public art – Page 2

May 28, 2025May 27, 2025, by Andrew Fish

Art Spiel Picks: Boston Exhibitions June 2025

Highlights

*Lucy Kim: Pigment Spells* at Praise Shadows Gallery, Brookline, MA. Photo by Dan Watkins, courtesy of Praise Shadows Gallery

Several wonderful exhibitions are on view in Boston this month and many more are scheduled for the summer, along with artist talks, performances, and events. Boston’s Public Art Triennial kicked off with a ribbon cutting and a party to celebrate the arrival of several new public art installations around the city for art goers to enjoy throughout the summer. The schools are getting ready for summer break but many of their galleries remain open with dynamic shows. Whether you visit the city, the Cape, or the Islands over the next few months, there is always something to see. Here are a few highlights to consider.

April 22, 2025April 21, 2025, by Etty Yaniv

DUMBO Open Studios 2025 with Jenny Polak

*Mattress 2 (We Who Believe In Freedom Cannot Rest) 2024*, detail. Photo courtesy the artist

On April 26th and 27th, from 1 to 6 pm, artists in DUMBO will open their doors to the public as part of DUMBO Open Studios, offering a rare look inside the art studios along the Brooklyn waterfront. Since the 1970s, DUMBO has been shaped by its vibrant art community. This interview series highlights a handful of participating artists in 2025. Each response offers a glimpse of what’s waiting behind the studio door. Jenny Polak has been based in DUMBO since February 2025, previously participated in the BRIC residency in 2022, and returned this year to 20 Jay Street—now working from Studio #310B—through the Cultural Space Subsidy Program.

April 21, 2025April 20, 2025, by Etty Yaniv

DUMBO Open Studios 2025 with Peter Drake

A person holding a picture frame

Description automatically generated — Peter Drake in his Dumbo studio. Photo courtesy of Janice Faber

April 16, 2025April 15, 2025, by Etty Yaniv

DUMBO Open Studios 2025 with Main Window

A window with a blue and gold art piece

Description automatically generated — *Crossing Spaces* by Winnie Sidharta. On View 24/7 through May 27, 2025

On April 26th and 27th, from 1 to 6 pm, artists in DUMBO will open their doors to the public as part of DUMBO Open Studios, offering a rare look inside the art studios along the Brooklyn waterfront. Since the 1970s, DUMBO has been shaped by its vibrant art community. This interview series highlights a handful of participating artists in 2025. Each response offers a glimpse of what’s waiting behind the studio door. Main Window, situated in the historic Clocktower Building at 1 Main Street, has been a presentation space dedicated to public art in DUMBO since 1980. Their enduring mission is to spotlight the diverse voices of under-represented Brooklyn and New York City artists. Main Window is curated by artist and Dumbo resident Jeff Wallace. @mainwindowdumbo

April 13, 2025April 14, 2025, by Etty Yaniv

DUMBO Open Studios 2025 with Cheryl Wing-Zi Wong

November 4, 2024November 19, 2024, by Etty Yaniv

Donna Conklin King: Fifty-Eight Feet Down the Ocean

Hot Air

“Bubbly Barnacles” after launch photo, courtesy of UMAFL

Sculptor Donna Conklin King draws on the philosophy of Kintsugi, the centuries-old Japanese art that highlights an object’s imperfections by emphasizing its cracks with gold leaf. She works primarily with concrete, experimenting by casting forms from unconventional materials such as tin ceiling tiles, food containers, and fabric. Her sculptures often incorporate delicate elements like doilies and 24-karat gold leaf, exploring the relationship between nature, architecture, and the inevitable decay of civilization. In her recent focus on public sculptures, Conklin King’s pieces are “openly cracked and repaired,” evolving and enduring over time. They reflect themes of resilience, history, and archaeology.

October 3, 2024September 29, 2024, by Etty Yaniv

Divisions: To Be Human Is To Act Humanely

Featured Project

at Griffiss International Sculpture Park , Rome, NY

Linda Cunningham – Divisions

… hunger and fear can vanquish all human resistance, and all

freedom … Freedom consists in knowing freedom is in danger.

But to know … is to have time to avoid & prevent the moment of

inhumanity … the infinitesimal difference between the human

being and the non-human being …

————–Emmanuel Levinas, Totality and Infinity

August 20, 2024October 6, 2024, by Anna Shukeylo

Art Spiel Picks: Midtown Exhibitions in August 2024

HIGHLIGHTS

A green plants in a room

Description automatically generated — Installation by Natalie Collette Wood, Urban Oasis: Nature in Transit at Chashama 53rd St & 5th Ave Underground Subway Newsstand. Photo courtesy of the artist and Chashama

During the slow and hot month of August, Art still thrives through ChaShaMa in unexpected places around midtown. ChaShaMa – a nonprofit organization that provides studio and exhibition spaces for artists in midtown real estate and other venues throughout the five boroughs – empowers unique and surprising opportunities for installations across the City.

June 5, 2024May 22, 2024, by Jennifer McGregor

Sari Carel: A More Perfect Circle

Hot air

Artist and activist Sari Carel created A More Perfect Circle, a series of ceramic sculptures inspired by the single-use coffee cup, a ubiquitous object that brings into focus people’s daily experience of interacting with trash. Lentol Garden in Greenpoint, Brooklyn, hosts its first public art project that includes columns built of stacked ceramic forms and disks in the shape of plastic cup covers. The handmade, intentional, and individualized quality of each unit contrasts with the mass-manufactured coffee cup that inspires this project. Some of the drawings, experiments and observations that inform the installation are on view at the Greenpoint Library. A series of programs with 350Brooklyn and Climate Families NYC accompany the exhibition. Find out more here. The project is organized by KODA, a New York-based nonprofit arts organization dedicated to mid-career artists of diverse backgrounds. It is curated by Jennifer McGregor, who interviews Sari Carel for the Hot Air section in Art Spiel.

June 1, 2024May 28, 2024, by Saul Ostrow

Jenny Holzer’s Hypocrisy

Opinion

Walls of the Guggenheim Museum bathed in a purple glow. A scrolling LED text installation winds up the ramps of the Guggenheim Museum, displaying texts written and curated by the artist, leading to a blue sky beyond the oculus. — Installation view, Jenny Holzer: L: right Line, May 17-September 29, 2024. Solomon R. Guggenheim Museum, New York. @2024 Jenny Holzer, Artists Rights Society (ARS), New York, Photo: Filip Wolak

“I want people to concentrate on the content of the writing and not ‘who done it.’ I want the work to be of utility to as many people as possible. And I think if it were attributed to me, it would be easier to toss.”
Quote by Jenny Holzer from Art21

Recently, I wrote an opinion piece on the suspect politics of Maurizio Cattelan’s show at Gagosian Gallery — it questioned why successful artists who make political claims for their work do not use their privilege to engage in direct political commentary and action rather than critique by analogy. I’m not suggesting they need to engage in social practices like Mel Chin or Tania Bruguera; I think artists like Cattelan can be more direct in their criticism or more like Theaster Gates, who acknowledges the contradictions and privilege that comes with his success to the degree that he openly differentiates between museums and institutional exhibits that permit him to experimentation and his gallery exhibits that afford him market engagement. Meanwhile, while those works have an implied politic, he is an activist who focuses on community development, which is realized through his Chicago-based Rebuild Foundation, which is a platform for cultural development and neighborhood transformation. This multifaceted approach enables Gates to navigate and influence both the art world and broader societal issues without collapsing one into the other.