Panty raiding hillbillies, buxom bonnet sporting milkmaids, and characters engaged in Appalachian revelry scrupulously rendered in paint, graphite, and brass galavant throughout the exhibition. Morgan’s cringeworthy figuration walks the line between portraiture and allegory and highlights the pitfalls of romanticization. Inspired by the sucker-punch illustrations of R Crumb, Morgan’s depictions of rural life speak to notions of voyeurism, power dynamics, and the ubiquity of toxic masculinity within contemporary American culture. The works included in “Town and Country” strike a balance between hilarity and horror and provide a fantastical portal into the American psyche. I had the opportunity to chat with Morgan about her fourth solo show with the gallery and reflect upon her personal fascination with the subjects she portrays.