Tag: painting

Posted on , by Etty Yaniv

Wild World closing at Cross Contemporary Art

Wild World: Ashley GARRETT, Catherine HOWE and Lily PRINCE, the current painting exhibition at at Cross Contemporary Art  opened on Sat. September 8th. On Sunday, September 30th Richard Klin will be reading from his novel, Petroleum Transfer Engineer, at the Cross Contemporary Gallery in Saugerties, NY  at 4:00 PM. Klin is also the author of two nonfiction books.  Klin’s work–fiction and nonfiction–has been featured on Public Radio International’s Studio 360 and has appeared in the Brooklyn Rail, the Atlantic, the Forward, Flyover Country Review, Adelaide, NPR’s All Things Considered and others.

Ashley Garrett, Sossusvlei,  2017,  oil on canvas

Continue reading “Wild World closing at Cross Contemporary Art”

Posted on , by Sharilyn Neidhardt

David Wojnarowicz – The Fire Still Burns

By Sharilyn Neidhardt

David Wojnarowicz , Untitled (Face in Dirt), 1991 (printed 1993). Gelatin silver print, 19 × 23 in. (48.3 × 58.4 cm). Collection of Ted and Maryanne Ellison Simmons. Image courtesy the Estate of David Wojnarowicz and P.P.O.W, New York
Like a gut-punch for the eyes, The David Wojnarowicz show History Keeps Me Awake at Night at the Whitney Museum of American Art hits the viewer with a visceral, almost-physical jolt of emotion. Bodies are veiled in photographic shadow and light, primary colors leap off large canvases stuffed with collage, lighted globes and spoken words combine to map out the passion and rage experienced by the artist in his relatively short life. There is such variety in the exhibition that my friend and I almost missed a whole gallery, mistaking it for a different artist’s work.

Continue reading “David Wojnarowicz – The Fire Still Burns”

Posted on , by Etty Yaniv

Keren Anavy and Tal Frank – Collaborative Breeding Grounds

Ever since  the Israeli born artists Keren Anavy and Tal Frank  started working in their nearby studios in Tel Aviv, they have developed a unique artistic collaborative process in addition to their individual thriving art practices. Their collaboration has resulted in multiple imaginative and rigorous installations that have been exhibited internationally.  For Art Spiel, each of the duo sheds light on their collaboration, individual art, and upcoming plans. They also share their recent formative experience at the  Everglades National Park residency in Florida (AIRIE), where they have  further perfected their work process dynamics.

Keren Anavy & Tal Frank, Compositions for Stones of Gold, 2018, Installation view, site-specific installation, wood, The Gallery of the Cultural Institute Mexico-Israel, Mexico City, oil on linen, each painting 76.7X37.4″, wood, Pyrite stones, video animation screening. Photo credit: Zony Maya.

Continue reading “Keren Anavy and Tal Frank – Collaborative Breeding Grounds”

Posted on , by Etty Yaniv

Carol Salmanson: Two Sides to a Coin

Carol Salmanson, Lightshift 1 with the artist, LEDs, reflective sheeting, plexi, beads, 50.5″ H x 69″W x 5.5″D, 2018

Carol Salmanson began as a painter and then gradually started embracing the use of LED lights in her work. In “Two Sides to a Coin,”  Salmanson’s recent solo show at SL Gallery, she shows her paintings and light work side by side. This results in a dynamic conversation between the two forms. Salmanson shared with Art Spiel the genesis of her work, thought process, and projects. Continue reading “Carol Salmanson: Two Sides to a Coin”

Posted on , by Etty Yaniv

Get Loose at Rick Wester Fine Art

Get Loose, installation view, photo courtesy Rick Wester Fine Art

Get Loose, the three person show Curated by Tracy McKenna at Rick Wester Fine Art, features work by Cat Balco, Ben Godward, and Jason Rohlf, who all show a knack for unexpected twists of material resulting in exuberant abstracted forms and unorthodox color across the board. The  abstract paintings and sculptures in the show prompt loose  interpretations of Geometric Abstraction, where the hand is rigorously present. Continue reading “Get Loose at Rick Wester Fine Art”

