Artist Heather Cox at Guild Gallery II. Photo by Monika Graff
Heather Cox, a sculptor and photographer, discovered an unexpected medium in snapshots. Years ago, when she had her camera film developed, the 1-hour photo lab often provided double prints. Over time, these duplicates, along with countless other photos, accumulated in boxes. Unable to part with them, they lingered in storage—until the COVID pandemic brought a sudden shift.
“Shared Vision: Portraits from The CCH Pounder-Koné Collection at The African American Museum in Philadelphia (AAMP). Photo courtesy of The African American Museum in Philadelphia (AAMP)
December is a gift of a month for exhibitions in Philadelphia. Those currently on display at the Philadelphia Museum of Art, African American Museum of Philadelphia, and Fleisher/Ollman Gallery are not to be missed. From macro scale celebrations to quiet personal yearnings in intimate moments, the works in these exhibitions explore the fullness and complexity of artists within and alongside Black contemporary life.
Georgia O’Keeffe and Henry Moore at Museum of Fine Arts, Bosto
It’s the end of 2024 and a new year is upon us. As we go into the holiday season to celebrate, reflect, and make resolutions for a new year, let’s also remember to take time to see all the amazing art on view. In Boston, there are several knockout shows to catch while you’re out and about. Whether you’re gathering with friends or going to your favorite gallery’s holiday party, you’ll be spending time with family – chosen and inherited – to feel centered, grounded, and a sense of belonging. Family can be wondrously complicated and beautifully complex in its array of characters.
First thing that pulled me into Shiva Ahmadi’s Tangle exhibition were the pressure cookers. It took me a moment to recognize them: from a distance, they appeared as intricate decorative objects and archaeological relics simultaneously. While the vintage pressure cookers evoked associations of domestic warmth and memories of my grandma’s kitchen, their surfaces etched with Arabic calligraphy and floral ornamentation recall artifacts from a Persian or Arabic cultural heritage museum. The patience and meticulous craft of such engraving parallels the labor of generations of women who spent countless hours in the kitchen crafting their family’s meals.
If you haven’t visited the little paradise up in the Bronx called Wave Hill recently, now is the time to go there, not only to experience the beautiful gardens but to see exhibitions that are not to be missed, one of them being Stephanie Beck’s Bough. Beck, who has always been a risk-taking sculptor, either building cities out of paper or manipulating wood into gravity-defying constructions, speaks with me about her latest body of work constructed from materials found at Wave Hill and bringing to light crucial environmental issues beautifully and elegantly. This is the last week to see the show, which runs through December 1st, 2024.
Eva Zanardi, the guest curator of the group show—In and Out of Lineage:Tracing Artistic Heritage Through SUNY New Paltz Faculty—observes that many times in her life, art has raised her awareness and consequently even made her reconsider her point of view on important issues. Zanardi says that the prerogative that should belong to most art is to be thought-provoking; as the educator and activist Cezar A. Cruz says, “Art should comfort the disturbed and disturb the comfortable.” Eva Zanardi shared some of her curatorial process and gave us here a brief guide through the show.
Mickalene Thomas. I’m Feeling Good, 2014. Rhinestones, acrylic, oil, and enamel on panel, photograph courtesy of the gallery
The change of the seasons can stir up deep emotions. There is uncertainty and anticipation as the days get shorter, the wind picks up, and the mornings grow colder. It is at these times that I find myself both introspective and aching for connection with others. For me, this cocktail of emotional contradictions can be soothed by a good book, a show, or some art. Viewing the following exhibitions, I felt connected with fellow human beings who, through their unexpected processes and determination, create work that gives us openings into their journeys and identities.
Installation view, DWELVE: A Goosebump in Memory at Gagosian
Painting is infused with jagged jolts of adrenaline and endorphins this month, as evidenced by the markedly etched walls of white cubes sprinkled across Chelsea. Broad, gestural sweeps across canvases move into sculptural territory through the decisive claiming of space through prescient encounters. At Gagosian, Jadé Fadojutimi’s flourishing brushstrokes are illuminated by radiant pearlescent and neon hues that push and pull with hypnotic intensity. One is lifted off their feet and transported to an alternate world teeming with dance cards chock full of visual tangos with electric punctuations. At Seizan Gallery, Yashushi Ikejiri also embraces striking, colorful combinations through vibrant representations of the mundane, bringing an almost surrealist figuration of vignettes through a masterfully crafted language of paint. Pinaree Sanpitak’s presentation at Lelong & Co. takes a different approach through the limitations of color, where neutrals dominate with equal measures of intensity and fervor. Alteronce Gumby wonderfully bridges the two approaches of marrying bold colors with delicate textiles by showing two different bodies of work that tether these realms at Nicola Vassell. Light remained a constant inhabiting each gallery, moving across, through, or exuding from within each painting. As the brilliance of these colorscapes warms us from the inside out, each of these artists causes us to pause; the light they emit remains a constant with us as we move across our respective paths across the earth.
Installation view of Bradley Milligan’s Scrimmage, 2023, tinted joint compound, scrap wood, used drop cloth, oil on panel, cotton thread, hardware. 79 x 49 x 51 inches; Down the River, tinted joint compound, scrap wood, automotive polish, hardware. 85 x 71 x 5 inches
In the three person show Aggregate at Studio 9D, artists Sammy Bennett, Bradley Milligan, and James Bertucci channel New York streetscapes and detritus to relay an earnest and affecting impression of the city. Bertucci’s trompe l’oeil paintings, Bennett’s fabric installation, and Milligan’s rugged sculptures overlap in a reverence for craftsmanship. Labor and construction are this show’s subject and, in many ways, its medium. In its use of material and representation Aggregate is boldly literal in its translation of the city’s chaos and beauty.
Encyclopedia of Light (Today in Two Parts) at Elijah Wheat Showroom, installation view
On March 31, 1884, the Village of Newburgh became New York’s second municipality to receive electricity, just two years after New York City. On September 14, 2024, Matthew Lusk achieved a similarly electrifying milestone by launching his solo show, Encyclopedia of Light (Today in Two Parts), an outstanding exhibition running through December 1 at Elijah Wheat Showroom in Newburgh, NY.