Juan Hinojosa: Ensemble Iconographies

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Juan Hinojosa in studio during LMCC residency

New York based artist Juan Hinojosa collects found objects from everywhere he passes by. A toy snake, a wooden bird, a Good Luck charm, fragments from advertisements and billboards—find their way into his intricate compositions, creating altogether layered sculptural assemblages and intricate two dimensional collages. In both dimensional and flat formats, Hinojosa’s vocabulary is grounded in Pop aesthetics with a tint of Surrealism. Through super vivid colors and elaborate graphic shapes he depicts imaginary worlds where extravagant shrines and hybrid flowery creatures become a convincing presence. When you get closer, you can most likely trace where they came from.

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Baris Gokturk: Danse Macabre in Public Spaces: Painting Euphoria and Madness in Times of Crisis


Baris Gokturk, working on All Saints at The Boiler@ ELM Foundation

Baris Gokturk’s installations are intricate, layered, and admirably ambitious in both meaning and form. The Turkish born New York based artist asks the big questions – what is his role as an artist, individual, immigrant within the larger context of a world in crisis? In All Saints he exhibited at the Boiler space at the ELM foundation he combined imagery of dance and fire into a monumental installation.

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Jon Bunge’s Presence at the Bonsack Gallery

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Installation view, 13.5′ x 10.5′ x 3.5′, 2021

In Jon Bunge’s exhibition, Presence, at the Bonsack Gallery of John Burroughs School in St. Louis, Missouri, 23 sculptures, moving and turning in invisible air currents, appear to float inches above a hardwood floor. Made from the branches of trees, they evoke both a sense of mystery and a clear expression of the universe’s forces. Eight more works are included in a display case outside of the installation.

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Joseph Fucigna: DRIP-DROP, TICK-TOCK, HERE + NOW at the Housatonic Museum of Art

Previewing with Joseph Fucigna

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DRIP-DROP, TICK-TOCK, HERE + NOW, Housatonic Museum of Art. Photo: Paul Mutino

Joseph Fucigna is a multi-media artist whose work is rooted in process, play and the innate qualities of the materials used. Through experimentation, and innovation, he creates sculptures, paintings and drawings that are known for their power to transform materials, ingenuity and odd but compelling subject matter. His one-person show, DRIP-DROP, TICK-TOCK, HERE + NOW, was originally scheduled to open at the Housatonic Museum of Art in Bridgeport, Connecticut in September 2018. Due to water damage from a fire above the space, it was rescheduled for September 2020, and postponed a second time due to COVID. At this time the exhibition opens for the third time on October 28th and runs through December 10th, 2021.

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Low Affinity: Johanna Strobel at GiG Munich

Featured Project: with founder and curator Magdalena Wisniowska

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Johanna Strobel, Low Affinity, 2021, installation view

Johanna Strobel’s mind-bending multi-media sculptural installations at GiG Munich resonate with an urgent longing for an orderly system while a sense of entropy surfaces simultaneously. Plug going into socket, red and blue lights turning on and off—hint at an unstable world where information is lost through failing USB cables and unreliable mnemonic devices.

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High + Low: D. Dominick Lombardi Retrospective at Marie Walsh Sharpe Gallery

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Visiting Artists & Critics Series Lecture Reception for Artist + Curator, UCCS GOCA’s Marie Walsh Sharpe Gallery of Contemporary Art, Ent Center for the Arts. Photos: Allison Daniell Moix, Stellar Propeller Studio

High + Low: D. Dominick Lombardi Retrospective at the Marie Walsh Sharpe Gallery in Colorado Springs, features 20 distinct chapters of Lombardi’s career, with artworks spanning nearly five decades. Curated by T. Michael Martin, Director of the Clara M. Eagle Gallery at Murray State University in Kentucky, the exhibition highlights the common thread throughout Lombardi’s work—an interest in blending qualities of highbrow and lowbrow art, through experimentation with various media. Lombardi’s life-long journey began with his exposure to modern art when he first saw a reproduction of Picasso’s Guernica (1939) at a very young age and continued with his introduction to the seductive world of Zap Comix in 1968. Curator T. Michael Martin says, “Lombardi’s masterful mix of high and low culture is as current as the day it was created, showing how little the aesthetics of human behavior have changed. In some ways, Lombardi’s distortions are a more truthful look at society than our daily facade of polite policy and political correctness, especially in the way we prompt contention, as Lombardi offers a much-needed change and disruption through his unique sense of humor.”

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Nice to See you Again at Underdonk

Featured Project: with curators Leonora Loeb and Keisha Prioleau-Martin


Opening night of Nice to See you Again, In the foreground: Madeline Donahue, Butterflies, 2021, glazed ceramic, 8” x 7” x 6”

The group show Nice to See you Again at Underdonk features work by ten artists whose paintings, sculptures, and photographs address the loaded meaning of the outdoors during the pandemic—a shared sense of longing for the openness of the outdoors while simultaneously also craving for the warmth of the indoors. The show is organized by Leonora Loeb and Keisha P:rioleau-Martin and runs from October 30 th through November 20 th , 2021.

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Amanda Thackray: Surface Tension at NJCU

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Amanda Thackray with A Tangle; A Swarm; A Precondition of the Plastisphere, 2021

In her solo exhibition at the Lemmerman Gallery in NJCU curated by Doris Cacoilo, Amanda Thackray presents her handmade paper installations, prints and sculpture which altogether comment on plastic pollution and the fragility of marine environment. The artist creates an allegorical environment which both reflects and distorts an aquatic world.

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Jim Condron and Ilse Sørensen Murdock – Toss at Platform Project Space

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Installation view, Jim Condron (front), Ilse Sorensen Murdock (back)

At first glance, Jim Condron’s whimsical sculptures and Sørensen Murdock’s landscape paintings are an unexpected match for a two-person exhibition. Yet, in Toss, the current show at Platform Project Space, artist and curator Elizabeth Hazan made it into an engaging duet. The show runs the gamut from landscape paintings on canvas to paintings and sculptures made of scavenged materials, but regardless of the used media, both artists prioritize color, texture, and composition.

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