Artworks

Articles & Reviews

Polychrome at Bernay Fine Arts

Polychrome, on view at Bernay Fine Arts, brings together paintings by Jenny Kemp, Audrey Stone, and Deborah Zlotsky in an exhibition on abstraction and geometric structure. Across three distinct practices, the artists use color as structure and sensory experience, although each arrives at abstraction through her own internal logic. Here abstraction is a form of concentration, examining the texture of experience: how can attention intensify and shift? How can time accumulate? How can systems hold together and slip apart? Artist Meg Lipke, a long-time colleague and friend of the artists, visited the show and addressed questions for the following conversation.

Spectral Evidence: A deeper introspection on Color, Light, and Energy

Walking into this show on a cold, blustery night, you are greeted by large windows illuminated out by gallery light. Inside, you are met with a collection of color, light, and energy. Each piece in the exhibition Spectral Evidence uses mainly acrylic to illuminate new spaces by dissolving edges, blending colors, and allowing gradients to calmly and smoothly envelope the space within the works. While each artist in the show has their own take on creating their own spaces, they use many conventions of painting and abstraction to create new forms and environments to experience, and each piece seems to flow well into the next. The gallery layout lends itself to a meandering space.