Posted on , by Etty Yaniv

Visual Arts Center of New Jersey – Global Angst

“Containment”, partial Installation view at Visual Arts Center of New Jersey, (right wall: Erin Diebboll,  center front: Linda Ganjian,  left: david Packer), photo by Etienne Frossard
The  group of international artists throughout the two exhibitions at the Visual Arts Center of New Jersey – “Containment” and “Oh what a world! What a world!” are altogether reflecting on social, political, and cultural changes in recent history.  “Oh what a world! What a world!”,  located in the Main Gallery, addresses a wide array of issues related to immigration, gender equality, civil rights, policing, protest, and the state of our Democracy. “Containment”, at the Eisenberg and Strolling Gallery, addresses specifically  hot trade issues –  how the use of shipping containers affects our ability to trade and ship goods globally, coming to the forefront with Trump’s attempts to remove the country from existing trade deals. Both shows were curated by  Mary Birmingham. The following preview on the two shows is largely based on text provided by the NJ Visual Arts Center.

Continue reading “Visual Arts Center of New Jersey – Global Angst”

Posted on , by Etty Yaniv

Katerina Lanfranco- Resisting Binary Oppositions

Katerina Lanfranco, photo by Edward Hutchinson

Katerina Lanfranco explores through painterly means the intellectual and physical freedom of making art at different scales and in various mediums. In her multi-faceted installations, paintings and sculptures she re-imagines scientific possibilities of human interference, interaction, and creativity in nature. Lanfranco, who is also a curator, educator, and writer, shares some thoughts on her journey, ideas, and curatorial practice with Art Spiel. Continue reading “Katerina Lanfranco- Resisting Binary Oppositions”

Posted on , by Etty Yaniv

 Helen O’ Leary: No Place for Certainty

Helen O’Leary, installation view of Home is a foreign country, 2018, photo courtesy of Lesley Heller by Eva O’Leary

Helen O’Leary‘s sculptural paintings are delicate and rough, subtle and raw, literal and metaphoric – they embrace and prick the viewer at the same time. Her current exhibition “Home is a foreign country“ at Leslie Heller indicates not only clear incisiveness and impressive mastery of form, but also a deep generosity- sharing with the viewer her rigorous process of  grappling with material: visible jointing, disjointing, bending, folding,  knitting. She says that somewhere through the struggle some magic happens. And magic does happen in her artwork. Continue reading ” Helen O’ Leary: No Place for Certainty”

Posted on , by Etty Yaniv

Hecho en Tránsito / Made in Transit at Salena

Travis Leroy Southworth  & Lisbet Roldan Collaboration Version 3, photo courtesy of the curator

What happens when artists who come from different worlds encounter one another through art? How does access to information and materials in the U.S. and the constraint and lack in Cuba affect making art? What does a dialogue look like without words? The exhibition “Hecho en Tránsito / Made in Transit” that is currently presented at the LIU Salena gallery, is posing these questions with rigor. The artwork in this show is resulting of a long term project which was designed to foster intercultural dialogue between U.S. and Cuban artists, primarily through the exchange and collaborative creation of artwork. The visual dialogue between the artists is sustained in thought provoking ways across time, place, cultural differences, and political transitions. Continue reading “Hecho en Tránsito / Made in Transit at Salena”

Posted on , by Etty Yaniv

OnEdge at The Painting Center

Audrey Stone, Double Pour

“OnEdge” at The Painting Center features ten contemporary painters who interpret the notion of ‘edge’ in their abstract paintings, conversing with mid-20th century abstraction sensibilities like Op Art and Washington Color, or early Mondrian.  Patrick Burns, Anthony Falcetta, Astrid Fitzgerald, Lori Glavin, Celia Johnson, Julie Karabenick, Richard Keen, Scot Sinclair, Audrey Stone, and Jennifer Woolcock-Schwartz  explore the tension between separation and union with color and line.  In her curatorial note,  Susan Post says that the shift between separation and union triggers the sensation of being ‘on edge’ – a prevalent state of mind at the moment.  Continue reading “OnEdge at The Painting Center”