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  • Learning with Trees-Artists for Climate and Environmental Solutions

    Learning with Trees-Artists for Climate and Environmental Solutions

    In Dialogue Curator Martina Tanga had been reflecting on the ideas behind Learning With Trees – Artists for Climate and Environmental Solutions long before the exhibition took shape. In 2022, she read Ben Rawlence’s The Treeline, a book tracing how the Boreal forest is shifting under the impact of climate change. That reading sparked the idea that trees could serve as a highly accessible and disarmingly effective way to approach conversations about climate change.

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  • Art Spiel Picks: Boston Exhibitions in November 2025

    Art Spiel Picks: Boston Exhibitions in November 2025

    HIGHLIGHTS I’m deeply grateful for Boston’s university galleries—they consistently fill the gaps left by the local commercial gallery scene, which has been diluted, in my opinion, by the pressure to cover rent. These institutions reliably bring high-quality, thoughtful art and ideas to the city. A short but not exhaustive list would include the Rose Art Museum at Brandeis, the Aidekman Arts Center at Tufts, MIT’s List Visual Arts Center, and the Harvard Art Museums.

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  • Recording is Seeing at Tappeto Volante: Marta Lee 11:11

    Recording is Seeing at Tappeto Volante: Marta Lee 11:11

    A few weeks ago, Marta Lee visited my studio. A few days after that visit, she texted me: “Hey, what is the deal with that long wood piece of molding that was kind of to the left of where u were sitting? It’s gorgeous” Marta was referring to an 8-foot-long piece of molding I’ve used as a mahlstick (also spelled ‘maulstick’) since 2018. I probably found it in the trash in my first studio building on Grand Street in Bushwick, and I’ve never thought of it beyond its use as an object to balance my arm on while painting. But…

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  • Flora Yukhnovich: Four Seasons at the Frick Collection Cabinet Gallery

    Flora Yukhnovich: Four Seasons at the Frick Collection Cabinet Gallery

    What draws artists and audiences back to the Baroque now, in a century shaped by speed and fracture? Perhaps it is the recognition of kinship. The seventeenth century was also an age of cataclysm and wonder — continents mapped, the cosmos recalculated, science expanding perception. The Baroque arose amid fracture: religious schisms, shifting empires, faith and politics entangled. Art became theatrical, constructed to move the spirit through light, motion, and sensation.

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  • Art Spiel Picks: Philadelphia Exhibitions in October 2025

    Art Spiel Picks: Philadelphia Exhibitions in October 2025

    HIGHLIGHTS Just as a solitary action can cause a ripple effect, the sharing of unique ideas can inspire and transform existing systems to include and support different communities. The exhibitions this month demonstrate genuine curiosity and meaningful activation, leading to a trend of revisionist histories in art, institutional displays, or familial archives. Curators Jennifer Zwilling and Nicole Pollard reinvent how gallery exhibitions should be interacted with and ask the question of how clay can assist in caring for mental health at The Clay Studio. Artists Mahsa Attaran, Monica Hamilton, Hanieh Kashani, and Anna Schwartz create a language to describe the…

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