Artworks

Articles & Reviews

Carol Bouyoucos: Eden After Us

Trained as a photographer, Carol Bouyoucos has spent the last several years pushing past the camera’s claims to truth—folding her own images into AI systems, digital layering, and the slow accidents of computational misreading. The landscapes that emerge read as propositions about what nature might become once human authorship loosens its grip.Her recent work, increasingly ambitious in scale and mythic in register, marks a notable departure from the botanical and landscape series that established her vocabulary. In this conversation, she speaks about the terrain that shaped her eye, the painters and visionaries whose company she keeps, and the strange logic of making images in a moment when both ecosystems and pictures behave less and less predictably. What follows is a portrait of an artist thinking out loud about control, instability, and the worlds that emerge when she relinquishes both.

Biophilia: Nature Hacked, Art Rewired

Imagine nature got hacked. If it could rewrite its own DNA—absorbing industrial waste, pixels, and plastic—what would it become? Welcome to Biophilia. This six-artist exhibition at the Flinn Gallery in Greenwich, CT, curated by Ellen Hawley, doesn’t just depict nature—it reimagines and reconstructs it. The organic and the artificial no longer exist as opposites. Featuring Carol Bouyoucos, Julie Evans, Loren Eiferman, Christina Massey, Heide Follin, and Sui Park, Biophilia brings together artists who push past nostalgia for an untouched Eden to present nature as something restless, resilient, and constantly evolving. The result is a visual feast—bold, kinetic, and utterly alive. This is no polite, whisper-in-the-gallery experience. It lunges, sprawls, and twists. It pulses with energy, daring you to chase its shifting forms.