Timothy Makepeace has spent nine years making art about one of the most complex machines humanity has ever built. Since his first visit to NASA’s Goddard Space Flight Center in 2016, the artist has developed an expansive body of work in response to the James Webb Space Telescope — its gold-plated beryllium mirrors, its acoustic test chambers, the light it gathers from increasingly distant points in time. The culmination of that inquiry is Ghost in the Machine, on view at the American University Museum at the Katzen Arts Center in Washington, DC, through August 9, 2026. We spoke with Makepeace about working with NASA engineers, the formal decisions behind his square-format drawings, and what kept drawing him back to a telescope now orbiting the Sun a million miles from Earth.
Continue reading “Timothy Makepeace: From Thirty Feet to One Million Miles “Eccentric Abstraction at MoCA L.I.
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John Cino, curator of Eccentric Abstraction at MoCA L.I, first encountered the works of Eva Hesse, Jackie Winsor, and Linda Benglis during his undergraduate years, an experience that deeply influenced him. He draws a throughline from their pioneering works to the current exhibition, “For each of the artists in the show—Stephanie Beck, Sky Kim, Christina Massey, and Sui Park—the process of making is a visible element of the work, and the forms they create are evocative with minimal narrative, Cino explains.
Continue reading “Eccentric Abstraction at MoCA L.I.”Jamie Martinez, a Triangle on Its Own

Jamie Martinez, who has just launched THE BORDER at the 56 Bogart building in Bushwick, is a prolific artist, curator, blogger, and now – gallerist. In his interview with Art Spiel, Martinez shares a bit about himself, the genesis of his multiple activities and his exciting plans for the near future. Continue reading “Jamie Martinez, a Triangle on Its Own”