sculpture – Page 24

September 1, 2022November 2, 2022, by Art Spiel

ADJUSTED for Inflation at Kunstraum

Featured Project with curator Ashley Ouderkirk

ADJUSTED for Inflation, Part 1 installation image. (Artworks visible by Sandra Zanetti, Taisha Brehaut, Bartho Staalman, and Amir Hariri.) Photo by Jenna London.

ADJUSTED for Inflation, the group show curated by curator-in-residence Ashley Ouderkirk at Kunstraum LLC features eighteen works by fourteen members and artists in residence—Annette Back, Taisha Brehaut, Laura Clark, Aleksy Cisowski, Giacomo Colosi, Amir Hariri, Catherine Lewis, Rita Nannini, Olga Rabetskaya, Bartho Staalman, Sato Sugamoto, Dimana Zaharieva, Cassandra Zampini, and Sandra Zanetti. The title, ADJUSTED for Inflation, is based on the economic term referring to the “real” value of money, after considering how much the price of an average good or service has increased. The curator says that the exhibition, like the economic concept, aims to reveal how our emotions determine the “real” value of any situation—the more complex the hardship, the greater the emotional cost and more distorted the adjustment. It runs through September 10th, 2022.

August 27, 2022December 30, 2022, by Sara Farrell Okamura

Who Gets On The Front Cover?

*Study for “Mother/Son”*, 1984, Ink on Artforum magazine cover. (March 1977), 10.5″ x 10.5″, photo courtesy of the artist

Enter Thompson Giroux Gallery in Chatham NY and come face to face with what we as artists, curators, critics, gallerists and historians consciously and subconsciously know; we are missing greats. Arthur González’s exhibition, Ego Diaries confronts the art world and those who control the keys to the kingdom and anoint who is recognized and who is not.

August 24, 2022August 24, 2022, by Saul Ostrow

Some last words on the Whitney Biennial as a cultural labyrinth

Opinion

I would hate to think I have become an old and conservative critic who believes our best days are behind us. I would rather believe that my structuralist perspective is capable of evaluating contemporary emerging practices and recognize the social, cultural and political value of these tendencies. What brought this on is having recently seen the 1962–64 exhibition at the Jewish Museum. This show examines how artists living and working in New York during this three-year period responded to rapidly changing social and cultural conditions, by questioning what was considered to be art’s normative forms and subjects. This post-AbEx generation was concerned with creating aesthetic configurations that would result in novel perceptual modes and political subjectivities.

August 17, 2022August 18, 2022, by Melissa Stern

Motel in the Catskills

The rural Catskill mountain village of Fleischmanns an unlikely a place to find a world-class contemporary art installation.

In the nineteenth century, the village was a flourishing, prosperous Catskill vacation spot for the New York well-to-do, resplendent with Victorian mansions and lodging houses, attracting both Jewish and non-Jewish summer residents. By the mid-twentieth century, the town had languished, and many properties had fallen into disrepair. Over time, Fleischmanns became a summer retreat for a large ultra-Orthodox Jewish community who juxtapose oddly with deer hunters, RV owners, motorcycle enthusiasts, and other locals. “Eclectic” is an understatement. If Fleischmanns were on a deli menu it would be an Everything Bagel.

August 15, 2022December 30, 2022, by Art Spiel

Harriet Salmon: Tracing Genologies at Heroes

Featured Project: with artist and co-founder of Heroes Gallery

Harriet Salmon with (from left) Benny Merris’ *An Other Another 196*, 2022 and an Emilio Pucci silk scarf from 1964. Courtesy: Emilio Pucci Heritage.

Hrriet Salmon is an artist, gallerist, as well as a podcast host and producer. Her engagement in art is deep and wide—in her own art she makes sculpture, drawing, photo, installation, and weaving; in Heroes, the gallery she co-founded with her partner, Jesse Penridge, they create vibrant visual dialogues between contemporary artists and historical art; in her Craftsmanship podcast she discusses technical skill in the contemporary artworld told through oral history of fabricators.

August 11, 2022November 2, 2022, by Art Spiel

Jesse Pallotta – QT Art Camp

Grantee of Brooklyn Arts Fund

Project Profile: QT Art Camp Brings Free Art Workshops to Queer and Trans Youth

Brooklyn Arts Council announced in March 2022 an allocation of over $1.3 million to 238 Brooklyn-based artists and cultural organizations. This year marks the highest number of grantees and awardees as well as the largest amount of funding BAC has ever distributed. Art Spiel in collaboration with Brooklyn Arts Council features some artists who received a Brooklyn Arts Fund, Local Arts Support, and/or Creative Equations Fund grant in 2022.

