Crossing the threshold of the “Veieja Escuelera” exhibition at Synesthesia Gallery, Brooklyn, visitors find themselves enveloped in an eerie haze of green light that is both sensuous and disquieting. This is not the only defamiliarizing element since the floor is carpeted with artificial grass and the light works encompass phrases in multiple languages. On Anne Katrine Senstad’s turf, nothing is what it seems at first sight. A Norwegian artist living between New York and Oslo, she uses light both environmentally and sculpturally to expose the interdependence between perceptual experience, cognition, and ideological beliefs. Her practice engages both with the phenomenological inquiries of minimalist artists such as Dan Flavin and Robert Irwin and with the tongue-in-cheek propositions of Conceptual artists such as Joseph Kosuth and Bruce Nauman who have paired neon light with text to invite reflection on the function of art as sign.
Continue reading “Anne Katrine Senstad – Being (Un)schooled”Through the Kaleidoscope: Vojislav Radovanović on Dreams, Memory, and Finding Color in California
In Dialogue

Vojislav Radovanović’s multidisciplinary practice spans painting, drawing, installation, video, and performance. His work touches upon themes of queerness, memory, the immigrant experience, spirituality, and the complex relationship between humans and the natural world. Influenced by his upbringing in Serbia during a time of war and social upheaval, Radovanović approaches art as a therapeutic space for healing and transformation. His process-driven works often combine recycled materials, vibrant color, and symbolic imagery to create poetic, emotionally resonant narratives. Through layered compositions and dreamlike logic, he invites viewers into a shared space of reflection, imagination, and emotional release.
Continue reading “Through the Kaleidoscope: Vojislav Radovanović on Dreams, Memory, and Finding Color in California”Nicola Ginzel: How Do You Restructure Form?
Featured Project

In March 2020, Nicola Ginzel arrived at the Q21 Art Residency at the Museumsquartier in Vienna, Austria. This residency, which hosts international artists and selects one American artist every two months with the support of a Fulbright Scholar Grant, is designed to foster creative exchange through collaboration, networking, and studio visits.
Continue reading “Nicola Ginzel: How Do You Restructure Form?”Jody Wood Is Taking Care

Jody Wood uses mediums of social practice, video, photography, and performance in her art practice. On a brisk January afternoon in Brooklyn, we discussed the joys of transformation and the metrics to determine success and trauma in healing. Wood’s recent work re-imagines routines in poverty support agencies, aiming to sculpt power dynamics and relationship networks and resist stigmas surrounding poverty. Her solo show Collecting Health at Open Source Gallery features Social Pharmacy (2021-ongoing), a project that redefines public health as a collaborative performance and asks what healing rituals can be found in simple acts of generosity between members of society and by utilizing the natural world around us. Collecting Health at Open Source Gallery runs from February 10 to March 22, 2024.
Continue reading “Jody Wood Is Taking Care”Norte Maar’s CounterPointe10 – Alejandra Seeber and Sarah Yasmine Marazzi-Sassoon
Dance

The impetus for this series of conversations between a visual artist and a choreographer comes directly from my recent collaborative work with a choreographer as part of Norte Maar’s CounterPointe10. In this unique project a choreographer is paired with a visual artist to create together over two months a dance performance that integrates the two disciplines into a cohesive vision. Here is the conversation between artist Alejandra Seeber and choreographer Sarah Yasmine Marazzi-Sassoon.
Continue reading “Norte Maar’s CounterPointe10 – Alejandra Seeber and Sarah Yasmine Marazzi-Sassoon”Norte Maar’s CounterPointe10 – Julia K. Gleich and Jason Andrew
Dance

The impetus for this series of conversations between a visual artist and a choreographer comes directly from my recent collaborative work with a choreographer as part of Norte Maar’s CounterPointe10. In this unique project a choreographer is paired with a visual artist to create together over two months a dance performance that integrates the two disciplines into a cohesive vision. We start here with an introductory conversation between the founders and directors: Julia K. Gleich and Jason Andrew.
Continue reading “Norte Maar’s CounterPointe10 – Julia K. Gleich and Jason Andrew”Habby Osk: No Tricks Involved

Habby Osk’s work rests upon basic physics—gravity, balance, movement, time and force. These concepts are the concrete medium for her artistic practice which toys with the limits of balance and stability using gravity and force. Through sculpture, photography, and installations, Osk reveals a tension between movement and stillness by placing objects in seemingly unstable positions, capturing a moment of perpetual precarity. These compositions of fragility emphasize the potential for destruction but within an equally mirrored state of balance and stability using a variety of materials such as concrete, wood, aluminum, wax, sugar and jello. Her work references impermanence and the contingency of an action—probing how far objects can go without tipping over, to capture the moment of stillness before a looming collapse or transformation over time.
Continue reading “Habby Osk: No Tricks Involved”Playarts: Cultivating Creativity in our Community
Featured Project: Music and Dance at Parkside Plaza with Davalois Fearon Dance

Davalois Fearon in rehearsal for Finding Herstory – Photo by Anya Kress
PLG Arts (Prospect Lefferts Gardens Arts), in collaboration with Davalois Fearon Dance (DFD), presents Music and Dance at Parkside Plaza, an outdoor, block party-style event that celebrates the rich Caribbean heritage of Flatbush/ Prospect-Lefferts Gardens (PLG) and the growing community of local artists. The free performance will take place on October 17th at 2 pm at Parkside Plaza, located at Parkside Ave and Ocean Ave, Brooklyn, NY 11226. The event will feature live drumming by Ryan Greenidge, Agyei Phillip, and Rasaan Green, and the music of composer and woodwind player Mike McGinnis, Dancehall, and Reggae facilitated by D.J. Ayanna Heaven, and a site-specific performance of Finding Herstory and community dance-along led by Davalois Fearon, the founder and artistic director of Davalois Fearon Dance Company. In addition, she shares with Art Spiel her reflections on this public project.
Continue reading “Playarts: Cultivating Creativity in our Community”Public Events in all Five Boroughs
Local Artists and Cultural Organizations in Each Borough to Host Outdoor, Socially Distanced Press Conferences with Performances March 18-19

FreeDa Banana leading an outdoor dance class during LEIMAY Block Party. Image courtesy LEIMAY.
Image Credit: Shige Moriya
One year after New York City’s arts and cultural sector suddenly shut down over the period of one week in response to the COVID-19 pandemic, events in each borough will mark the somber anniversary. Comprised of speeches by local elected/cultural leaders and performances by New York artists, this day of programming memorializes the shut down while looking forward to the needs of a resilient NY artistic community. The events are united by the dual themes of #CultureRemembers and #CultureForward, and will take place on Thursday, March 18, and Friday, March 19. Local leaders and artists will participate in all of them.
Continue reading “Public Events in all Five Boroughs”Will Hutnick – Artist as Facilitator

At the Elizabeth Murray Artist Residency by Collar Works, Granville, NY, July 2019, Photo by Monica Hamilton
Will Hutnick is an artist, curator, co-director of Ortega Y Gasset Projects in Brooklyn from 2015 to 2020 and Director of Artistic Programming at the Wassaic Project upstate NY. In his paintings Will Hutnick is using rollers, and includes other mono-printing-like methods to create repetitive passages which form playful and unexpected relationships between shapes and colors. He shares with Art Spiel some of his work process, reflections on the ways his paintings have developed, and some of his other art related practices.
Continue reading “Will Hutnick – Artist as Facilitator”