Keren Anavy and Tal Frank – Collaborative Breeding Grounds

Ever since  the Israeli born artists Keren Anavy and Tal Frank  started working in their nearby studios in Tel Aviv, they have developed a unique artistic collaborative process in addition to their individual thriving art practices. Their collaboration has resulted in multiple imaginative and rigorous installations that have been exhibited internationally.  For Art Spiel, each of the duo sheds light on their collaboration, individual art, and upcoming plans. They also share their recent formative experience at the  Everglades National Park residency in Florida (AIRIE), where they have  further perfected their work process dynamics.

Keren Anavy & Tal Frank, Compositions for Stones of Gold, 2018, Installation view, site-specific installation, wood, The Gallery of the Cultural Institute Mexico-Israel, Mexico City, oil on linen, each painting 76.7X37.4″, wood, Pyrite stones, video animation screening. Photo credit: Zony Maya.

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Viviane Rombaldi Seppey – Mapping her Road

Viviane Rombaldi Seppey, “Fragile”, hand cut atlas page (The World), wire, glass dome, plastic base, diameter 6 inches, 2017. Photo credit Etienne Frossard

In her poetic and playful installations Viviane Rombaldi Seppey coalesces everyday objects and materials, altogether bringing to mind  contemporary issues of identity, culture and environment. Maps, phonebooks, and books become directly embedded in her work as drawings, collages or sculptural objects. She has recently shared in an interview with Art Spiel some of her ideas and experiences. Continue reading “Viviane Rombaldi Seppey – Mapping her Road”

Get Loose at Rick Wester Fine Art

Get Loose, installation view, photo courtesy Rick Wester Fine Art

Get Loose, the three person show Curated by Tracy McKenna at Rick Wester Fine Art, features work by Cat Balco, Ben Godward, and Jason Rohlf, who all show a knack for unexpected twists of material resulting in exuberant abstracted forms and unorthodox color across the board. The  abstract paintings and sculptures in the show prompt loose  interpretations of Geometric Abstraction, where the hand is rigorously present. Continue reading “Get Loose at Rick Wester Fine Art”

Visual Arts Center of New Jersey – Global Angst

“Containment”, partial Installation view at Visual Arts Center of New Jersey, (right wall: Erin Diebboll,  center front: Linda Ganjian,  left: david Packer), photo by Etienne Frossard
The  group of international artists throughout the two exhibitions at the Visual Arts Center of New Jersey – “Containment” and “Oh what a world! What a world!” are altogether reflecting on social, political, and cultural changes in recent history.  “Oh what a world! What a world!”,  located in the Main Gallery, addresses a wide array of issues related to immigration, gender equality, civil rights, policing, protest, and the state of our Democracy. “Containment”, at the Eisenberg and Strolling Gallery, addresses specifically  hot trade issues –  how the use of shipping containers affects our ability to trade and ship goods globally, coming to the forefront with Trump’s attempts to remove the country from existing trade deals. Both shows were curated by  Mary Birmingham. The following preview on the two shows is largely based on text provided by the NJ Visual Arts Center.

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Katerina Lanfranco- Resisting Binary Oppositions

Katerina Lanfranco, photo by Edward Hutchinson

Katerina Lanfranco explores through painterly means the intellectual and physical freedom of making art at different scales and in various mediums. In her multi-faceted installations, paintings and sculptures she re-imagines scientific possibilities of human interference, interaction, and creativity in nature. Lanfranco, who is also a curator, educator, and writer, shares some thoughts on her journey, ideas, and curatorial practice with Art Spiel. Continue reading “Katerina Lanfranco- Resisting Binary Oppositions”

Martynka Wawrzyniak – Ziemia: From Warsaw to Greenpoint

Ziemia unveiled at McGolrick Park, photo credit Wojtek Kubik

Unveiled on June 9, 2018, the core object  in the multidisciplinary public art project Ziemia (“Earth” in Polish), takes the form of a ceramic orb. The orb was created by the Greenpoint based artist Martynka Wawrzyniak in collaboration with The Polish Cultural Institute of New York, NYC Parks, and  most importantly – Greenpoint residents.

Surrounded by the  rolling meadow in McGolrick Park, the orb represents the collective portrait of the diverse Greenpoint community, with an emphasis on participation of the many Poles who have lived in the neighborhood for generations.  Martynka Wawrzyniak shares with Art Spiel the ideas behind her intriguing public art project, as well as some thoughts regarding her overall art practice. Continue reading “Martynka Wawrzyniak – Ziemia: From Warsaw to Greenpoint”

Elisa Soliven – Genesis of making in Clay

Elisa Soliven, Studio Portrait, Courtesy Maxim Ryazansky

Elisa Soliven is a sculptor, curator, and co-founder of the artist collective Underdonk.  In her recent body of work, exhibited at the last SPRING/BREAK art show, Soliven experienced a turning point in her art.  In our interview for ArtSpiel she elaborated on her process and shared some of the thought process behind her work. Continue reading “Elisa Soliven – Genesis of making in Clay”

Brent Green – Chickens Can’t Be Trained

Brent Green, A Brief Spark Bookended by Darkness installation, Andrew Edlin Gallery 2018, photo by Olya Vysotskaya

Artist/performer/filmmaker Brent Green is known for the raw beauty and poetic power in his animations, performances, and art installations. For instance, as an artist in residence at the Park Avenue Armory from the fall of 2015 to early 2016, Green performed at the venue’s “Under Construction Series” animated works-in-progress with a live band.  Later on that year, Green provided video projections and music for the first portion of “Empathy School/Love Story,” Aaron Landsman’s theater diptych of monologues at the Abrons Art Center, where the audience were seated on stage. We started our conversation when we first met at his superb recent installation exhibit at Andrew Edlin Gallery. Continue reading “Brent Green – Chickens Can’t Be Trained”

Christina Massey – In Between Zones

Christina-Massey, artist-studio, mixed-media artwork, photo courtesy of the artist

Christina Massey is a multi faceted artist whose appetite for bold experimentation with multiple materials and techniques feeds her rigorous search for complex form and subtle commentary on social and cultural issues. This process oriented search results in prints, sculptural installations, and wall reliefs –  layered imagery in her two dimensional work and highly textured surfaces in her dimensional work. Massey represents our current state of being “in between,” not only in the hybridity of her art forms, but also in the very definition of what it means to be an artist at this moment. Continue reading “Christina Massey – In Between Zones”

Amulets Ethereal at Barney Savage

Amulets Ethereal, partial installation view, photo courtesy of Barney Savage gallery

“Amulets Ethereal,” the thought provoking group exhibition curated by Jenny Mushkin Goldman at Barney Savage features works by Kharis Kennedy, Adam Krueger & Tableaux VivantsVictoria Manganiello & Julian Goldman, Qinza Najm, Cheryl R. Riley, and Ashley Zelinskie. The artworks in this show run the gamut from manipulated found objects, like Cheryl Riley’s old farm tools and Qinza Najm’s carpet, to fabricated sculptures like Ashley Zelinskie’s 3-d printed futuristic cyborgs and Victoria Manganiello / Julian Goldman’s computerized weaving; from wearable art like the sewn tattooed silicon mask by the duo  Adam Krueger and Tableaux Vivants to Kharis Kennedy’s mysterious painting of a masked figure with a goat. Collectively the artworks are recontextualized as open-ended ritualized objects and images endowed with the questionable power to shield the viewer from the most tenuous of perceived dangers. Continue reading “Amulets Ethereal at Barney Savage”