QT Art Camp just announced its summer series of art workshops for queer and trans youth taking place in New York. These workshops are free and welcome to youth ages 13-19. During the workshops, youth will work with NYC-based trans artists. Workshops including vogueing, film photography, painting and drawing. Youth are encouraged to learn new skills, discuss art with their peers and mentors, and will leave with a finished art piece. QT Art Camp is starting local but hopes to reach youth nationally, especially in smaller cities that don’t currently have many resources for queer and trans youth.

August 4, 2022December 30, 2022, by Art Spiel

Heidi Norton – The Edges of Everything at Wave Hill

Featured Artist

Heidi Norton and Eileen Jeng Lynch, curator.

Heidi Norton’s site-specific installation at Wave Hill examines the intricate links between humans and the natural world. Inspired by Wave Hill’s grounds and the Sun Porch’s architecture. Activated by sunlight, Norton’s installation is made of sculptures and large, vibrant photographic scrolls draping from the ceiling and undulating through the space. Norton says that the configuration of scrolls encompasses landscapes of present and past, incorporating recent photos that the artist took of the gardens, as well as archival images. Norton’s work draws on her rural upbringing by New Age homesteaders. She upcycles discarded plant clippings from Wave Hill’s gardens, repurposes compost and deconstructs past work, incorporating it into new pieces—speaking to sustainability, contemplating how memories are embedded in materials and landscapes, as well as how a sense of place is recorded through time and changes in the land. Heidi Norton with her site specific installation, The Edges of Everything at Wave Hill, July 16th – August 28th, 2022. Meet the Artist recording can be found here.

July 30, 2022July 30, 2022, by Melissa Stern

My Upstate Art Weekend Adventure

Macintosh HD:Users:melissa:Desktop:ETTY:1. Vanessa German.jpg — Vanessa German, *Black on Black*, 2021, Handmade folk art cloth Black woman pin cushion, glory, wood, love, astroturf, Black seed beads, confusion, Black rhinestone trim, Black bead trim, (they traded your grandmother for a handful of beads), vintage hand purse, rage, old doll parts, ptsd, the fallout from white supremacist delusion, cork, Black pigment, sorrow, vintage mirror, self loathing, cotton, a miracle, twine, tears, yarn, heartbreak, love. 26 x 18 x 9 1/2 in

Last weekend was the third annual Upstate Art Weekend, a wildly ambitious and fun three-day art fair that winds its way from Westchester to Catskill NY. Founded by impresario Helen Toomer in 2020, Upstate Art Weekend celebrates and promotes visual arts throughout the Hudson Valley. One hundred and forty venues participated this year, and there was everything from art in a big-box truck in Kerhonkson to the gallery/studio campus of Foreland in Catskill. The intense heat of last week made this year’s event a challenge, but totally worth the sweat. Here is a brief travelogue of my schlep around the Hudson Valley:

July 28, 2022December 30, 2022, by Melissa Stern

Hew Locke: The Procession at the Tate Britain

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Each year The Tate Britain commissions a large-scale art installation for the iconic Duveen Galleries at the museum. This is a vast space, an art-filled hall, more than a typical gallery that winds its way down the center of the museum on the first floor. This year they tapped the Guyanese-British artist Hew Locke whose visual musings on migration, history, national identity and ritual are well known in the British art world. Locke has long worked these themes, but never on such a scale. It is a wildly ambitious vision that embraces his interests and presents a fully developed Universe.

July 25, 2022December 30, 2022, by Art Spiel

The Baroness at Mimosa House London

Art Spiel Photo Story

Elsa von Freytag-Loringhoven (c. 1921-22), George Grantham Bain Collection, Library of Congress Prints & Photographs Division, LC 5677-2. From digital scan of photograph.

The Baroness at Mimosa House in London is a group exhibition dedicated to Dada artist, the Baroness Elsa von Freytag-Loringhoven (1874–1927). The exhibition manifests the ongoing influence of the Baroness on contemporary artists and poets, showcasing artworks and performative contributions created in homage to Elsa von Freytag-Loringhoven or influenced by her radical work and effervescent personality. The show questions the legacy of Dada poetry and performance today, in a feminist and queer dimension in particular. How can artists navigate the art world, politics and society while creating a work which resists and disrupts the conventional canon? Elsa von Freytag-Loringhoven becomes a role model and inspiration for international artists of different generations and media of work.