David Samuel Stern’s Portraits: The Mechanics of Longing

For photographer David Samuel Stern’s photography typically serves as a departure point for crafting tangible objects. In his Woven Portraits series for instance, Stern physically assembles pieces of his photographic portraits into new forms, aiming to fuse the notion of photographic representation with its own material nature, making a new essence. The imagery in this series may bring to mind Cubists’ and Futurists’ paintings, or David Hockney’s Polaroids, but in Stern’s  hybrid artworks, the imagery derives from a photographer’s imagination and can be distinctly traced to our digital age – the manual  counterpoints the virtual. Here Stern shares with Art Spiel some of his ideas, process, and projects.

Aaron; 2015; Photographic prints on archival translucent vellum, physically cut and woven together; 40 x 31 x ¼ in, 101.5 x 78.75 x 1.25 cm; Courtesy David Samuel Stern

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Amulets Ethereal at Barney Savage

Amulets Ethereal, partial installation view, photo courtesy of Barney Savage gallery

“Amulets Ethereal,” the thought provoking group exhibition curated by Jenny Mushkin Goldman at Barney Savage features works by Kharis Kennedy, Adam Krueger & Tableaux Vivants, Victoria Manganiello & Julian Goldman, Qinza Najm, Cheryl R. Riley, and Ashley Zelinskie. The artworks in this show run the gamut from manipulated found objects, like Cheryl Riley’s old farm tools and Qinza Najm’s carpet, to fabricated sculptures like Ashley Zelinskie’s 3-d printed futuristic cyborgs and Victoria Manganiello / Julian Goldman’s computerized weaving; from wearable art like the sewn tattooed silicon mask by the duo  Adam Krueger and Tableaux Vivants to Kharis Kennedy’s mysterious painting of a masked figure with a goat. Collectively the artworks are recontextualized as open-ended ritualized objects and images endowed with the questionable power to shield the viewer from the most tenuous of perceived dangers. Continue reading “Amulets Ethereal at Barney Savage”

Meet the artists at Wave Hill’s Open Studios

Tamara Kostianovsky, trunk 4. photo courtesy of the artist

Wave Hill* is a twenty eight acre public garden and cultural center overlooking the spectacular Hudson River and Palisades. Wave Hill aims to celebrate the artistry and legacy of its gardens, to preserve its magnificent views, and to explore human connections to the natural world through programs in horticulture, education and the arts. For the ninth consecutive year, Wave Hill opens Glyndor Gallery as workspace for selected New York-area artists, giving them the unique opportunity to explore the winter landscape and  develop innovative work based on direct observation  from nature. Continue reading “Meet the artists at Wave Hill’s Open Studios”