Intermediate Geochromatic Studies at Nars

In dialogue with Jason Urban & Leslie Mutchler on their collaborative project at Nars Foundation

Jason Urban & Leslie Mutchler, Intermediate Geochromatic Studies at NARS Foundation, installation view, 2020. Photo courtesy of the artists.

Artists Jason Urban and Leslie Muchler who have been collaborating on art projects since 2012, share with Art Spiel their ideas, process, and ways of collaborating on their current exhibition, Geochromatic Studies, at NARS.

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Rachel Owens – The Hypogean Tip at the Housatonic

Art Spiel in dialogue with Rachel Owens on her sculpture exhibition at The Housatonic Museum of Art in Bridgeport CT

Rachel Owens, installation view

Rachel Owens seamlessly incorporates rigorous research of history and place in her visceral sculptural environments, offering us not only a feast for the eyes – in form, textures, and color – but also engaging us in a mysterious space where detritus like broken bottles, abandoned coal, and even the dust left from marble excavation transform into new forms. Altogether her sculptures prompt complex ideas about multi layered and urgent social issues of race, gender, history and capitalism among others. Rachel Owens elaborates for Art Spiel on her thought process behind this exhibition.

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Nina Mdivani – NY Meets Tbilisi: Defining Otherness Part I & II

In Dialogue with Nina Mdivani on her curatorial project at Kunstraum LLC (Brooklyn) and The Assembly Room (LES)

Rusudan Khizanishvili, Producing The New Body 2019, Acrylic on canvas, 31.49 x 27.55 inches

Nina Mdivani is an independent curator, art writer, and current Curator-in-Residence at Kunstraum located in the Brooklyn Navy Yard neighborhood. Her rigorous curatorial process and research have recently culminated in a two-part exhibition, New York Meets Tbilisi: Defining Otherness. This dynamic group show pairs the works of Georgian and American artists to create multilayered dialogues across cultural identities. Nina Mdivani shares with Art Spiel some of her background, and elaborates on the premise for the upcoming group show she has curated.

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Milcah Bassel – Poetic Documents

Milcah Bassel, governing vessels, 2019, artist book (variant edition of 5), closed: 4 x 3 ½ x 3”, open: 34 ¼” x 26 ½”

Milcah Bassel is an avid art learner whose curiosity leads to cross disciplines and techniques such as sculpture, performance, and bookmaking. She probes deep into her subjects and investigates her forms with rigor, but also with a playful approach. That playfulness is revealed throughout her diverse body of work, giving us a distinct flavor of her thought process and sensibility.

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Solstice at Flux Factory

Art Spiel in Dialogue with Jonathan Sims, curator of Solstice: An Exhibition of Works in Light

Solstice at Flux Factory

The group show “Solstice” at Flux Factory in LIC brings together ten installation, sculpture and performance artists who utilize light as a core element in their work. The gallery is darkened and the only light in the space will emanate from the artists’ work – LED, fiber-optics, incandescent, altogether “lensed into being.” The show features installations by Luba DrozdLaurent FortSizhu LiLindsay PackerKsenia SalionJonathan Sims and Performances by ÉMUNight ShiningPaloma KopTestu Collective . Jonathan Sims, the curator whose work is also featured in the show, shares with Art Spiel the idea behind this project and some info on the venue.

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Stay High – Leah Tacha at Gold/scopophilia

In Dialogue with Jennifer Wroblewski Founder of Gold/scopophilia

Leah Tacha, Notice Me. 2019. 20 x 11 x 3 inches. Ceramic with digital decals. Photo by Maeve Fitzhoward.
Leah Tacha, Notice Me. 2019. 20 x 11 x 3 inches. Ceramic with digital decals. Photo by Maeve Fitzhoward.

Gold/scopophilia is a rigorous artist run art venue in Upper Montclair NJ, founded in 2017 by Jennifer Wroblewski. The founder shares with Art Spiel the story behind her gallery, programming, and current exhibition featuring the work of Leah Tacha.

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Actual and Implied – Gregory Coates at Monica King Contemporary

Gregory Coates, My Big Brown Peace, 2019 deck brushes 76 x 252 x 3 inches

Each of Gregory Coates’s wall-based assemblages in Actual and Implied, the artist’s solo show at Monica King Contemporary, commands the space with its own powerful presence. Altogether, the show features over a dozen new mixed media assemblages made of found objects created with post-minimalist sensibility, for which Coates is mostly known for. It is a bold encounter with the objects of art at first, but the longer you look, the more subtle and fragile it becomes. The seemingly simple monochromatic surfaces from afar transform to complex arrays of color, line and dot from close-up.

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Isabelle Garbani – on Artifacts of Place

Place and Cultural Heritage at Stand4 Gallery

Isabelle Garbani curated the group show Artifacts of Place at Stand4 gallery in Bay Ridge, Brooklyn, running through December 15th. The show features work by Joyce Dallal, Dalia Baassiri, Mary Tuma, Daiffa Dessine, Arghavan Khosravi, Reem Bassous, Armita Raafat, Helen Zughaib, and Ekram Alrowmeim- all women artists who are of Middle Eastern and North African descent and who are dealing in their art with related cultural or political issues. The curator shares with Art Spiel her ideas behind this group show and some information about the participating artists.

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Plastic Expressions in Particularity: Nature Moves in Tracy McKenna’s Shift at Able Baker Contemporary

Elise Ferguson. Pebble. Pigmented plaster on MDF panel, 2018. Photo courtesy of Able Baker.

“Wisdom was the feeling for what is high, great, broad, sharp, even, heavy, bright, light, colorful . . . Wisdom was the feeling for an essentially shared reality, for the mystical, for the indeterminate indeterminable, for the greatest determinacy of all . . . but art is reality, and the reality we share must assert itself beyond all particularity.” Hans Arp, Introduction to a Catalogue

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Iris Häussler – Invented Biographies

Iris Häussler, Apartment 5

Throughout her multi-faceted installations, the German-born Canadian based artist Iris Häussler has been slipping in and out of multiple characters. Her invented underdog protagonists live through diverse historical periods and traverse vast geographies. Häussler’s rigorous installations transform any categorization. They are placed between life and art, coalescing multi-disciplinary collaborations including performance, literature, and richly layered visual vocabularies such as drawing, installation and sculpture. The visitor is invited to experience an individual’s life within a specific context of place and history, to decipher the clues from the artifacts and materials throughout installations that reflect on fiction, history and the meaning of a creative identity.

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